While exploring the “de-extinction” movement, artists and designers are also questioning its motives, highlighting its shortcomings and challenging the promise that we can resurrect the animals and plants that we have driven to extinction
“The witch may be a technophile — she is, however, squinting skeptically at capitalism in everything that she does, and twisting technologies towards beautifully weird outcomes”
Theresa Schubert multiplied cells from a biopsy of her thigh muscles in a serum produced by utilising her own blood, to artificially grow a piece of in-vitro meat. Which she proceeded to eat during a live performance
Artists offer new insights about genetic engineering by bringing it out of the lab and into public places to challenge viewers’ understandings about the human condition, the material of our bodies and the consequences of biotechnology
An exhibition in Erlangen (DE) looks at the role that technology can play to ensure or threaten the future of our planet
Free to download, the proceedings of the conference contain essays and visual documentation that explore the nature of the forbidden and the aesthetics of liminality in art that engages with technology and science…
With this installation, critical and speculative scenario designer Tina Gorjanc is asking whether producing ‘fake’ copies of an extinct animal is an attempt to understand the past, or just an excuse to constantly create the desire for rarity
Animals that fake their appearance to blend in their surrounding and attract their prey, people who fake a […]
What are the consequences of owning someone else’s DNA data? How does this influence the spatial privacy of the biological owner and his family members?
Ancestry DNA testing has been widely embraced as a new way to understand our identity. But how does this removal of identity from its narrative and social dimension impact on understandings of race and relationships? And what is the scientific validity of this testing?
Can art help us understand the ethical complexities of emerging (bio)technologies? Are artists able to uncover our hidden desires and demystify the promises emerging technologies represent? Are living artworks allowed and is art allowed to alter life?
It seems that humans have an inherent need for the unaccountable and the illogical. That’s why progresses in science and technology have often been accompanied by the arrival or renewal of paranormal phenomena
Albedo suits are designed to increase the solar energy reflectivity (albedo value) in the forests; this way cooling the climate and mitigating the climate change. The work plays with the notion of geoengineering and forest management as a geoengineering project
“The Condition” might look like standard (media) art installation but don’t let its playful appearance fool you. The deeper you dig, the more you realize how many thought-provoking ideas and issues the work raises: new forms of ‘natural selection’ where it’s the prettiest -not the fittest- that survives, novel ecology in which salmons and tulips are grown à la carte, and intersection between the design of biological organisms and capitalistic values
Session 5. The Extended Body: Biomedicine, Micromatter & the Transhuman was the most eclectic and unpredictable one. It investigated issues as diverse as the use of forensic methodologies in art, the presence of human cells outside of the body and the possible role of bacteria in creativity
With the arrival of 3D printing prosthesis using bio-compatible material, we might see more and more extreme body modifications reaching the mainstream. What could once only be imagined is now only a matter of time
Semen, cell cultures, urine, feaces, tears, blood, hair, skin– the human body has been used not merely as the subject of art works, but also as their substance.
Last week, the Institute of Advanced Studies at University College London held a symposium that explored the use of “biomaterial” in modern and contemporary art practices
The exhibition Hormonal at LifeSpace Gallery in Dundee brings together work by three women artists who, each in their own witty way, reflect on the hormone oestrogen and how it is understood socially, politically, technologically and environmentally.
There is a surprising similarity in the way neural networks and analogue modular synthesizers function, in that for both, voltages are passed through components to produce data or sound. The neural interface we developed juxtaposes these two networks and in a sense creates a continuum that creates one unified network. With CellF, the musician and musical instrument become one entity to create a cybernetic musician, a rock star in a petri dish.
A couple of weeks ago, MU in Eindhoven invited the public to a 2 day long immersion into all things bio art and bio design. The Body of Matter / BAD Award Special weekend lined up a series talk, panels, workshops and performances and explored how the techniques and challenges of life sciences are embraced by contemporary artists and designers
With Body of Matter, MU zooms in on the body and the possibilities biotechnology has to offer to change, enhance, investigate and replace it, now and in the near future
Maja devises equipment enabling biological survival in apocalyptic situations, built an installation ‘infused’ with the serotonin of the both herself and her dog Byron and explored the problem of invasive species with the help of native and tropical crayfish.
The Microbiome Security Agency investigates the future of microbiome privacy issues and prepares citizens for a future where our personal information is at risk through our biological datasets
For this work the visual anatomy of the artist’s brain is used to influence the behavior and learning of a drone. Computer code links this visual information, including the number, placement, and thickness of neurological connections in Ms. Haines’s brain, to the movement and decision-making of the drone
Designer Isaac Monté has used a pig heart as if it were a material that can be tattooed, coloured, and otherwise transformed. The work aims to explore how far a ghost organ can be manipulated for its creative potential, but it also questions whether biological interventions and aesthetic manipulation can be used as tools for the transformation of inner beauty
In an era of fast-paced technological progress and with the impact of humans on the environment increasing, the concept of “nature” itself seems called into question. Bio Art explores the work of “bio artists,” those who work with living organisms and life processes to address the possibilities and dangers posed by biotechnological advancement
This symbiotic system re-imagines the management of sewage in order to salvage its potential as a source of energy. it is made up of a set of modular microbial fuel cells for the development or colonies of bacteria whose metabolism produces electricity and improves water quality
The goal of this small and smart web series is to discuss the way biotechnology is changing our society: What are its political, social, and even philosophical implications? What happens when manipulating life becomes as simple as writing a line of code? And more importantly, what does this mean for average citizens and their future?
With ‘A simple line’, Essaïdi attempts to merge the abstract idea of a line with its most tangible reality by having a zebra finch look at its own brain cells in the form of a line
A range of practices which were once subsumed under terms such as media art, digital art, art and technology or art and science, have experienced such growth and diversification that no single term can work as as a label any more. Traditionally separated domains are brought together to become contextual seedbeds for ideas and practices that aim to overcome the crisis of the present and to invent new avenues for future developments
The artist has worked with media as diverse as fetal calf cells, human blood, maggots, multi-component 3D Human Skin Equivalent models or taxidermied insects. She is currently participating to Experimenta Recharge biennial of media art with an ever-changing face mask that uses Saos-2, a cell line that originally came from the bone cancer lesion of an 11 year old girl who died in 1973
Revolutionary advances in genetics and molecular biology have given us new insights into how carbon based life on our planet originates and functions. In more recent years the development of synthetic biology has dramatically expanded our ability to design and modify life forms. At the same time, disruptive developments in computing technologies have led to the possibility of generating digitally-based artificial life. And outside traditional institutions, emerging DIY, bio-hacking and citizen science movements have begun to appropriate laboratory technologies, challenging ideas about the governance of the life sciences
Speculative designer Lisa Ma is looking for the relevance of Luddism in the modern era by shifting focus from digital and communications technologies to the innovations of biotechnology industries. These biotechnologies which have started to pervade the food, health and ecological systems will undoubtedly attract their own forms of luddism. So who are the BioLuddites? Where are the group and individuals who ask for a demystification of biotechnologies and who are calling for a public debate about GMOs, systems ecology, hormone replacement, etc?
The works exhibited include a robot that 3d prints then plants seeds made of a biopolymer created from corn (PLA), an installation that monitors and visualizes the breathing of corn and a series of corn plants connected with electrodes to record the interaction between plants and humans
The Bio Art & Design Award used to be called the Designers and Artists for Genomics award but its objective remains unchanged: the award invites designers and artists interested in life sciences to propose projects that push the boundaries of research application and creative expression. Each year the three most exciting ideas are awarded a 25,000 euro grant to bring the project to life and exhibit it
The book contains 17 articles (in both English and Finnish) that report and meditate on the research, reflections and activities that took place during the scientists and artists’ stay in Kilpisjärvi, Lapland. The event was organised by Finnish Society of Bioart and offered one of the very few residences that allows people who engage with art&science to work and experiment directly in a natural environment and not exclusively in laboratories or galleries
The Living Mirror is a ‘bio-installation’ that combines magnetic bacteria with electronics and photo manipulation to create liquid, 3D portraits
For her project Ergo Sum Charlotte Jarvis donated blood, skin and urine to the stem cell research laboratory at the University of Leiden. These donations have been transformed into stem cells, which in turn have been programmed to grow into cells with different functions such as heart, brain and vascular cells.
The result is a biological self-portrait; a second self; biologically and genetically ‘Charlotte’ although also ‘alien’ to her – as these cells have never actually been inside her body
Behind its menacing aspect, SPPS considers selectively permeable structures under lenses that range from the molecular level to the macro scale.It explores the (xenophobic) history of immigration in Australia and more generally current infrastructures that define socio-political boundaries. It also looks at the history of biowarfare, from Antique Chinese gunpowder rockets carrying poisonous material to virus injected into chicken eggs
A discussion with Rasa Smite about “Biotricity No.5”, a project that experiments with “green energy” technologies and sonifies the process of generating electricity from bacteria living in water