The exhibition illustrates the history of colonial and ecological exploitation hidden behind the beauty of tropical plants
The book takes our planetary state of emergency as an opportunity to imagine constructive change and new ideas. How can we survive in an age of constant environmental crises?
“With so many tears I started to wonder whether it is possible to cultivate some marine life in them,” the designer writes.
What is that nature we so desperately worship, seek to love, protect and save? Does it even exist?
While the Meta.Morph festival explored society’s love for nature, Laura Beloff probed into ecophobia and more specifically the disgust we feel towards creatures like ticks and other parasites
In her ongoing show in Milan, Anicka Yi highlights how our associations with smell, along with sight, breed prejudices and anxieties
While weather patterns have been disrupted -sometimes irreversibly- by technologies reliant on extractivism, these same technologies are now hailed as saviours that can protect the planet through weather manipulation
30 Italian and international artists have based their research path on the exchange, dialogue and interaction between knowledge and imagination
The film explores the invisible border that marks our oral cavity and defines the sounds and words we can pronounce. We carry with us these limits, created by our mother-tongue, becoming ourselves a mobile check-point, wherever we are
An event in Marseille offered some thoughts on ideas of sustainability, resilience and the effects of the capitalocene on non-human life
While exploring the “de-extinction” movement, artists and designers are also questioning its motives, highlighting its shortcomings and challenging the promise that we can resurrect the animals and plants that we have driven to extinction
Inspired by medieval bestiaries and observations of our damaged planet, A Bestiary of the Anthropocene is a compilation of hybrid creatures of our time
“The witch may be a technophile — she is, however, squinting skeptically at capitalism in everything that she does, and twisting technologies towards beautifully weird outcomes”
The exhibition invites us to challenge the dominant narratives about growth and progress and explore the radical implications of a speculative economic model based on the energy emitted by the Sun
Hannah Fletcher is a photographer without a camera. She combines techniques from the past and experiments to innovate and improve photographic processes
The massive seed bomb was developed within the framework of Jos Volker’s fictitious company Ecological Space Engineering
Announcing online classes that will explore non-human life. Microscopic and massive. Extinct, endangered, wild, familiar, lab-grown or “tech-augmented”
Italian artist Leone Contini’s collaborations with migrant communities open up discussions about local food resilience in the face of the climate crisis
How society archives human DNA in the form of slivers of umbilical cord, dental samples and sperm, DNA of animals already extinct in the wild, plant seeds, vast quantities of digital data…
Theresa Schubert multiplied cells from a biopsy of her thigh muscles in a serum produced by utilising her own blood, to artificially grow a piece of in-vitro meat. Which she proceeded to eat during a live performance
Artists offer new insights about genetic engineering by bringing it out of the lab and into public places to challenge viewers’ understandings about the human condition, the material of our bodies and the consequences of biotechnology
Interview with a photographer, bioartist and biology student whose works make visible the plight of endangered mammals in the Baltic sea, the drop in pollinator populations in the Arctic and other uncomfortable realities
An exhibition in Erlangen (DE) looks at the role that technology can play to ensure or threaten the future of our planet
What worlds are revealed when we listen to alpacas, make photographs with yeast or use biosignals to generate autonomous virtual organisms?
The B-Hind devices demonstrates all the tensions inherent to an Internet of Things that inhabit the body without being noticed
Using sound art and technocultures to better understand the complexity of rural areas and to challenge discourses of capitalism that marginalise rural territories
The exhibition draws on a historically informed anthropocentric worldview toward a systemic conception of humanity as part of the evolutionary process
The experiment has several goals: to “entertain” all players, to invite to a reflection on non-human consciousness but also to offer an opportunity to rethink the way we view “annoying insects”
Free to download, the proceedings of the conference contain essays and visual documentation that explore the nature of the forbidden and the aesthetics of liminality in art that engages with technology and science…
Matthieu Gafsou has spent 4 years researching transhumanism, a movement looking towards science and technology to drastically improve human cognitive, mental and physical performances
Moving from medical field to personal enhancement, from non-invasive methods to implanted devices, neurotechnology has the potential to radically change our brain and bodies, raising a series of dilemmas and concerns…
Lynn Hershman Leeson‘s work exposes why we need to have a better understanding of the potentials of gene editing and how they are being exploited by companies motivated mostly by profit
A few years ago, Matsuzaka started using body waste to make personal soils in which she would grow vegetables, fruits trees and even barley for beer brewing…
One Tree ID, by Agnes Meyer-Brandis, transforms the ID of a specific tree into a perfume that can then be applied to the human body
An interview with Margherita Pevere who used DNA storage technique to preserve a woman’s intimate experience from her youth into foreign life
Heikkilä uses painting to address the necessity to acknowledge the importance of nonhuman life and our symbiotic relationship to it
Avril Corroon gave a pungent visibility to the problem of rogue landlords and poor living conditions in rented accommodation by making artisan cheeses using bacteria cultures collected from the mould growing in London housing
What will happen to our sensory apparatus in 50 years, when the mechanisms for how we communicate and sense our surroundings become obsolete, prompted by the advancement of sensors that will enable brain-to-brain communication?
Basse Stittgen uses blood discarded from slaughterhouses as a biomaterial that he dries, heat-presses and then turns into egg holders, records and other domestic objects
The book offers critical reflections on some of the most challenging environmental problems of our time, including land take, groundwater pollution, desertification, and biodiversity loss