Using quantum computing as both medium and subject matter, Libbey Heaney explores parallel worlds, probing the futures of powerful new quantum computing systems
Can you buy your way out of major chaos and catastrophe? Is salvation a question of self-reliance? Or is it about joining forces and expertises to face together an uncertain and probably unpleasant future? Should we rely on technology or on good old survival skills?
Presenting lithium as the new gold, this exhibition explores its history and future, as well as the various myths surrounding electricity, energy and the exploitation of minerals
What is that nature we so desperately worship, seek to love, protect and save? Does it even exist?
The performative installation overcomes vast distances to facilitate moments of human encounter between people at opposite ends of supply chains, making visceral the extraordinary scale, and underlying humanity, of the globalised economy
Félix Blume’s sound pieces, videos, actions and installations make you see the fantastic in the mundane and the poetical in the every day
An exhibition packed with artworks that are bold, socially-engaged and smart. This review focuses on the pieces that look at labour conditions, migration and the ghosts of past conflicts
Angela Washko actively seeks out new ways to facilitate or enter into conversation with individuals and communities who have radically different ideas and opinions in an attempt to create spaces for discussion, productive dissent and complexity
An exhibition in Erlangen (DE) looks at the role that technology can play to ensure or threaten the future of our planet
The young Estonian artist is particularly active in the fields of sound art, installations and performances
The installation reveals the mechanisms of the blockchain as much as it challenges their promises and limits. It also raises questions about art funding, authorship, value systems, decentralised sharing economies, wealth distribution and many more issues
From quantum entanglement to the mysteries of the jellyfish, the exhibition provides an overview of the oeuvre of the artist and musician Carsten Nicolai (aka Alva Noto)
An installation exposes the unpalatable consequences of an AI-driven management of the environment
The French artist challenges the architecture of our perceptions
A participative installation that imitates the functioning of machines and embraces human imperfections and errors started quietly enough but ended up causing controversy and censorship in Hungary
A street artist’s critique of the privatisation of public space and natural resources
People affected by the disorder believe that they or part of their body parts are dead, dying or don’t exist at all
Adam Basanta, an artist, composer and performer of experimental music, likes to submit sound technologies to kinetic and sculptural treatments. Some can be fairly hostile, others are ironic or even poetical
This year’s edition of the STRP festival in Eindhoven decided to look at the future with an open, critical and -dare i say- hopeful eye. Their take on the future is not about being naive and resolutely utopian though
The project revolves around the idea of sending humans to one of the points in space where gravity is absent. Frozen bodies would float until their weak gravities make them assemble into a blob: in this way, a new ‘human’ planet is extra-terraformed
Despite a theme anchored in digital media, the event doesn’t have the ambition to be a new media art exhibition but a contemporary art event that explores the many ways technology challenges society today
Artist Quentin Destieu attempted to reconquer the knowledge surrounding the first microprocessor by re-creating and magnifying the inner architecture of Intel’s 4004 processor
Enter The New Newsroom where journalists, technologists, artists and designers investigate innovative formats, analyse the news and present their findings in stimulating visuals and installations
Surveillance and censorship are mutually dependent; they cannot be viewed separately
Hybrid war, fake-news, post-trough, surveillance, immersion and artificial intelligence – these are just a few of critical topics that were discussed and explored during this year’s RIXC Festival
The interactive installation invites “deep listening” within the body but also offers us an opportunity to reflect on how anthropocentric geological changes might be recorded, experienced and how they can be reproduced for other people in order to help them attune themselves to a future marked by man-made geological changes
What are the consequences of owning someone else’s DNA data? How does this influence the spatial privacy of the biological owner and his family members?
Robots and computers are acting more and more like people. They’re driving around in cars, hooking us up with new lovers and talking to us out of the blue. But is the opposite also true— are people acting more and more like robots?
The internet is everywhere. Set free from the websites and the screens, it now penetrates our thoughts and our bodies and everything around us. Each day, the digital and physical become more integrated – but how does this effect our experience and how do we express the new, augmented reality?
Alone or with the help of local communities, these artists have cleaned up polluted areas, planted wheat field, provided pollinators with colourful and appetizing flowery landscapes, built hanging and floating gardens, initiated edible and medicinal urban farms, developed schemes for sharing excess food and bred more resilient chicken breeds
Looking beyond the modernist vision of a utopian nuclear age, contemporary artists are engaging with the lived experience of radiation through nuclear objects, architectures and landscapes
Informed by several years of research in the Australian outback desert, It Was Like Experiencing a Fold in Time, She Said bridges the gap between, on the one hand, the landscapes, mythologies and life of outback and aboriginal communities and on the other hand, the brutal origins of our technological ‘progress’
Socle Du Monde, the biennale that opened a few weeks ago in Herning (Denmark), celebrates artists who have “accepted the challenge of turning the world upside down”
This year the theme, Senses & Sensors, explored perception: how we perceive ourselves and the world around us. How we absorb and comprehend what we see, and how rapidly progressing technological advances expand and augment our perceptions
It seems that humans have an inherent need for the unaccountable and the illogical. That’s why progresses in science and technology have often been accompanied by the arrival or renewal of paranormal phenomena
The French collective RYBN.org has applied the numerological system of transformations, associations and substitutions of Kabbalah to computing. Their Dataghost 2 installation seeks to reveal the hidden messages buried within the data traffic…
Good Luck, Archaeologists! reflects on the 10 years of OTTO-Prod‘s programme of shows, concerts, art residencies and performance in Maribor. You might have never been to Maribor, it’s Slovenia’s second-largest city, it’s charming and it’s actually not that large. And maybe you haven’t heard much about OTTO-Prod but i love what these young artists from Marseille have been doing, quietly and with far more talent than money, in Maribor and elsewhere for a decade
Empathy is the element that has enabled humans to work together and collaborate in order to flourish as species. The festival wants to question and propose that maybe empathy could be learned, found or especially re-found through eg. bodily presence, experimental communication and embodied and alternate visions of perception
Everyone knows about cybercrime and how owning networked computers and mobile devices makes you a potential victim of bank fraud, identity theft, extortion, theft of confidential information, etc. Data stored on your computer is never safe and its ghosts can come back and haunt you long after you’ve discarded your electronic device, long after even you’ve erased the data it contained
The two installations are composed of identical elements, connected in a network and exchanging information through electric signals. The collective behavior of the actuators and sensors create unpredictable patterns, as though a system of living organisms with their own variable program. A moving scene emerges, where the borders between a ‘natural’ order of things and the mechanical constructions of humans are tested