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The exhibition presents eleven case studies spanning the period from the invention of ‘metric’ photography of crime scenes in the 19th century to the reconstruction of a drone attack in Pakistan in 2012 using digital and satellite technologies. These offer an analysis of the historical and geopolitical contexts in which the images appeared, as well as their purpose, production process and dissemination

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A few days ago i popped by the The World Press Photo exhibition at the Royal Festival Hall in London. It’s a show i always look forward to visiting. The quality of the prints is often ridiculously low but the photos that win the photojournalism competition give me some time to reflect on the stories that made the news over these past few months but also to discovered under-discussed cultural or political issues

Over the past 45 years, the members of the collective have been documenting the industrial communities living along the river Tyne, the fishermen, the shipbuilders, the people working in the coal and steel industry, but also their families, the unemployed and the marginalized communities. The result is a vast archive of photos and films that present both both artistic and historical value

This is the eight edition of the competition and, as usual, the Italians made a killing and take a large portion of the awards, there is a fair deal of suffering, at least one of the awards goes to an image featuring Palestinians living under occupation and facing discrimination (this year however, the photos are joyful), and it is always strange to look at the photos and realize that the main events of the year before have almost already been erased from consciences

Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect

Over the past 5 years, Nick Hannes has visited twenty countries located around the Mediterranean. He witnessed an unprecedented period of turmoil for the region: southern Europe buckling under the weight of the global economic crisis, Arab countries entangled in the aftermath of the Arab Spring and tourists and migrants encountering each other on the beaches of the Mediterranean Sea

The conference (ridiculously interesting and accompanied by an exhibition i wish i could see all over again but more about all that next week) looked at how practitioners redefine the documentary genre in the digital age. In his presentation, artist James George presented artistic projects that demonstrate how fast computational photography is evolving and how innovations are changing our relation to the image

Pothier is in the region to shoot videos and make sound recordings but because he a PhD researcher in Arts, Anthropology and Architecture, the artist is also investigating nomadic architecture, drawing lessons from the way nomadic cultures live in symbiosis with the environment and more generally exploring issues of global warming which are felt so acutely in circumpolar regions

Zsolt Asztalos’ country, Hungary, was bombed heavily during the final months of the war by US, British and Soviet forces, with Budapest carpet-bombed on 37 occasions.

Hungary’s Unexploded Bomb Disposal Department gave the artist access to some of the explosives that were dropped over towns and cities but didn’t explode

Enter a tumultuous era with this unparalleled collection of photographs made by a group of photographers working for the Rome-based agency Team Editorial Services.

The press photographers constantly shifted between battling film stars at play and the reality of near civil war unfolding on the streets. Politics and celebrity are brought together through the paparazzi style of alto contrasto, collusion and intrusion. Alluded to, although less visible, are the murkier dealings of clandestine groups linked to the Italian Secret Services, The P2 Masonic Lodge the CIA and NATO, operating against the backdrop of the extremes of the Red and Black Brigades

Concentrating on the work of 18 leading photographers from the last 80 years, the exhibition begins in 1935 with Berenice Abbott, who captured New York’s transformation into modern metropolis. From there, it journeys through affluent California in the 1940s, India’s independence in the 50s, the decline of industrial Europe in the 60s and 70s and culminates in an exploration of the contemporary urban experience

Pr. Peter Ameisenhaufen gained fame in the first half of the 20th century for his controversial research on rare animals. Many of his colleagues refused to believe these creatures were real but Ameisenhaufen spent decades collecting evidences of their existence. The archives uncovered in the late 1980s by Fontcuberta were surprisingly rich and well detailed: photos, field notes, dissections drawing, audio clips documenting the calls and other sounds of these truly exceptional animals. Several specimens were even remarkably preserved by taxidermy

I had never visited the festival before but the program looked good: young talents, Eastern European artists whose work was new to me and a few blockbusters which, this year, included Roger Ballen’s portraits of marginalized people in absurd settings and Volker Hinz’s quirky portraits of fashion stars and celebrities of the 20th century. Predictable blogger that i am, i only had eyes for the new names and the socially-engaged exhibitions. So that’s what this report from the festival is going to focus on. That and the city

The young photographer traveled to Norilsk, one of the biggest cities above the Arctic Circle. In Norilsk, inhabitants live in darkness 45 days a year, temperatures can drop to minus 53 °C in the Winter and the air is one of the most polluted in the world. There is no green space in Norilsk and even leaving the city is a challenge. The easiest way to get away is by air (Moscow is a four hour flight away) and for most residents, plane tickets are barely affordable.

The reason why people would want to live there is that most of them work for the biggest metallurgical and mines complex in the world

A Guide to the Flora and Fauna of the World is a catalogue of 55 curious creatures and life-forms that have evolved in often unexpected ways to cope with the stresses and pressures of a changed world. Other organisms documented iare the results of human intervention, mutations engineered to serve various interests and purposes ranging from scientific research to the desire for ornamentation

This year, BIP2014, the 9th International Biennial of Photography and Visual Arts in Liège, looks at the ambiguous relationship between images and belief. Image seduce, persuade, deceive and lie. And even if we are used to seeing images (and their meaning) being modified and manipulated, we still want to believe that what is under our eyes is The Truth, The Whole Truth, and Nothing But The Truth

Most people are fascinated by ruins. The appeal of the crumbling and the decaying is such that it has its own term in photography. It is called “ruin porn” and Detroit is one of its most celebrated subjects. Tate Britain currently has an exhibition about the mournful, thrilling, comic and perverse uses of ruins in art. It is called Ruin Lust. Not because Tate curators are prude and proper but because they are erudite, the title of the show, i read, comes from the 18th-century German architectural word ‘Ruinenlust’

If i had to compare it to Frieze i’d say that catering is far better at Art14 (which for me means “WOW! there’s a juice bar, here!”), the public is much younger and the art is more accessible and not just financially. Last but not least, there’s no Jeff Koons inflated glitter in sight. I did see too many Botero though. At least one.