A festival dedicated to art by young talents, independent research, experimentation and unconventional curatorial gestures
Category Archive: photography
Through visual art, photography and video installations, the exhibition ‘Street Dreams: How Hiphop took over Fashion’ show the looks, the codes and the creative force of hip hop
Photographer Salvatore Vitale explores Switzerland’s security measures by focusing on “matter-of-fact” types of instructions, protocols, bureaucracies and clear-cut solutions which he visualizes in photographs, diagrams, and graphical illustrations
advertising
Windowless walls, masses of concrete, eroded hills, polluted water sources, etc. The photographer documents the impact that the economic boom is having on urban areas and on the fragile Amazonian ecosystem
The promise of the exhibition is bold: explain to us that incarceration is our shared responsibility because “We too are the punishers”
Paul Lowe managed to cram into one book some 200 years of history, technology, art, society without ever making it look laborious nor indigestible
social
Whether his locations are far-flung (ranging from the Antarctic to the Danakil Desert in Ethiopia) or closer to home, Goiris makes them look uncannily suspended, as if they came from another planet
Presenting work from the earliest through to the most contemporary of photographers, Making It Up: Photographic Fictions challenges the idea that ‘the camera never lies’
Kinshasa is a megacity with some twelve million inhabitants but barely any art market or art support. Local artists have thus developed creative, DIY solutions to make the best of the materials available around them
Hong Kong Soup: 1826, a selection of the debris which escapes recycling or landfill and ends up in the sea and washed up on beaches
The book documents creative strategies by artists, fashion designers and other media users to become virtually faceless for aesthetic, fetishist or resistance purposes
Using defective photographic material and a bit of photoshop, Barker shot the plastic bits of trash to make them look like plankton in water
The state of suspension is often likened to being paralysed or stunned, but it is actually a constant, relentless, never-ending struggle to adapt
Campeau is fascinated by the history of photography and in particular the disappearance of analog tools and practices. Each of the works exhibited explores a material culture that used to suggest magic and craftmanship: the messy darkrooms with duct tape to fend off the light and wooden pegs to hang the images to dry; the colourful rolls of photo film and the iconic camera models; the amateur developer who gave way to the computer pixel specialist, etc.
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent
The combination of the qualities of the positive photographic paper and the impossibility to fully control the oddly staged happenings evokes 19th century’s attempts to photographically capture paranormal activities
In 2005, a group of photographers took a stand alongside the people of the small town of Bil’in, and documented their fight to stop the Israeli government building the infamous West Bank Barrier. Inspired by what they had seen in Bil’in, the group went on to form Activestills, a collective whose work has become vital in documenting the struggle against Israeli occupation and everyday life in extraordinary situations
An exhibition at BOZAR in Brussels explores the intersection between photography and surveillance. Employing a dynamic range of approaches—from documentary to conceptual practice, from appropriation to street art—these 10 artists provide a satellite-to-street view of the ways in which surveillance culture blurs the boundaries between the private and public realm
I don’t normally write about art fairs but Artissima usually introduces me to so many new ideas, artists and way of representing the world that i can’t resist sharing some of the images of the event on the blog
“A new perspective on a traumatic chapter in German history.”
Arwed Messmer begins with the various photographs made by police photographers at the time—pictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed artistically
The volume assembles the works of contemporary photographers for the purpose of lending visual evidence to the blatant discrepancy between people’s living conditions, which can be as fascinating as it is shocking
“Every day that I was there I didn’t see anything else but the wall, and I can tell you I couldn’t stand it longer than three weeks. I was so depressed that I needed to go away,” said Koudelka about Wall, a series that documents the wall erected by the state of Israel in the West Bank as well as around Israeli settlements
Because it’s almost 40 degrees this week in Turin and i’m in a murderous mood, i’m going to split my review of the show into two parts. Today, you get the depressing bits and as soon as temperatures have cooled off a little, i’ll be back with the works that speak of solidarity, hope and compassion. It’s not all bad though because 1. i loved that show so much i visited it twice and 2. i’m going to open the quick gallery tour with one of my favourite artists
And Now for Something Completely Different: two photo series by Chris Steele-Perkins: the iconic one that documents the teddy boys and a more recent one that looks at a football competition for Roman Catholic priests
Italian photographer Valerio Spada is interested in the daily existence of Mafia bosses who spend decades on the run. What do you carry with you when you decide to disappear? What do you take along when you are forced to move from one place to another?
This book explores recent and historic artworks in the context of present-day environmental concerns, considering the future consequences of the age of the anthropocene, and humanity’s harsh imprint on our planet
Colonialism is not an era, it is a system of military/police, legal, administrative, social, and cultural system of domination; and, architecture is not (only) an aesthetic vessel, it is an apparatus organizing and hierarchizing bodies in space
Artist Daniel Mayrit (famous for a photo series which presents the portraits of the most powerful people in the City of London as if they were delinquents caught up on CCTV cameras) demonstrates the absurdity of Spain’s gag laws
One post about two important stories: a series of excellent webinars dedicated to art&activism and a few words about the origins of Unthanksgiving Day!
In this edition, many of the winning photos document the refugee crisis in Europe, wars (mostly in Syria), violence against women and there’s also a strong thread showing the Anthropocene at its most relentless
The only photography venue in the UK exclusively devoted to documentary, Side Gallery, is about to re-open with […]
Show Us The Money takes you on a journey to the world’s off-shore tax havens and corporate financial nerve centres. FOMU provides a glimpse of the structures that impact on all of us but which are themselves practically invisible. Three projects use very different artistic strategies to expose this global issue
I’ve always liked the work of Serrano. A lot. It’s outrageous, in your face and enjoyably iconoclastic. Portraits of the Ku Klux Klan leaders, close-up of Trump trying his best to look ‘deep’, cheap crucifix immersed into urine, bondage scenes, decaying corpses at the morgue… Shit
Bruce Gilden, Factory in the Midlands, from the series The Black Country, 2014 Evelyn Hofer, Crossing Guard, London, […]
Martin Roemers’ photographs take us to abandoned army bases and bunker complexes, military training areas, technical installations, monitoring facilities and military cemeteries
In 1980, the Sunday Times Magazine asked war photographer Raymond Depardon to go and photograph Glasgow. His images was deemed too upsetting and Sunday Times Magazine never published them
A Photo series ‘exploring the real world of scientific research. Not the stainless steel surfaces bathed in purple light, but real people in their basements working on selfbuilt contraptions. All shot in state of the art research institutions across Europe and the US, showing experiments with human subjects’
British photographer Edmund Clark and counterterrorism investigator Crofton Black have assembled photographs and documents that confront the nature of contemporary warfare and the invisible mechanisms of state control
Every single day and every single night, rain or shine, the movements of people living in Kabul and Kandahar in Afghanistan, are watched over by huge surveillance balloons. The U.S. army calls them aerostat or Persistent Threat Detection System
The People’s History Museum in Manchester has recently opened a photo exhibition that explores how industrial workers went from objects in photos, to heroic representations of industry and finally to photographers themselves