The exhibition Hormonal at LifeSpace Gallery in Dundee brings together work by three women artists who, each in their own witty way, reflect on the hormone oestrogen and how it is understood socially, politically, technologically and environmentally.
There is a surprising similarity in the way neural networks and analogue modular synthesizers function, in that for both, voltages are passed through components to produce data or sound. The neural interface we developed juxtaposes these two networks and in a sense creates a continuum that creates one unified network. With CellF, the musician and musical instrument become one entity to create a cybernetic musician, a rock star in a petri dish.
Ploeger is an artist who looks at the broad picture, who realizes that e-waste, sexuality, ecology or violence are all valid points of entries into the study of the many paradoxes, complexities and entanglements of our consumer culture and its impacts on the planet
A couple of weeks ago, MU in Eindhoven invited the public to a 2 day long immersion into all things bio art and bio design. The Body of Matter / BAD Award Special weekend lined up a series talk, panels, workshops and performances and explored how the techniques and challenges of life sciences are embraced by contemporary artists and designers
With Body of Matter, MU zooms in on the body and the possibilities biotechnology has to offer to change, enhance, investigate and replace it, now and in the near future
The artist gave a brilliant talk about how the fish, the beaches and even ourselves are chocking on plastic, about King Leopold II of Belgium and his brutal exploitation of Congo, and about the Homo Sapiens, a species so presumptuous it gives itself the title of ‘doubly wise.’
Maja devises equipment enabling biological survival in apocalyptic situations, built an installation ‘infused’ with the serotonin of the both herself and her dog Byron and explored the problem of invasive species with the help of native and tropical crayfish.
Famous Deaths, IDFA International Documentary Filmfestival Amsterdam. Photo Nichon Glerum Would you like to know or even experience […]
The Microbiome Security Agency investigates the future of microbiome privacy issues and prepares citizens for a future where our personal information is at risk through our biological datasets
For this work the visual anatomy of the artist’s brain is used to influence the behavior and learning of a drone. Computer code links this visual information, including the number, placement, and thickness of neurological connections in Ms. Haines’s brain, to the movement and decision-making of the drone
Designer Isaac Monté has used a pig heart as if it were a material that can be tattooed, coloured, and otherwise transformed. The work aims to explore how far a ghost organ can be manipulated for its creative potential, but it also questions whether biological interventions and aesthetic manipulation can be used as tools for the transformation of inner beauty
The OpenSurgery initiative investigates whether building DIY surgical tools, outside the scope of healthcare regulations, could plausibly provide an accessible alternative to the costly professional healthcare services worldwide.
By presenting a semi-functional DIY surgery robot, theoretically capable of assisting in domestic keyhole surgery, the project provokes alternative thinking about medical innovation and aims to challenge the socioeconomic frameworks healthcare currently operates within
Pigeons, fungi, human cells, finches and flowers are just some of the mediums of bioart and design. These emerging fields are the source of daring experiments and thoughtful reflections about how aspects of culture, such as our concepts of identity, nature and environment are changing.
Matter of Life presents nine such research projects at the intersection of art, design and the life sciences
Twenty-five provocative artworks that explore the scientific, symbolic and strange nature of blood.
The jars are filled with all kinds of deformed and diseased body parts: a gout-swollen hand, an inguinal hernia from around 1750, the bound foot of a Chinese woman, the skeletons of conjoined twins, a liver dented by years of wearing tight corsets, a brain perforated with an ice pick during a frontal lobotomy, a rat that died of tuberculosis, a cabinet of surprisingly voluminous objects that people inserted into their bodies (more about that one in the video below), etc
The Sick Rose is a visual tour through the golden age of medical illustration. The nineteenth century experienced an explosion of epidemics such as cholera and diphtheria, driven by industrialization, urbanization and poor hygiene. In this pre-color-photography era, accurate images were relied upon to teach students and aid diagnosis. The best examples, featured here, are remarkable pieces of art that attempted to elucidate the mysteries of the body, and the successive onset of each affliction
I was expecting the usual about tattoos: the criminals, the freak shows, the Māori warriors, the virtuosity of contemporary tattoo artists. I certainly found all of that in the show. I wasn’t however expecting to be shocked by the way tattoos were used to mark women
Mind Maps explores how mental health conditions have been diagnosed and treated over the past 250 years. The exhibition looks at breakthroughs in scientists’ understanding of the mind and the tools and methods of treatment that have been developed, from Mesmerism to Electroconvulsive Therapy and Cognitive Behaviour Therapy bringing visitors up to date with the latest cutting edge research and its applications
Superflux is looking at the ways emerging technologies interface with the environment and everyday life and the result of their research is a rather extraordinary portfolio which explores deviant economies for India’s elastic cities, climate change, political engagement, desertification, human enhancement, etc
Michiko and Michael’s work is never without surprise. Whether they entrust opera singers to produce food in a future world where algae have become the world’s dominant food source or explore the possibility of a city that would be isolated from the wider environment and where food, energy, and even medicine, are derived from human origin and man-made biological systems.
For her project Ergo Sum Charlotte Jarvis donated blood, skin and urine to the stem cell research laboratory at the University of Leiden. These donations have been transformed into stem cells, which in turn have been programmed to grow into cells with different functions such as heart, brain and vascular cells.
The result is a biological self-portrait; a second self; biologically and genetically ‘Charlotte’ although also ‘alien’ to her – as these cells have never actually been inside her body
Artist Pratchaya Phinthong has shipped to a London art gallery the replica of a skull that almost 100 years ago provided key evidence to support Darwin’s theory of human evolution, replacing it with an identical model purchased online. He has additionally invited the museum guide, Kamfwa Chishala, to travel to London and relay the complex history of the skull to Chisenhale Gallery visitors, as he does in Lusaka
Marco Donnarumma is a young performer and sound artist who gained fame across the world for a series of performances and instruments that use open biophysical systems to explore the sonic dimensions of the human body. His interactive instrument Xth Sense won the first prize in the Margaret Guthman Musical Instrument Competition and was named the 2012 “world’s most innovative new musical instrument”
With the introduction of bioprinting the possibility of new organs is becoming a reality. The ability to replicate and print cells in complex structures could mean different cells with various functions could be put together in new ways to create new organs that would take millions of years to evolve naturally. Frankenstein-esque hybrid organs could then be put together using cells from different body parts or even different species
During the show we will be talking about how she managed to get her hands on a fresh human brain but Helen will also discuss some of her broader projects such as The Body Is A Big Place, a large-scale installation that explores organ transplantation and the thresholds between life and death
In-Potentia exposes, in the most limpid and absurd way, how science is blurring what we are used to regard as clear-cut categories, such as where life begins and ends or what constitutes a person. Or in Guy Ben-Ary’s words:
What is the potential for artists employing bio-technologies to address, and modify, boundaries surrounding understandings of life, death and person-hood? And what exactly does it mean culturally, artistically, ontologically, philosophically, politically and ethically to make a living biological brain from human foreskin cells?
In this episode of #A.I.L., Adam Zarestky will be talking about what you can do with a preserved turd of William S. Burroughs but also eyeballs in armpits, ethics, biotechnological materials and ”Full Breadth Genetic Alterity
Charlotte has donated parts of her body to stem cell research. Her tissue and blood samples are now in a lab where they will be transformed into induced pluripotent stem cells and from there into a range of completely different substances. A second self of Charlotte will be created, made from a collage of in vitro body parts.
The project is called Ergo Sum and it recently received the Designers and Artist’s for Genomics Award. It will be exhibited this Summer in The Netherlands. But until then, Charlotte is in the studio to tell us more about this work.
Zoe has spent the past year exploring the scientific and technological developments in Artificial Reproductive Technologies. She particularly looked at questions such as “Will the techniques themselves have the potential to fundamentally change the way we perceive parenthood and reproduction? How will the stories we tell children evolve?” In the show, we will be talking artificial uterus, the orphan child who had 5 parents, artificial gametes, and premature babies exhibited in freak shows
From a group of ancient Incan skulls, to a spectacular chandelier made of 3000 plaster-cast bones by British artist Jodie Carey, this singular collection, by turns disturbing, macabre and moving, opens a window upon our enduring desire to make peace with death
London Fieldworks asked avant-garde artist Gustav Metzger to sit on a chair for 20 minutes thinking of nothing. Meanwhile, readings were taken of the electrical activity taking place inside his brain. The resulting electroencephalograms were then analyzed and turned into instructions for a factory robot to drill a hole inside a bloc of stone
Resurrection men were body snatchers who often worked in gangs to steal corpses from mortuaries and dug up recently buried corpses to supply anatomy schools with bodies to dissect and study. Unsurprisingly, the poor, often hastily buried, were easier to unearth and carry to the nearest anatomy school.
Glasses, lipstick, false teeth, the contraceptive pill and even your mobile phone – we take for granted how commonplace human enhancements are. Current scientific developments point to a future where cognitive enhancers and medical nanorobots will be widespread as we seek to augment our beauty, intelligence and health.
Superhuman takes a broad and playful look at our obsession with being the best we can be. Items on display range from an ancient Egyptian prosthetic toe to a packet of Viagra, alongside contributions from artists such as Matthew Barney and scientists, ethicists and commentators working at the cutting edge of this most exciting, and feared, area of modern science
One clinical trial applied the emotional tears of women to the upper lip of men. These men experienced a decrease in testosterone levels without visually witnessing the act of crying. Accepting this as truth concludes that in our everyday lives we are constantly receiving information on an invisible and olfactory basis. Is it possible in the near present future to mass-produce chemosignals that can be used to decrease aggression in humanity?
A number of life-support machines are connected to each other, circulating liquids and air in attempt to mimic a biological structure.
The Immortal investigates human dependence on electronics, the desire to make machines replicate organisms and our perception of anatomy as reflected by biomedical engineering
Brains: The Mind as Matter has a seemingly very specific, very narrow focus: the brain and not even the mind, just the physical organ. Yet, the exhibition branches out into issues of ethics, history, and reminds us that while some of the moments in the history of neuroscience are glorious, others are downright disgraceful
The collaboration between artist Ania Dabrowska and social scientist Dr Bronwyn Parry gives a visibility to the medical research on dementia. The photos demystifies what happens behind the doors of brain bank laboratories, and in so doing actively seeks to rehabilitate, even celebrate, the practice of bodily donation in the public imagination
While investigating the paranormal phenomenon Spontaneous Human Combustion, Sebastian Thielke found about long forgotten military experiments that were carried out in the 1960s USA. The designer’s finding tells a fragmented story of how science, in the name of war, is willing to push the boundaries of what is ethically and morally acceptable, and how far the institutions of national defense are willing to go beyond what is rational
Japanese love hotels go out of their way to satisfy the most outlandish fetish: some rooms offer the feeling of being inside a subway carriage, a class room, or a Hello Kitty SM room, others locks you into an alien abduction nightmare (/dream).
Ai Hasegawa, second year student in Design Interactions at the Royal College of Art in London, proposes to close loving couples into an even more extraordinary fantasy.
Her Extreme Environment Love Hotel simulates impossible places to go such as an earth of three hundred million years ago, or the surface of Jupiter by manipulating invisible but ever-present environmental factors, for example atmospheric conditions and gravity
Delusions of Self-Immolation, aka ‘the suicide machine’, was a built by Erik Hobijn in the 1990s to set members of the public on fire. Literally