Queer theory, co-dependency, desire, hierarchies, possessiveness, vulnerability or feminism… Everything you wanted to know about the close connection between mother and son
Four Unloved Women, Adrift on a Purposeless Sea, Experience the Ecstasy of Dissection, realised by David Cronenberg, provides an alternative gaze on the four female wax models on display in the anatomy museum, exploring themes such as the fascination with the human body and its potential mutations and contaminations
We literally inhale and ingest our own anthropogenic indicators – for example, as the particulate exhalations of burning forests, as isotopes from nuclear testing, as metallic dust from global extractions
The book takes our planetary state of emergency as an opportunity to imagine constructive change and new ideas. How can we survive in an age of constant environmental crises?
“With so many tears I started to wonder whether it is possible to cultivate some marine life in them,” the designer writes.
The author looks at a range of psychiatric and neurological disorders that result when body and brain are out of sync, including not only the well-known phantom limb syndrome but also phantom breast and phantom penis syndromes; body integrity identity disorder, which compels a person to disown and then amputate a healthy arm or leg; and such eating disorders as anorexia
Tiny Mining is a mineral exploration co-operative and community committed to the open source exploitation of the interior of the human body for rare earth and other mineral resources
How cold is weaponised to control, punish and persecute communities, individuals, in particular racialised people
“The witch may be a technophile — she is, however, squinting skeptically at capitalism in everything that she does, and twisting technologies towards beautifully weird outcomes”
Of all the radioactive elements discovered at the end of the 19th century, it was radium that became the focus of both public fascination and entrepreneurial zeal
How society archives human DNA in the form of slivers of umbilical cord, dental samples and sperm, DNA of animals already extinct in the wild, plant seeds, vast quantities of digital data…
Theresa Schubert multiplied cells from a biopsy of her thigh muscles in a serum produced by utilising her own blood, to artificially grow a piece of in-vitro meat. Which she proceeded to eat during a live performance
Artists offer new insights about genetic engineering by bringing it out of the lab and into public places to challenge viewers’ understandings about the human condition, the material of our bodies and the consequences of biotechnology
The B-Hind devices demonstrates all the tensions inherent to an Internet of Things that inhabit the body without being noticed
The exhibition draws on a historically informed anthropocentric worldview toward a systemic conception of humanity as part of the evolutionary process
Matthieu Gafsou has spent 4 years researching transhumanism, a movement looking towards science and technology to drastically improve human cognitive, mental and physical performances
Moving from medical field to personal enhancement, from non-invasive methods to implanted devices, neurotechnology has the potential to radically change our brain and bodies, raising a series of dilemmas and concerns…
Lynn Hershman Leeson‘s work exposes why we need to have a better understanding of the potentials of gene editing and how they are being exploited by companies motivated mostly by profit
People affected by the disorder believe that they or part of their body parts are dead, dying or don’t exist at all
An interview with Margherita Pevere who used DNA storage technique to preserve a woman’s intimate experience from her youth into foreign life
The book challenges the normal understanding of modern architecture by proposing that it was shaped by the dominant medical obsession of its time: tuberculosis and its primary diagnostic tool, the X-ray
The Center for Technological Pain is a mock company that offers DIY and open source solutions to all sorts of physical ailments caused by our insouciant use of smartphones and laptops
Heikkilä uses painting to address the necessity to acknowledge the importance of nonhuman life and our symbiotic relationship to it
What will happen to our sensory apparatus in 50 years, when the mechanisms for how we communicate and sense our surroundings become obsolete, prompted by the advancement of sensors that will enable brain-to-brain communication?
The project revolves around the idea of sending humans to one of the points in space where gravity is absent. Frozen bodies would float until their weak gravities make them assemble into a blob: in this way, a new ‘human’ planet is extra-terraformed
Basse Stittgen uses blood discarded from slaughterhouses as a biomaterial that he dries, heat-presses and then turns into egg holders, records and other domestic objects
The exhibition not only presents artifacts and information about tattoos in Japan, Pacific Ocean and in the South East of Asia through history but it also makes them dialogue with bikers, Russian and Italian criminals, the skin-heads, the Hollywood movies and Delvoye’s tattooed pigs
The exhibition “John Walter: CAPSID” at HOME in Manchester mixes animation, paintings, textile craft, humour and pop culture to investigate the complexities of virology and the spread of deadly infection
An installation of 3Dp printed babies, by Pinar Yoldas, considers the societal impact of a gene editing tool that might in the future allow some of us to tweak human DNA and ‘play god’ with future generations of children
The book documents creative strategies by artists, fashion designers and other media users to become virtually faceless for aesthetic, fetishist or resistance purposes
A free magazine explores artworks that takes the form of food made out of human tissues, a suicide machine or a performance that makes you sick. Yes please!
The interactive installation invites “deep listening” within the body but also offers us an opportunity to reflect on how anthropocentric geological changes might be recorded, experienced and how they can be reproduced for other people in order to help them attune themselves to a future marked by man-made geological changes
Maja Smrekar has spent the past few years investigating human/dog/wolf co-evolution, co-habitation as well as the possibility to create a hybrid of the human and the dog species
What are the consequences of owning someone else’s DNA data? How does this influence the spatial privacy of the biological owner and his family members?
Breath (BRH) explores how the body can perform the computational process of mining crypto-currencies by converting lung exhalation into a computer’s hashing rate. The velocity of human exhalation determines the hashing rate of a small micro computer that is mining on the XMR (monero) blockchain
Do artists using biotechnological materials and scientific processes have the same obligations, rights and responsibilities as scientists? Or should they enjoy more liberties and particular prerogatives?
Beat to the Balance introduces participants to a ritualistic sauna practice which consists of whisking bodies with branch bundle of different tree species. The goal is to open energy flow and make more perceptible the interdependence between tree communities and humans
Work it, feel it! is dedicated to the work of the future and the future of work. The exhibition focuses on the demands placed on the human body and its possibilities to act, as seen against the backdrop of an increasingly automated workplace. What are the mechanisms of discipline and control that have been applied to the mind, and above all to the body, to make it an efficient production tool and a pillar of consumerism?
Momentum 9, The Nordic Biennial of Contemporary Art, opened a few days ago in Moss, Norway. Its focus is Alienation, a pertinent theme for a time characterized by deep social and economic inequalities, new forms of rabid colonialism, atmospheric turmoil, transhumanism, closing borders and relentless questioning of democracy
Can art help us understand the ethical complexities of emerging (bio)technologies? Are artists able to uncover our hidden desires and demystify the promises emerging technologies represent? Are living artworks allowed and is art allowed to alter life?