Emphasizing art by artists who were present at these nuclear events—the “global Hibakusha”—rather than those reacting at a distance, Decamous puts Eastern and Western art in dialogue, analyzing the aesthetics and the ethics of nuclear representation
Over the years, SUPERFLEX have realized bold works that confront some of modern society’s most unsavoury aspects with free goods, free beers, resistance to social control, calls for solidarity and of course tools!
What will happen to our sensory apparatus in 50 years, when the mechanisms for how we communicate and sense our surroundings become obsolete, prompted by the advancement of sensors that will enable brain-to-brain communication?
Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions challenges the idea that ‘the camera never lies’
The book offers critical reflections on some of the most challenging environmental problems of our time, including land take, groundwater pollution, desertification, and biodiversity loss
The history of energy is neither linear nor Darwinian. It is full of forgotten fantastic innovations…
How live art has developed in the 21st century as a visual medium, a global language and a political force
What do outer space capsules, submarines, and office buildings have in common? Each is conceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy
A global overview of how contemporary artists incorporate text and the written word into work that speaks to some of the most pressing issues of the 21st century
The essays focus on future fictions in art and design from different perspectives: future fictions and imagination in creative practices, future literacy and future ethics
Media historian and artist Kristen Gallerneaux weaves a literary mix tape that explores the entwined boundaries between sound, material culture, landscape and esoteric belief
The book documents creative strategies by artists, fashion designers and other media users to become virtually faceless for aesthetic, fetishist or resistance purposes
In a world dominated by the visual, could contemporary resistances be auditory?
The book “combines artistic explorations, biological theories and perspectives from the social realm” to investigate how the current economic model could be reshaped
Stéphane Degoutin and Gwenola Wagon have investigated and condensed the schizophrenia of international airports in performances, research and more recently in a book
Contemporary positions in art and architecture seeking answers to current environmental problems that transcend mainstream notions of sustainability
“The collective wisdom of more than a hundred grassroots organizers from five continents. It’s everything you need for a DIY uprising of your own”
“How can acts of listening, walking, conversing, cooking, and gardening be related to, or even equated with, the well-established history of painting, drawing, sculpture, installation, and other recognized art forms?”
Reilly addresses the urgent need in the contemporary art world for curatorial strategies that provide alternatives to exclusionary models of collecting and display. In so doing, she provides an invaluable source of information for current thinkers and, in a world dominated by visual culture, a vital source of inspiration for today’s ever-expanding new generation of curators
Paying close attention to practices of trolling and making memes, Megan Condis demonstrates that, despite the supposedly disembodied nature of life online, performances of masculinity are still afforded privileged status in gamer culture. Even worse, these competing discourses are creating rifts within the culture at large, as witnessed by the links between the GamerGate movement and the rise of the alt-right during the last presidential election
The book portrays the routine cruelties of the twenty-first century through a series of detailed non-fictional graphic illustrations. None of these cruelties represent extraordinary violence – they reflect day-to-day implementation of laws and regulations around the globe
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent
Through an analysis of textual and media searches as well as extensive research on paid online advertising, Safiya Umoja Noble exposes a culture of racism and sexism in the way discoverability is created online
A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability
In 2005, a group of photographers took a stand alongside the people of the small town of Bil’in, and documented their fight to stop the Israeli government building the infamous West Bank Barrier. Inspired by what they had seen in Bil’in, the group went on to form Activestills, a collective whose work has become vital in documenting the struggle against Israeli occupation and everyday life in extraordinary situations
Based on Lauren-Brooke Eisen’s work as a prosecutor, journalist, and attorney at policy think tanks, Inside Private Prisons blends investigative reportage and quantitative and historical research to analyze privatized corrections in America
Some 100 contributors document around 120 key buildings from this period, including many previously unpublished discoveries that are in acute danger of loss through neglect of intended demolition. Moreover, the book features overviews of brutalism in architecture in twelve regions around the world
Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings
“It is perhaps in the post-human space away from ‘the money’ that the blockchain and smart contracts have the most original things to offer.”
Artists and researchers explore, unpack and critque the blockchain
“A new perspective on a traumatic chapter in German history.”
Arwed Messmer begins with the various photographs made by police photographers at the time—pictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed artistically
Trebor Scholz exposes the uncaring reality of contingent digital work, which is thriving at the expense of employment and worker rights. The book is meant to inspire readers to join the growing number of worker-owned“platform cooperatives,” rethink unions, and build a better future of work
The volume assembles the works of contemporary photographers for the purpose of lending visual evidence to the blatant discrepancy between people’s living conditions, which can be as fascinating as it is shocking
The essays are organized around two key figures: the Ghosts of long-gone creatures and wiped-out plants and the Monsters that both result from and bring about ecological disruption
Creditworthy highlights the leading role that commercial surveillance has played—ahead of state surveillance systems—in monitoring the economic lives of Americans. Lauer charts how credit reporting grew from an industry that relied on personal knowledge of consumers to one that employs sophisticated algorithms to determine a person’s trustworthiness
Sholette lays out clear examples of art’s deep involvement in capitalism: the dizzying prices achieved by artists who pander to the financial elite, the proliferation of museums that contribute to global competition between cities in order to attract capital, and the strange relationship between art and rampant gentrification that restructures the urban landscape
Artist Aleksandra Mir interviews scientists about technological innovations, politics of outer space, the place of the humanities in research and imagined futures that already affect our lives
Allan Wexler’s works can be broadly described as tactile poetry composed by re-framing the ordinary. They sustain a narrative about landscape, nature, and the built environment that highlights the intriguing and surprising characteristics latent in the elements and rituals that pervade daily life
Drawing on fieldwork, philosophy, literature, history, and a range of other perspectives, each of the chapters in this book tells a unique extinction story that explores what extinction is, what it means, why it matters—and to whom
The booklet’s manifesto calls for design (or art) that gets out of the sleek graduation shows and galleries, confronts sociopolitical issues head-on and bites back. As he sums up, “Design can be how to punch Nazis in the face, minus the punching”
The case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere