Video games maker Pippin Barr talks about his mischievous and perverse works, about the gamification of work and about the place of games in contemporary art
Category Archive: interview
In Data Garden, the artist imagines how a plant endemic to the Acropolis hill could one day secretly host our digital data in its DNA. Counting Craters on the Moon sparks a collaboration between a 19th century astronomer and an AI to calculate how many craters cover the surface of the moon…
Interview with a multimedia artist, engineer, educator and designer whose practice focuses on the practical and experimental applications of sustainable energy technologies, particularly photovoltaic solar power
advertising
What place did the African continent occupy in the development of discourses presented as narratives of the future? What remains of the utopias of the non-aligned futures?
Based on a collaborative and experimental approach, Robert’s projects attempt to translate sounds and rituals into tangible works of art that directly echo the traditions of the communities he meets
Maggie Kane: On the role of creativity when helping marginalised communities in capitalistic systems
“You have to be creative to operate in this capitalistic system. You have to find all kinds of walk arounds and work with pretty much no assistance from the government”
social
What make her works so compelling is that they go beyond confronting the audience with uncomfortable ethical questions about the history of museum collections. They also present new counter narratives and new strategies to examine issues of decolonisation
In Pre-Star Wars films not only was there a variation in the way different cultures visualized space, but that there were regional trends in the design of their soundscapes
If you click around Santamaria’s website and feel like you’re falling down the rabbit hole, that’s part of his plan. He wants you (and the data) to go to places where you’re not supposed to go
“The witch may be a technophile — she is, however, squinting skeptically at capitalism in everything that she does, and twisting technologies towards beautifully weird outcomes”
Hannah Fletcher is a photographer without a camera. She combines techniques from the past and experiments to innovate and improve photographic processes
Artists regard the “doomsday prepper” movement as the expression of a wider cultural anxiety and a loss of faith in governments capability to take care of their own citizens
The research project aspires to develop an alternative history of the rise of modernity and the spread of colonialism from the perspective of sugar itself. What if sugar was the actual engineer behind all of this?
Angela Washko actively seeks out new ways to facilitate or enter into conversation with individuals and communities who have radically different ideas and opinions in an attempt to create spaces for discussion, productive dissent and complexity
Interview with a photographer, bioartist and biology student whose works make visible the plight of endangered mammals in the Baltic sea, the drop in pollinator populations in the Arctic and other uncomfortable realities
I talked to the founder of a school where students learn new skills, manipulate new tools but also get to examine the political and human dimensions of technology
I could try and sum up Tim Shaw‘s practice by saying that it focuses on the relationship between […]
Artist and researcher Paul O’Neill takes Dubliners and curious tourists on guided tours of the HQs, warehouses, data centers and other infrastructures the internet relies on
Pip Thornton”s work explores linguistic capitalism and the economic, cultural and political effects of the monetisation of language by Google’s search and advertising platforms
In 2014, the designer compiled a Computer Virus Catalog. He’s telling me about about the malware exhibition he co-curated in Rotterdam
What happens to the design discipline when it has to evolve from a world where designers do wonders with (seemingly) unlimited resources and energy to a world where their creativity can only rely on limited ones?
To celebrate her 20 years as curator in the fields of art and video games, Isabelle Arvers is about to embark on a world tour to explore the issue of diversity, with an emphasis on female, queer and decolonial practices
The artist talks about plastic invasion, excavator choreographies on scrapyards and how to stay sane when the world around you is sinking under piles of garbage
Artist Mark Farid put his social, financial and mental well-being at risk in order to expose the damages of a carefree attitude towards our own digital footprint
The artists and designer is interested the often invisible political nature of spaces and technologies, and how the design of the ordinary is involved in shaping values, practices and ideologies
Hutchison’s artworks include canvases involving BOTH an investment banker and an Occupy protestor, an exhibition orchestrated by members of the Sapporo Police Department, a video starring employees of a peanut factory without peanuts and a series of consumer goods that explore the (possible) “well-meaning dictatorship” of design
Stéphane Degoutin and Gwenola Wagon have investigated and condensed the schizophrenia of international airports in performances, research and more recently in a book
Erik Sjödin‘s art and research practice has led him to investigate human relationships to fire, aquatic plants that might one day feed the first inhabitants of planet Mars, bees and humans connections and community-based ways of producing food
Artists investigating how creativity can be deployed to establish empathy and communication between incarcerated people and the public outside the prison
Maja Smrekar has spent the past few years investigating human/dog/wolf co-evolution, co-habitation as well as the possibility to create a hybrid of the human and the dog species
For their “Forensic Fantasies” trilogy, KairUs (Linda Kronman and Andreas Zingerle) used data recovered from hard-drives dumped in Agbogbloshie, Ghana to develop works that investigate the issue of data breaches of private information and ask: What happens to our data when we send a computer, an hard disk or any kind of other storage device to the garbage?
Over the past few years, Robertina Šebjanič has been collaborating with scientists hackers, thinkers and other artists to explore themes such as interspecies communication, underwater sound pollution, the possible coexistence of animals and machines, chemical processes, the origin of life, etc.
I interviewed Morehshin Allahyari and Daniel Rourke about The 3D Additivist Manifesto and The 3D Additivist Cookbook for this year’s edition of the Digital Design Weekend 2017 in London
There are many reasons why i wanted to interview Mandiberg. He is an artist whose work i’ve admired for years, the co-founder of the brilliant Art+Feminism Wikipedia Editathon and a dedicated archivist of logos of failed U.S. banks
Last year, the Flatbread Society embarked on a year-long sailing expedition that will take them from Oslo to Istanbul. On board is a rotating crew of artists, sailors, anthropologists, activists, writers, ecologists, etc. As for the cargo, it consists mostly of grain seeds that had been lost or forgotten
Kirsten Stolle examines the global influence of chemical companies on our food supply and explores the connection between corporate interests and public health. Using post-WWII America as her stage, Stolle’s collages, drawings and site-responsive installations investigate corporate propaganda, environmental politics and biotechnology
Greiner’s works involve buying 40 litres of maggots and bringing them to the exhibition space until they turn into flies, composing music based on the luminous skin of a squid, convincing the Director of the Neue Nationalgalerie in Berlin to consider a fly as a living artwork, photographing portraits of algae, carefully orchestrating explosions around Berlin
The work invites people on a tour of both metal music and metal materials in Helsinki. Participants get a metal detector that has been altered to play pre-recorded music from Helsinki metal bands. The group then wanders through the city historical sites, looks for the presence of iron, tin, steel, silver, copper and other metals in the ground and as soon as the device has spotted something, hard rock and metal will play through the headphones
Sounds from bridges, ventilation systems and other industrial spaces. An interview with Jonas Gruska
When Jonáš Gruska is not busy giving workshops on urban sonification, creating his own recording instruments, making electromagnetic fields audible or organizing a solar-powered (experimental) music festival called SVUK, you’ll find him under bridges, inside bridges, in ventilation systems or near oil refineries exploring the psychoacoustic properties of sound in industrial spaces
Nik Nowak‘s sound objects combine the aesthetic qualities of sculpture with utility or functional objects, and explore urban or military phenomena at play in everyday life