One Tree ID, by Agnes Meyer-Brandis, transforms the ID of a specific tree into a perfume that can then be applied to the human body
An interview with Margherita Pevere who used DNA storage technique to preserve a woman’s intimate experience from her youth into foreign life
I talked with artist and designer Xandra van der Eijk about space mining without the need to leave the Earth and about controlling or being controlled by microorganisms
Gracie’s experimental breeding programme aims to gradually recreate, in an enclosed habitat, the atmospheric conditions found on Titan and make sure that the common fly would slowly acclimate to it
An exhibition at the Parco Arte Vivente, Turin’s experimental centre for Living Arts, aims to offer new perspectives and lines of inquiry about the Anthropocene
With this installation, critical and speculative scenario designer Tina Gorjanc is asking whether producing ‘fake’ copies of an extinct animal is an attempt to understand the past, or just an excuse to constantly create the desire for rarity
Animals that fake their appearance to blend in their surrounding and attract their prey, people who fake a […]
Alone or with the help of local communities, these artists have cleaned up polluted areas, planted wheat field, provided pollinators with colourful and appetizing flowery landscapes, built hanging and floating gardens, initiated edible and medicinal urban farms, developed schemes for sharing excess food and bred more resilient chicken breeds
The filtering capacity of flowers is a neglected area of research. However, the 3D structures of flowers make them valuable allies when it comes to regulating air quality by removing pollutants from the atmosphere. Dust Blooms juxtaposes the beauty and function of urban flora using a synthesis of artistic and scientific methods to create awareness about the every-day importance of ecosystem services in cities
Do artists using biotechnological materials and scientific processes have the same obligations, rights and responsibilities as scientists? Or should they enjoy more liberties and particular prerogatives?
Can art help us understand the ethical complexities of emerging (bio)technologies? Are artists able to uncover our hidden desires and demystify the promises emerging technologies represent? Are living artworks allowed and is art allowed to alter life?
EE #2 moves Beyond Nature, investigating experimental and emerging ways of understanding as well as making art/nature. This issue visits not just hybrid, but also parasitical ways of doing art in times of danger and apocalyptic visions. In the current ecological and socio-political crisis, the function of the artist emerges as more critical than ever
The Socle du Monde biennale in Herning is currently showing Koen Vanmechelen’s Planetary Community Chicken, a cross between his now iconic Cosmopolitan roosters and commercial hens
Hybrid ecologies unfold through complex interactions between actors and elements: human, non-human, biological, mineral, robotic, artificial, etc. There has always been some forms of interaction between humans and their immediate biological environment (through agriculture, bee keeping, fermentation techniques, etc.) but contemporary science is speeding up the synergies and frictions
Greiner’s works involve buying 40 litres of maggots and bringing them to the exhibition space until they turn into flies, composing music based on the luminous skin of a squid, convincing the Director of the Neue Nationalgalerie in Berlin to consider a fly as a living artwork, photographing portraits of algae, carefully orchestrating explosions around Berlin
The focus of the Nordic art&science network program HYBRID MATTERs are the hybrid ecologies that emerge when our environment interacts with technology, when two spheres so far regarded as independent start to affect each other and form new entities with new qualities
Albedo suits are designed to increase the solar energy reflectivity (albedo value) in the forests; this way cooling the climate and mitigating the climate change. The work plays with the notion of geoengineering and forest management as a geoengineering project
“The Condition” might look like standard (media) art installation but don’t let its playful appearance fool you. The deeper you dig, the more you realize how many thought-provoking ideas and issues the work raises: new forms of ‘natural selection’ where it’s the prettiest -not the fittest- that survives, novel ecology in which salmons and tulips are grown à la carte, and intersection between the design of biological organisms and capitalistic values
This year, many of the work are exploring data. I got a bit tired of big data a couple of years ago but being at the festival reminded me that, once in the hands of artists, the most austere data can adopt a provocative, critical and sometimes also totally absurd tinge
Session 5. The Extended Body: Biomedicine, Micromatter & the Transhuman was the most eclectic and unpredictable one. It investigated issues as diverse as the use of forensic methodologies in art, the presence of human cells outside of the body and the possible role of bacteria in creativity
This session was one of the most fascinating sessions for me. Full of weirdness and wisdom. It started with a 19th century sculptor who made a life-like statue of himself complete with his own hair and teeth, proceeded with a set of artists who work with tattoo and the latest technology and ended up with artworks, socks and other artifacts made of human hair.
Image courtesy of the artist While visiting an ex soldier training area in Maastricht turned into workshops for […]
With the arrival of 3D printing prosthesis using bio-compatible material, we might see more and more extreme body modifications reaching the mainstream. What could once only be imagined is now only a matter of time
Semen, cell cultures, urine, feaces, tears, blood, hair, skin– the human body has been used not merely as the subject of art works, but also as their substance.
Last week, the Institute of Advanced Studies at University College London held a symposium that explored the use of “biomaterial” in modern and contemporary art practices
The exhibition Hormonal at LifeSpace Gallery in Dundee brings together work by three women artists who, each in their own witty way, reflect on the hormone oestrogen and how it is understood socially, politically, technologically and environmentally.
There is a surprising similarity in the way neural networks and analogue modular synthesizers function, in that for both, voltages are passed through components to produce data or sound. The neural interface we developed juxtaposes these two networks and in a sense creates a continuum that creates one unified network. With CellF, the musician and musical instrument become one entity to create a cybernetic musician, a rock star in a petri dish.
A couple of weeks ago, MU in Eindhoven invited the public to a 2 day long immersion into all things bio art and bio design. The Body of Matter / BAD Award Special weekend lined up a series talk, panels, workshops and performances and explored how the techniques and challenges of life sciences are embraced by contemporary artists and designers
With Body of Matter, MU zooms in on the body and the possibilities biotechnology has to offer to change, enhance, investigate and replace it, now and in the near future
Maja devises equipment enabling biological survival in apocalyptic situations, built an installation ‘infused’ with the serotonin of the both herself and her dog Byron and explored the problem of invasive species with the help of native and tropical crayfish.
The Microbiome Security Agency investigates the future of microbiome privacy issues and prepares citizens for a future where our personal information is at risk through our biological datasets
For this work the visual anatomy of the artist’s brain is used to influence the behavior and learning of a drone. Computer code links this visual information, including the number, placement, and thickness of neurological connections in Ms. Haines’s brain, to the movement and decision-making of the drone
Designer Isaac Monté has used a pig heart as if it were a material that can be tattooed, coloured, and otherwise transformed. The work aims to explore how far a ghost organ can be manipulated for its creative potential, but it also questions whether biological interventions and aesthetic manipulation can be used as tools for the transformation of inner beauty
In an era of fast-paced technological progress and with the impact of humans on the environment increasing, the concept of “nature” itself seems called into question. Bio Art explores the work of “bio artists,” those who work with living organisms and life processes to address the possibilities and dangers posed by biotechnological advancement
This symbiotic system re-imagines the management of sewage in order to salvage its potential as a source of energy. it is made up of a set of modular microbial fuel cells for the development or colonies of bacteria whose metabolism produces electricity and improves water quality
The artist harvested 24kg of an invasive weed from a highighly polluted area in Spain, extracted the iron ore from the plants and used it to make an iron ring. The innovative experiment brought together the biological, the industrial, the technological and even craft to create a piece of jewellery that weights 2 grams. The project also suggests a way to reverse the contamination process while at the same time mining iron ore from the damaged environment
The goal of this small and smart web series is to discuss the way biotechnology is changing our society: What are its political, social, and even philosophical implications? What happens when manipulating life becomes as simple as writing a line of code? And more importantly, what does this mean for average citizens and their future?
Pigeons, fungi, human cells, finches and flowers are just some of the mediums of bioart and design. These emerging fields are the source of daring experiments and thoughtful reflections about how aspects of culture, such as our concepts of identity, nature and environment are changing.
Matter of Life presents nine such research projects at the intersection of art, design and the life sciences
With ‘A simple line’, Essaïdi attempts to merge the abstract idea of a line with its most tangible reality by having a zebra finch look at its own brain cells in the form of a line
Twenty-five provocative artworks that explore the scientific, symbolic and strange nature of blood.
A range of practices which were once subsumed under terms such as media art, digital art, art and technology or art and science, have experienced such growth and diversification that no single term can work as as a label any more. Traditionally separated domains are brought together to become contextual seedbeds for ideas and practices that aim to overcome the crisis of the present and to invent new avenues for future developments