The Antilibrary looks closely at artists’ books in order to identify atypical trends and future attitudes. Its material of choice tends to be very speculative, decidedly science-inspired, slightly bizarre and never without a touch of humour
“You have to be creative to operate in this capitalistic system. You have to find all kinds of walk arounds and work with pretty much no assistance from the government”
The research project aspires to develop an alternative history of the rise of modernity and the spread of colonialism from the perspective of sugar itself. What if sugar was the actual engineer behind all of this?
Artists offer new insights about genetic engineering by bringing it out of the lab and into public places to challenge viewers’ understandings about the human condition, the material of our bodies and the consequences of biotechnology
In 2014, the designer compiled a Computer Virus Catalog. He’s telling me about about the malware exhibition he co-curated in Rotterdam
What happens to the design discipline when it has to evolve from a world where designers do wonders with (seemingly) unlimited resources and energy to a world where their creativity can only rely on limited ones?
A journey into the dark side of computing illustrates the beauty and sophistication of some viruses, highlighting the creativity behind their methods of disruption
Materialism is an impressive exercise in dismantling consumer culture, in leaving aside functions and in ennobling the resources we extract from the Earth at great human and environmental costs
What will happen to our sensory apparatus in 50 years, when the mechanisms for how we communicate and sense our surroundings become obsolete, prompted by the advancement of sensors that will enable brain-to-brain communication?
Basse Stittgen uses blood discarded from slaughterhouses as a biomaterial that he dries, heat-presses and then turns into egg holders, records and other domestic objects
The artists and designer is interested the often invisible political nature of spaces and technologies, and how the design of the ordinary is involved in shaping values, practices and ideologies
Enter The New Newsroom where journalists, technologists, artists and designers investigate innovative formats, analyse the news and present their findings in stimulating visuals and installations
The essays focus on future fictions in art and design from different perspectives: future fictions and imagination in creative practices, future literacy and future ethics
SulSolSal’s Staying Alive is part a “wunderkammer,” and part a survival guide that collects some of the most interesting or tongue-in-cheek attempts to respond to the ongoing climate of impending doom
In the streets of Istanbul, people improvise repairs, upgrades and improvements with craft, any cheap material available and a lot of ingenuity. It might not looks very sophisticated but it’s fast, smart and efficient
I talked with artist and designer Xandra van der Eijk about space mining without the need to leave the Earth and about controlling or being controlled by microorganisms
Together artists, designers, curators, scientists and philosophers delved into technodiversity, contemporary utopias and dystopias, the future of money, Glitch Feminism and cultural resistance, and the human-technology relationship from an artistic, philosophical and scientific point of view
At MUTEK_IMG in Montreal, i got to hear some very interesting and, at times, provocative ideas about artificial intelligence, post-truth media, human-machine choreography and automated storytelling tools
The book portrays the routine cruelties of the twenty-first century through a series of detailed non-fictional graphic illustrations. None of these cruelties represent extraordinary violence – they reflect day-to-day implementation of laws and regulations around the globe
As its name suggest, the show aimed to demonstrate that design can play an important role when it comes to engaging with today’s social, social and political concerns. Through various visual and experiential strategies, designers can make more visible and even tangible problems that are under-discussed or too abstract to be easily understood
I interviewed Morehshin Allahyari and Daniel Rourke about The 3D Additivist Manifesto and The 3D Additivist Cookbook for this year’s edition of the Digital Design Weekend 2017 in London
Maya Jay Varadaraj sees the glass bangles worn by married women in India as objects that condone the oppression of women and normalize violence towards them. Her Khandayati project uses household objects to reduce these bangles to dust and then transform them into spinning weapons
The reason why i wanted to write about the website of MOMENTUM 9 the Nordic Biennial of Contemporary Art is that it doesn’t look like anything i have experienced before. First of all, it doesn’t seem to pride itself in being user-friendly…
Allan Wexler’s works can be broadly described as tactile poetry composed by re-framing the ordinary. They sustain a narrative about landscape, nature, and the built environment that highlights the intriguing and surprising characteristics latent in the elements and rituals that pervade daily life
The booklet’s manifesto calls for design (or art) that gets out of the sleek graduation shows and galleries, confronts sociopolitical issues head-on and bites back. As he sums up, “Design can be how to punch Nazis in the face, minus the punching”
Presented as a traditional four-act play, ‘The Ascent’ attempts to examine the discrete nature of class politics; paralleling contemporary workplace geometries from multiple vantage points. The production centre’s around the story of law firm attending a mandatory training day that takes place on board a one to one scale replica of an American Airlines Boeing 747. Although fruitful in its intentions, the experiment unfolds into chaos and bloodshed
Prepare for a future in which the only way of making a living is to ‘lend your lung’ to filter heavily polluted air. Clean Air International Inc. is looking for suppliers for its first Organic Clean Air (TM) retail store
Some of these objects and systems have been part of our society for far too long. Others have emerged only recently. What these pieces have in common is that they demonstrates that violence is everywhere around us and design has a role to play in it. It can fight violence but it can also normalize it, hide it from our consciousness and even heighten its brutality
What these works have in common is that their design and violence are ambiguous. They start with what looks like a laudable impulse, only in the most ruthless context possible: rice that feeds hungry populations but pollutes the environment with pesticides, a brutal weapon that causes pain but not so much pain that it will kill, animal welfare in slaughterhouses, and other oxymoron.
Designers have to start thinking about transparency and accessibility in the design of privacy-sensitive products and services. This book offers the designer guidance, in the form of eight design principles, that help with designing products and services
INHERITANCE consists of a set of precious jewellery artefacts which are radioactive and therefore rendered practically and symbolically unwearable for deep time, until the radionuclide transmute naturally into a stable and non radioactive isotope of lead
Japanese Tattoos explains the imagery featured in Japanese tattoos so that readers can avoid getting ink they don’t understand or, worse, that they’ll regret. This photo-heavy book will also trace the history of Japanese tattooing, putting the iconography and kanji symbols in their proper context so readers will be better informed as to what they mean and have a deeper understanding of irezumi
The book examines cultural contexts and stereotypes with visual examples. It demonstrates that communication tools are never neutral, and encourages its users to rethink global cultural understanding. Additional works by contemporary artists and designers show that political awareness does not limit creativity, but opens up new explorations for a critical visual culture
This year, the Share festival in Turin shed its new media art skin and became a festival resolutely centered on design. The event was all about technology and creativity but this time in their most domesticated forms
The exhibition questions the underlying myths within design, deconstructs its emerging signs, and examines how technology determines the future landscape of design
Syuko Kato and Vincent Huyghe from the Interactive Architecture Lab have designed a robotic system that turns dance into architectural forms
Nova and Vacheron’s book explores the impact of algorithms in cultural production. Through a wide range of examples, the main essay, called “DADABOT: An Introduction to Machinic Creolization” presents the contemporary forms of hybridization in music, visual arts, literature, photography, etc.
The 11th edition of this festival of unconventional and radical art was anchored into the most banal manifestations of our networked society, one that is made of surveillance, social bullying, aesthetics of power, communication guerrilla and disintegration of the space of free speech and ideas that internet was meant to be
Designer Isaac Monté has used a pig heart as if it were a material that can be tattooed, coloured, and otherwise transformed. The work aims to explore how far a ghost organ can be manipulated for its creative potential, but it also questions whether biological interventions and aesthetic manipulation can be used as tools for the transformation of inner beauty
Age of Wonderland interrogated the sustainability of our food systems, looked at how they interconnect with the environment and searched for alternatives to feed communities. The festival basically did the job that the Expo Milan was supposed to do but with less fanfare and more sense