An event in Marseille offered some thoughts on ideas of sustainability, resilience and the effects of the capitalocene on non-human life
In her talk, art historian and curator Bénédicte Ramade explored the differences between ecological art, environmental art, green art, ecologist art, Anthropocene art, etc.
Each life forms explains a key aspect about life on Earth. From the sponge that seems to be a plant but is really an animal to the almost extinct soft-shelled turtle deemed extremely unique and therefore extremely precious, these examples reveal how life itself is arranged across time and space, and how humanity increasingly dominates that vision
Announcing online classes that will explore non-human life. Microscopic and massive. Extinct, endangered, wild, familiar, lab-grown or “tech-augmented”
Artists offer new insights about genetic engineering by bringing it out of the lab and into public places to challenge viewers’ understandings about the human condition, the material of our bodies and the consequences of biotechnology
Interview with a photographer, bioartist and biology student whose works make visible the plight of endangered mammals in the Baltic sea, the drop in pollinator populations in the Arctic and other uncomfortable realities
What worlds are revealed when we listen to alpacas, make photographs with yeast or use biosignals to generate autonomous virtual organisms?
The exhibition draws on a historically informed anthropocentric worldview toward a systemic conception of humanity as part of the evolutionary process
The experiment has several goals: to “entertain” all players, to invite to a reflection on non-human consciousness but also to offer an opportunity to rethink the way we view “annoying insects”
Teresa Dillon’s practice involves a performance inspired by women working in ammunition factories during WW1, cardboard structures that explore the affects surveillance architectures have on non-human animals, collective bike rides for energy harvesting, talks & workshops that probe into the mechanisms governing urban life, etc.
The artists invited by curator Katerina Gregos investigate change. In particular, how change, because of its relentless speed and much proclaimed inevitability, seems to escape robust critical scrutiny
I talked with artist and designer Xandra van der Eijk about space mining without the need to leave the Earth and about controlling or being controlled by microorganisms
Gracie’s experimental breeding programme aims to gradually recreate, in an enclosed habitat, the atmospheric conditions found on Titan and make sure that the common fly would slowly acclimate to it
Artists Andrea Roe and Cath Keay collaborated with animal behaviour experts to create toys and playful experiences for farmed pigs
With this installation, critical and speculative scenario designer Tina Gorjanc is asking whether producing ‘fake’ copies of an extinct animal is an attempt to understand the past, or just an excuse to constantly create the desire for rarity
Maja Smrekar has spent the past few years investigating human/dog/wolf co-evolution, co-habitation as well as the possibility to create a hybrid of the human and the dog species
Artist Maria McKinney uses ‘semen straws’ to explore genetics in cattle breeding as well as the hidden systems beneath beef and milk production
A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability
Beat to the Balance introduces participants to a ritualistic sauna practice which consists of whisking bodies with branch bundle of different tree species. The goal is to open energy flow and make more perceptible the interdependence between tree communities and humans
The Socle du Monde biennale in Herning is currently showing Koen Vanmechelen’s Planetary Community Chicken, a cross between his now iconic Cosmopolitan roosters and commercial hens
How do you taste to the small organisms that consume parts of you everyday, and every last bit of you when you die? How can humans manipulate our bodies, diet & emotions to change our own flavour?
Marvin Gaye Chetwynd, Bat Opera, 2013 Marvin Gaye Chetwynd, Bat Opera, 2005 Marvin Gaye Chetwynd, who used to […]
Should bird populations decline drastically in the near future, could fake birds replace them and contribute to keeping the natural balance of a forest intact? The question might sound a bit fanciful but it is inspired by scientific papers about insect-eating plants, the extinction of birds species and the impact their disappearance would have on our forests
Image courtesy of the artist While visiting an ex soldier training area in Maastricht turned into workshops for […]
In spite of the loss of a large part of its collection, the museum remains a wonderful place to visit. For the historical specimens of course but also for a number of artefacts that are interesting from an artistic point of view
Machine Wilderness explores what our technologies could look like if they are native to our landscapes, part of material flows, foodchains and layers of communication. In particular it looks at environmental robotics, designing ‘pseudo-organisms’ that relate to specific habitats
Maja devises equipment enabling biological survival in apocalyptic situations, built an installation ‘infused’ with the serotonin of the both herself and her dog Byron and explored the problem of invasive species with the help of native and tropical crayfish.
Media artist and beekeeper Annemarie Maes has been monitoring and working with urban bee colonies since 2009, not only to develop novel art works but also to better understand the connections between city honeybees and urban ecosystems, to raise awareness among citizens about the plight of the pollinating bees and to call for ecological activism
In an era of fast-paced technological progress and with the impact of humans on the environment increasing, the concept of “nature” itself seems called into question. Bio Art explores the work of “bio artists,” those who work with living organisms and life processes to address the possibilities and dangers posed by biotechnological advancement
With ‘A simple line’, Essaïdi attempts to merge the abstract idea of a line with its most tangible reality by having a zebra finch look at its own brain cells in the form of a line
On the interplay between a snail (a messy biological entity under scientific observation and the subject of experimentation) and an algorithm (dating back to 1887 and the development of tabulating machines) that sorts and orders data sets
A Guide to the Flora and Fauna of the World is a catalogue of 55 curious creatures and life-forms that have evolved in often unexpected ways to cope with the stresses and pressures of a changed world. Other organisms documented iare the results of human intervention, mutations engineered to serve various interests and purposes ranging from scientific research to the desire for ornamentation
These fables show potential of putative simple organisms in the past, present and future. What if invasive species become a weapon? What if the next danger is an engineered physical insect, not a digital one?
“A common idiosyncratic habit in all birds is their inevitable punk nature to shit over our most precious belongings.”
A group of male zebra finches underwent this experiment with rigorous commitment
The event brought together two men who share a passion for whales. One is environmental scientist and marine biologist Mark Peter Simmonds who investigates and raises awareness about an issue that is far away from our sights: the threats to the life of marine mammals caused by the increasing emissions of loud noise under water. The other is artist and inventor Ariel Guzik who has spent the last ten years looking for a way of communicating with cetaceans
As we develop the tools to manipulate and engineer new forms and systems of life, the exhibition considers our historical and contemporary entanglements with nature, technology and the economy, and how these relationships influence emergent forms in biological and synthetic matter, through new sculpture, installation and moving image works
This week i’m talking with Ollie Palmer is a designer, artist, a tutor at Bartlett but he is also the guy who’s so interested in dancing insects that he’s embarked on a 6 year project to choreograph and stage an Ant Ballet.
During the interview, Ollie talks ants and more precisely Argentine ants, a particularly invasive species that the UK wants nowhere near its shores. We also learn about the best way to collect ants, to synthesize pheromones and end the show with a few words about the Godot Machine, a device built for the sole purpose of preventing a single ant to move around
Koen Vanmechelen who has spent the past 20 years crossbreeding national species of chicken in order to create the ultimate ‘Cosmopolitan Chicken Project.’ You might or might not know it but each country has created its own peculiar type of chicken: the French, for example, have the Poulet the Brest. It’s white and red with blue feet, the same colours as their flag. Americans like their chicken to be big and powerful. The Chinese have a chicken covered in silky feathers
One of the most curious, amusing and thought-provoking projects of the Design Interactions graduation show this year asks questions that range from ‘What is more important in making us who we are: our genes or the experiences we go through in life?’ to ‘Can a mouse be Elvis?’ and ‘Does buying a pre-owned item gives one the legal right to another individual’s genetic data?’
The project is called ‘All That I Am’ and with it, Koby Barhad suggests that we could create an Elvis mouse using a specially-designed set of training cages and 3 online services
Ollie Palmer’s Ant Ballet is a three-year research project into control systems, paranoia and dancing insects, and has culminated in the world’s first ballet to exclusively feature ants. The projected insects is part of the FutureEverybody Art Exhibition at the 1830 Warehouse in Manchester