Yes, i had already seen sk-interfaces. Exploding Borders in Art, Technology and Society at FACT in Liverpool but the Luxembourg version, i was told by friends, is bigger, bolder and even better than the first one. They were right. A couple of pieces have been added to the show. The performances are well documented and there is a corner to watch videos. The space itself is kinder to the artworks. There’s extra drama as the poor Victimless Leather garments had caught some disease and were slowly eaten by decay

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In the 19th century, despite the best efforts of body snatchers, the demand from medical schools for fresh cadavers far outstripped the supply. One solution to this gruesome problem came in the form of lifelike wax models. These models often took the form of alluring female figures that could be stripped and split into different sections. Other models were more macabre, showing the body ravaged by ‘social diseases’ such as venereal disease, tuberculosis and alcohol and drug addiction

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As humankind has developed increasingly sophisticated weaponry with which to harm its enemies, medicine has had to adapt to cope with the volume and the changing nature of resulting casualties.

Concentrating on the modern era, the exhibition ‘War and Medicine’ considered the constantly evolving relationship between warfare and medicine, beginning with the disasters of the Crimean War and continuing through to today’s conflicts in Afghanistan and Iraq

Part of the pharmaceuticals, chemicals and food we ingest eventually end up in waste water. As treatment plants haven’t been designed to filter them, the content of our medicine cabinets are eventually passed into the water supply. In London, tap water comes from surface water which implies that traces of our medicine can end up in our drinking water. This results in local differences in tap water which reveals potential local city-body ecologies or biotopes