I interviewed Morehshin Allahyari and Daniel Rourke about The 3D Additivist Manifesto and The 3D Additivist Cookbook for this year’s edition of the Digital Design Weekend 2017 in London
Category Archive: interview
There are many reasons why i wanted to interview Mandiberg. He is an artist whose work i’ve admired for years, the co-founder of the brilliant Art+Feminism Wikipedia Editathon and a dedicated archivist of logos of failed U.S. banks
Last year, the Flatbread Society embarked on a year-long sailing expedition that will take them from Oslo to Istanbul. On board is a rotating crew of artists, sailors, anthropologists, activists, writers, ecologists, etc. As for the cargo, it consists mostly of grain seeds that had been lost or forgotten
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Kirsten Stolle examines the global influence of chemical companies on our food supply and explores the connection between corporate interests and public health. Using post-WWII America as her stage, Stolle’s collages, drawings and site-responsive installations investigate corporate propaganda, environmental politics and biotechnology
Greiner’s works involve buying 40 litres of maggots and bringing them to the exhibition space until they turn into flies, composing music based on the luminous skin of a squid, convincing the Director of the Neue Nationalgalerie in Berlin to consider a fly as a living artwork, photographing portraits of algae, carefully orchestrating explosions around Berlin
The work invites people on a tour of both metal music and metal materials in Helsinki. Participants get a metal detector that has been altered to play pre-recorded music from Helsinki metal bands. The group then wanders through the city historical sites, looks for the presence of iron, tin, steel, silver, copper and other metals in the ground and as soon as the device has spotted something, hard rock and metal will play through the headphones
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Sounds from bridges, ventilation systems and other industrial spaces. An interview with Jonas Gruska
When Jonáš Gruska is not busy giving workshops on urban sonification, creating his own recording instruments, making electromagnetic fields audible or organizing a solar-powered (experimental) music festival called SVUK, you’ll find him under bridges, inside bridges, in ventilation systems or near oil refineries exploring the psychoacoustic properties of sound in industrial spaces
Nik Nowak‘s sound objects combine the aesthetic qualities of sculpture with utility or functional objects, and explore urban or military phenomena at play in everyday life
Ploeger is an artist who looks at the broad picture, who realizes that e-waste, sexuality, ecology or violence are all valid points of entries into the study of the many paradoxes, complexities and entanglements of our consumer culture and its impacts on the planet
Machine Wilderness explores what our technologies could look like if they are native to our landscapes, part of material flows, foodchains and layers of communication. In particular it looks at environmental robotics, designing ‘pseudo-organisms’ that relate to specific habitats
The artist’s work investigates issues as different from each other as perception, international power networks, religion, changes in the human condition through technology, surveillance and electronic and physical warfare
Maja devises equipment enabling biological survival in apocalyptic situations, built an installation ‘infused’ with the serotonin of the both herself and her dog Byron and explored the problem of invasive species with the help of native and tropical crayfish.
With his performances, apps and other works, Satrom is opening the black box of the operating system we daily use. He is even inviting each of us to join the glitch party. Together with Ben Syverson, he created the sOS or Satromizer Operating System, the world’s first ‘100% problem-based operating system’ which you can download to turn your laptop, iPad and phone into a neverending glitch party
Pater is a graphic designer who gave himself the mission to create visual narratives about complex political issues. He is not only interested in flying machines of death but also in disaster floods caused by global warming, Dutch sweets that evoke everyday racism, fishermen vs oil tankers, citizen journalism in countries with censorship, digital surveillance, etc
Moritz Simon Geist is a classical musician and a robotics engineer who builds his own musical instruments. The most famous of them is the MR-808, an oversized replica of the TR-808 produced by Roland to reproduce drum sounds. This 1980s electronic drum machine imitated the drum so inadequately that it actually created its own sound. The distinctive ‘thump thump’ became an integral part of hip hop music, gained iconic status with Marvin Gaye’s Sexual Healing and reached such a cult position within the music industry that even Kayne West paid tribute to the machine in one of his hit albums
CTM’s work combines appealing aesthetics, humour and language with actions that invite people to think, question and reclaim their civil rights. Their most famous project is the Tactical Ice Cream Unit, a truck distributing free ice cream along with propaganda developed by local progressive groups. Another of their initiative saw them launch a bank heist contest…
Aernoudt Jacobs is an artist fascinated with sound in all its forms and possible expressions. He collects fields recordings around the world but he also creates installations based on Bell’s photoacoustic effect that reveals the sonority of any material hit with a strong beam of light, builds sound microscope that magnifies the freezing and melting process of water or suspends coils, magnets and 1000 tin cans into the air to play with the laws of electromagnetic induction and create tiny vibrations that produce sounds
The artist harvested 24kg of an invasive weed from a highighly polluted area in Spain, extracted the iron ore from the plants and used it to make an iron ring. The innovative experiment brought together the biological, the industrial, the technological and even craft to create a piece of jewellery that weights 2 grams. The project also suggests a way to reverse the contamination process while at the same time mining iron ore from the damaged environment
Suohpanterror is an anonymous group of Sami artists who use wit, iconic images and humour as weapons to comment on the issues their people have to face on a daily basis: discrimination, racism, marginalisation, colonialism, dam building, logging, military bombing ranges, as well as exploitation by the tourism and energy industries. And of course, climate change
Make+ is a Shanghai-based programme that stimulates collaborations between art and science. Its main motivation is to ‘make ideas happen’.
The recipe is quite simple: an individual comes with an idea, a team forms around it, mentors join in and guide the team along the way. At the end of the process, the idea is made reality. Participants come with all types of backgrounds, experiences and perspectives. They can be fashion designers, hardware engineers or painters
The artist has worked with media as diverse as fetal calf cells, human blood, maggots, multi-component 3D Human Skin Equivalent models or taxidermied insects. She is currently participating to Experimenta Recharge biennial of media art with an ever-changing face mask that uses Saos-2, a cell line that originally came from the bone cancer lesion of an 11 year old girl who died in 1973
The art that Berglin masters to perfection is the good old art of appropriation. He picks up an image, modifies it or not, brings it into a new contexts and gives it a new meaning. The result is a portfolio full of humour, poetry, and absurd comments on our absurd society
For the past few years, CAA’s founders Steve Lambert and Stephen Duncombe have been traveling around America (and increasingly Europe) to train grassroot activists to think more like artists and artists to think more like activists. The objective isn’t to replace traditional strategies with unbridled inventiveness but to use creativity as an additional tool that will help them gain more attention, make activism more approachable and that will, ultimately, make their campaigns more effective
Frederik de Wilde’s investigations don’t stop at nanotechnology and ultra black paintings, he also explores biotechnology, data networks, or any other scientific fields of research to uncover new frontiers of the intangible, inaudible, invisible.
That might sound highly conceptual but as the interview with the artist demonstrates research into elusive energy measurements and other barely perceptible phenomena quickly gives rise to reflections about politics, art history, economic emergency, universe hacking and very practical innovations in ‘clean’ energy
The artist uses live art, interventions and new media to investigate social and political systems; and to find his position in and to these larger systems.
Some of his projects involved outsourcing the production of a written constitution for the UK to China and having 1,000 dolls voice it, using the price of an African financial index to control lightning in a Berlin art center, testing certain hypotheses about social behaviour in a dinner party. And building an outdoors spiral staircase for cats.
Nuría Güell has an impressive portfolio: she wrote a manual on How to Expropriate Money from the Banks, married a man from Cuba to give him her nationality, collaborated with a famous bank robber to design the plan to rob a bank agency from the high security prison where he was detained
Addie made a painting using a drone as a brush, enrolled a stern industrial robot to rock a baby cradle, asked online sexcam performers to replicate classical paintings, and built a chandelier using CCTV cameras
Adam Brown is a conceptual artist working with scientists to create art pieces that use robotics, molecular chemistry, living systems and emerging technologies. He recently demonstrated how bacteria can, over a period of one week, digest the toxins of gold chloride and spit out nuggets of 24-karat gold
Hertz makes robots controlled by cockroaches, video game systems that you can literally drive around, he gives talks about Zombie Media and has just crafted a magazine about critical technical practice and critically-engaged maker culture that puts us all (us being media people) to shame
Often both playful and critical, Benjamin Gaulon’s projects involve printing messages on walls using a PaintBall Gun, collecting video streams from wireless surveillance cameras, turning your videos into animated GIFs, developing radio controlled cars that physically react to messages sent on Twitter, giving an architectural dimension to the 1970s game PONG, circuit-bending, hacking, deconstructing and re-purposing “obsolete” electronic devices
After Agri is a collaborative investigation between Michiko Nitta and Michael Burton. Their collaboration looks at the future evolutions of our food systems, asking What new cultural revolution will replace agriculture? How will our species and civilisation be transformed?
I met Signe Lidén over the Summer at the FARM festival where she was performing the sound pieces she had recorded while traveling on a rural train line in Southern Italy.
I had actually come upon the work of this young artist several times in the past. Two years ago, when i visited Bergen for the Piksel festival and back in May when i spent a whole afternoon listening to the sound files and watching the videos collected for the project The Cold Coast Archive: Future Artifacts from the Svalbard Global Seed Vault.
Being more used to visual arts, i’m fascinated by Signe Lidén’s work, by the way uses field recordings to evoke and communicate the places and spaces she investigates.
Time machines, false memory, earthly landscape, moon rock gardening, flying saucers, lunacy, galactic adventures and the occasional rabbit. That’s the world sketched by Sue Corke and Hagen Betzwieser. Roughly speaking, Sue is a printmaker and Hagen is a ‘New New Media’ artist but together they are more than the sum of their parts, they are We Colonised the Moon.
I had a little chat with the artist who hung a gigantic disco-ball over Paris, threw 12 tons of asphalt on the road to create a absurdly twisted bike lane in Montreal, rode his polluting bicycle in parks, knitted New Orleans street lamps into a satellite-shaped structure, silenced an alarm bell under a vacuum system and famously got his pedal-powered 86′ Buick Regal car pulled over by the police
One of the current interests of the Office involves an ‘overt research’ that attempts to build up an alternative and experimental knowledge source about the UK’s “Dark Places”, the labs and facilities of advanced technological development which are often (purposefully or not) concealed, secret or inaccessible to the public
Jacobsen is a media artist based in Copenhagen and an Adjunct Professor in Digital Culture and Mobile Communication at IT University, Copenhagen. His artistic work either closely follows social, political and ethical questions or sabotages technology, by mix-matching new and old media or by inviting web users to subvert web banners
KULTIVATOR was founded in 2005 by 3 artists and 2 organic farmers in the village Dyestad, on the Swedish island of Öland. This cooperation of farming and visual art practice involves an organic farm with where pigs are raised, cows are milked, potatoes are harvested and linseed oil is pressed. But Kutltivator is also a space for artist residencies, exhibitions, performances, installations and screenings. And in between are activities that draw in both the artist and the farming community. The result looks both experimental and remarkably productive
The Finnish artist is the only person i’ve heard about who was actually arrested for pretending to guillotine a cheap Ronald Mc Donald statue. With the help of a friend, i got in touch with Jani Leinonen and bombarded him with questions about the beggars signs he’s been exhibiting at the Venice Biennale, his crazy sexed-up versions of cereal boxes for children, his successful attempts at selling contemporary art works by the bulk as if they were vegetables and of course i was curious about the aftermath of the Ronald affair
A wire brush spins around randomly, threatening your open-toe sandals. A motion activated vacuum pump sucks out the air from a sealed gallery space: the longer the viewers remain inside, the less air for them to breathe. A cobble stone is rotating on a rope. The sole purpose of that kettle is to spread red acrylic paint on your shoes. An electric fence used to control livestock on farms criss-crosses the path that leads to an art gallery or the bar. Elsewhere a randomly activated tripwire awaits visitors…
Earlier this year, Jeremy Hutchison sent emails to manufacturers around the world, asking them to produce a fairly simple and common item. He added a special requirement though: the product had to be imperfect, come with an intentional error. Moreover, the worker was in charge of deciding what error, malfunction or fault he would add to the good. No matter how much i had read and seen about the project, i still wanted to interview the artist