The artist talks about plastic invasion, excavator choreographies on scrapyards and how to stay sane when the world around you is sinking under piles of garbage
Category Archive: Anthropocene
This year, the New Zealand pavilion at the Venice Art Biennale will feature lists of inventions, life forms, phenomena and “things” that made progress possible but that no longer exist
Amanda Boetzkes links the increasing visualization of waste in contemporary art to the rise of the global oil economy and the emergence of ecological thinking
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Materialism is an impressive exercise in dismantling consumer culture, in leaving aside functions and in ennobling the resources we extract from the Earth at great human and environmental costs
Heikkilä uses painting to address the necessity to acknowledge the importance of nonhuman life and our symbiotic relationship to it
The artworks change according to temperature, subtly echoing the rise of extreme and unpredictable climate events that have brought about scientific studies of how “climate surprise” impacts human behavior and health but also environmental policymaking
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Whether his locations are far-flung (ranging from the Antarctic to the Danakil Desert in Ethiopia) or closer to home, Goiris makes them look uncannily suspended, as if they came from another planet
The book offers critical reflections on some of the most challenging environmental problems of our time, including land take, groundwater pollution, desertification, and biodiversity loss
A series of artworks in a disused biology faculty in Riga make the Anthropocene disturbingly palpable
Hong Kong Soup: 1826, a selection of the debris which escapes recycling or landfill and ends up in the sea and washed up on beaches
National parks, reserves and other forms of sanctuarization of nature are often adopted as a measure to protect territories from the detrimental impact of human activity. This exhibition brought together artists whose work invites us to re-examine our relationship with the natural world
French artistic duo Art Orienté Objet attempted to save one of the earliest forms of life on earth from environmental disaster
“Arriba!” is a cocoa plant shipped from the Ecuador Amazonian rainforest, enclosed inside a temperature-controlled container and displayed on top of an Antarctic glacier
An exhibition at the Parco Arte Vivente, Turin’s experimental centre for Living Arts, aims to offer new perspectives and lines of inquiry about the Anthropocene
Contemporary positions in art and architecture seeking answers to current environmental problems that transcend mainstream notions of sustainability
Using defective photographic material and a bit of photoshop, Barker shot the plastic bits of trash to make them look like plankton in water
The interactive installation invites “deep listening” within the body but also offers us an opportunity to reflect on how anthropocentric geological changes might be recorded, experienced and how they can be reproduced for other people in order to help them attune themselves to a future marked by man-made geological changes
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent
A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability
The exhibition gathers contemporary artworks as well as zoological and botanical objects to explore the changes in the tropical regions that Wallace once traveled and to shed light on the ecological issues faced by the fauna and flora of Amazon, Indonesia, Malaysia and Singapore today
Disappearing Legacies: The World as a Forest, an exhibition currently open at the Zoological Museum in Hamburg, “confronts the destruction of tropical habitats in the context of the Anthropocene and mass extinction”
Pazugoo, a gooey, collectively modifiable uranium glow-stick waving Pazuzu, the Sumero-Asyrrian demon of contagion, epidemic and dust, is proposed as a marker for the presence of nuclear waste products
Looking beyond the modernist vision of a utopian nuclear age, contemporary artists are engaging with the lived experience of radiation through nuclear objects, architectures and landscapes
Drawing on fieldwork, philosophy, literature, history, and a range of other perspectives, each of the chapters in this book tells a unique extinction story that explores what extinction is, what it means, why it matters—and to whom