“The project contests the myths that sanitise the secondhand clothing trade – with its reassuring claims to charity, sustainability and reuse. In their place, it sets out to reveal the racist ideology that treats the Global South as a waste management solution”
Expanding upon early 20th-century techno-utopian visions, Heba Y. Amin’s project to sink the Mediterranean and relocate it within the African continent instigates a new vision for Africa and the Middle East by pinpointing what could be attained by and for those most affected by the wars waged for oil, resources and power
“Wikifémia Révisions” proposes to update our knowledge of women who have shaped our understanding of gender but also to rectify that knowledge by pointing out biases in Wikipedia articles and making the necessary corrections or additions
The performative installation overcomes vast distances to facilitate moments of human encounter between people at opposite ends of supply chains, making visceral the extraordinary scale, and underlying humanity, of the globalised economy
Playing with gender tropes, stereotypes, sense of place, and future perspectives, artists interrogate individuality as we know it and as it might be
The B-Hind devices demonstrates all the tensions inherent to an Internet of Things that inhabit the body without being noticed
Setting himself on fire, walking in front of an icebreaker while the frozen water cracks behind him, going on a 1600 km triathlon from Warsaw to Paris, standing on the North Pole for 24 hours… Guido van der Werve knows how to catch viewers’ attention
I could try and sum up Tim Shaw‘s practice by saying that it focuses on the relationship between […]
MOMENTUM10 intends to go back to emotions in order to move beyond the rational and embrace a more nuanced, more complex reality
Teresa Dillon’s practice involves a performance inspired by women working in ammunition factories during WW1, cardboard structures that explore the affects surveillance architectures have on non-human animals, collective bike rides for energy harvesting, talks & workshops that probe into the mechanisms governing urban life, etc.
The artist talks about plastic invasion, excavator choreographies on scrapyards and how to stay sane when the world around you is sinking under piles of garbage
The exhibition shows the work of artists who look for a public in the streets, not within the sterile walls of a museum or art gallery. They use public space as an environment to share, agitate, experiment, debate and trigger the unexpected
Avril Corroon gave a pungent visibility to the problem of rogue landlords and poor living conditions in rented accommodation by making artisan cheeses using bacteria cultures collected from the mould growing in London housing
Artist Dani Ploeger has been looking at the new fences built to toughen “Fortress Europe.” In particular the ones that use heat sensors, sophisticated cameras and other so-called ‘smart’ technologies to shut off “illegal immigrants”
Artist Mark Farid put his social, financial and mental well-being at risk in order to expose the damages of a carefree attitude towards our own digital footprint
A VR-essay and performance reminds us that organising information is never innocent and that we shouldn’t trust a Silicon Valley giant with its archiving, exhibiting and mapping
How live art has developed in the 21st century as a visual medium, a global language and a political force
Maja Smrekar has spent the past few years investigating human/dog/wolf co-evolution, co-habitation as well as the possibility to create a hybrid of the human and the dog species
The conference brought together leading artists and thinkers from the world of art, technology, science and documentary. The food was a bit revolting. Everything else was amazing
Over the past few years, Robertina Šebjanič has been collaborating with scientists hackers, thinkers and other artists to explore themes such as interspecies communication, underwater sound pollution, the possible coexistence of animals and machines, chemical processes, the origin of life, etc.
In January 2017, artist Louise Ashcroft invited herself to be an artist in residency at Westfield Shopping Centre. That’s the mega mall in Stratford, East London. Because there’s nothing remotely boring, mass manufactured nor glittery about her work (and also because she is quietly plotting the demise of capitalism), Ashcroft spent her time there undercover, pretending she was only looking for a bit of shopping fun
Do artists using biotechnological materials and scientific processes have the same obligations, rights and responsibilities as scientists? Or should they enjoy more liberties and particular prerogatives?
In 1982, the French public telecommunications company launched a revolutionary system combining the telephone and information technology. It was a beige, plastic box and it was called the Minitel. In 2013, members of the Graffiti Research Lab France decided to explore the sonic and visual possibilities of the defunct technology
The work invites people on a tour of both metal music and metal materials in Helsinki. Participants get a metal detector that has been altered to play pre-recorded music from Helsinki metal bands. The group then wanders through the city historical sites, looks for the presence of iron, tin, steel, silver, copper and other metals in the ground and as soon as the device has spotted something, hard rock and metal will play through the headphones
The young designer uses radically different entertainment channels to explore questions of radicalisation, spying and UK government role in spreading a climate of suspicion
The triptych All About You is a ready-made that brings up several social and subject/object relations, such as money circulation, artwork status, identification and citizenship. We could say it represents a “self-portrait as a citizen” with the Republic of Slovenia used as a mirror
Syuko Kato and Vincent Huyghe from the Interactive Architecture Lab have designed a robotic system that turns dance into architectural forms
There is a surprising similarity in the way neural networks and analogue modular synthesizers function, in that for both, voltages are passed through components to produce data or sound. The neural interface we developed juxtaposes these two networks and in a sense creates a continuum that creates one unified network. With CellF, the musician and musical instrument become one entity to create a cybernetic musician, a rock star in a petri dish.
Through the course of these lifeworks, Hsieh moved from a year of solitary confinement in a cell to a year in which he punched a worker’s time clock in his studio every hour on the hour to a year spent living without shelter in Manhattan to a year in which he was tied by a rope to artist Linda Montano and finally to a year of total abstention from all art activities. In 1986 Hsieh announced that he would spend the next thirteen years making art but not showing it publicly
Ploeger is an artist who looks at the broad picture, who realizes that e-waste, sexuality, ecology or violence are all valid points of entries into the study of the many paradoxes, complexities and entanglements of our consumer culture and its impacts on the planet
With his performances, apps and other works, Satrom is opening the black box of the operating system we daily use. He is even inviting each of us to join the glitch party. Together with Ben Syverson, he created the sOS or Satromizer Operating System, the world’s first ‘100% problem-based operating system’ which you can download to turn your laptop, iPad and phone into a neverending glitch party
YES! !Mediengruppe Bitnik. Love these guys. I didn’t realize how much at first. I knew several of their works. The parcel for Assange, the architectural bug at HeK in Basel, the bot that shops on the darknet. I just didn’t realize these works were from the same 2 people
Project Nimbus is the outcome of 5 years of collaborative research by artist and inventor Dave Lynch and Chemical Physicist & Laser Expert Mike Nix. Using off-the-shelf technology, the team built an experimental device that projects moving images onto clouds. Onto pretty much anything cloudy actually: clouds of course but also cooling towers or urban vents.
Project Nimbus is based on the zoopraxiscope developed by Eadweard Muybridge in 1879 and regarded as the first movie projector
Simon Farid is a visual artist interested in the relationship between administrative identity and the body it purports to codify and represent. In practice, this means that the artist is ‘squatting’ identities that have been constructed by other people for surveillance, marketing or institutional purposes and then discarded.
He notoriously ‘inhabited’ the identity of an undercover police officer and the one of a politician who moonlighted as a web marketing guru
At this year’s edition of TodaysArt, Mike Rijnierse will submit a 100 kg church bell to regular sessions of bungee jumping. The sounding bell will drop from a bungee jump tower at the Scheveningse Pier near The Hague and its sixty meter fall will cause a Doppler effect…
CTM’s work combines appealing aesthetics, humour and language with actions that invite people to think, question and reclaim their civil rights. Their most famous project is the Tactical Ice Cream Unit, a truck distributing free ice cream along with propaganda developed by local progressive groups. Another of their initiative saw them launch a bank heist contest…
Karl Philips is a Belgian (h)activist, performance and conceptual artist who casts a critical but always witty glance at society, paying particular attention to cracks in consumerism, town planning, advertising, and turning upside-down their logic
Karla Diaz asked friends serving time in prisons in California to send her their own food recipes and collected them for a print on demand book called Prison Gourmet.
On a documentary and curiosity level, Prison Gourmet is a kind of culinary version of Prisoners Inventions. But Prison Gourmet is also a performance in which the artist addresses the politics of food and incarceration by reproducing prison recipes devised by inmates
In September 2012, the English Disco Lovers movement was founded, as a subversive Google-bombing campaign, looking to replace the English Defence League website as the top result when ‘EDL’ was searched on Google
DRONE.2000 is a performance where autonomous objects moved by simple algorithms are patrolling over the audience. Their latent and dysfunctional presence is a concrete threat. Drone.2000 takes us into a dystopian situation, thus illustrating the military origins of these entertaining objects. Here, trusting the autonomy of the machine is not only a discursive concept but a true experience shared with the audience