Alone or with the help of local communities, these artists have cleaned up polluted areas, planted wheat field, provided pollinators with colourful and appetizing flowery landscapes, built hanging and floating gardens, initiated edible and medicinal urban farms, developed schemes for sharing excess food and bred more resilient chicken breeds
Looking beyond the modernist vision of a utopian nuclear age, contemporary artists are engaging with the lived experience of radiation through nuclear objects, architectures and landscapes
Informed by several years of research in the Australian outback desert, It Was Like Experiencing a Fold in Time, She Said bridges the gap between, on the one hand, the landscapes, mythologies and life of outback and aboriginal communities and on the other hand, the brutal origins of our technological ‘progress’
Socle Du Monde, the biennale that opened a few weeks ago in Herning (Denmark), celebrates artists who have “accepted the challenge of turning the world upside down”
This year the theme, Senses & Sensors, explored perception: how we perceive ourselves and the world around us. How we absorb and comprehend what we see, and how rapidly progressing technological advances expand and augment our perceptions
It seems that humans have an inherent need for the unaccountable and the illogical. That’s why progresses in science and technology have often been accompanied by the arrival or renewal of paranormal phenomena
The French collective RYBN.org has applied the numerological system of transformations, associations and substitutions of Kabbalah to computing. Their Dataghost 2 installation seeks to reveal the hidden messages buried within the data traffic…
Good Luck, Archaeologists! reflects on the 10 years of OTTO-Prod‘s programme of shows, concerts, art residencies and performance in Maribor. You might have never been to Maribor, it’s Slovenia’s second-largest city, it’s charming and it’s actually not that large. And maybe you haven’t heard much about OTTO-Prod but i love what these young artists from Marseille have been doing, quietly and with far more talent than money, in Maribor and elsewhere for a decade
Empathy is the element that has enabled humans to work together and collaborate in order to flourish as species. The festival wants to question and propose that maybe empathy could be learned, found or especially re-found through eg. bodily presence, experimental communication and embodied and alternate visions of perception
Everyone knows about cybercrime and how owning networked computers and mobile devices makes you a potential victim of bank fraud, identity theft, extortion, theft of confidential information, etc. Data stored on your computer is never safe and its ghosts can come back and haunt you long after you’ve discarded your electronic device, long after even you’ve erased the data it contained
The two installations are composed of identical elements, connected in a network and exchanging information through electric signals. The collective behavior of the actuators and sensors create unpredictable patterns, as though a system of living organisms with their own variable program. A moving scene emerges, where the borders between a ‘natural’ order of things and the mechanical constructions of humans are tested
The installation’s mechanical workings and network of strings allow us to explore the poetic potential of technology via its materiality, so that Interface I sits on the boundary between an imaginary field and an epistemological condition
In 1961, Donald Michie, a British WWII code breaker and a researcher in artificial intelligence, developed MENACE (the Machine Educable Noughts And Crosses Engine), one of the first programs capable of learning to play and win a game of Noughts and Crosses (or Tic-Tac-Toe if you’re American.) Since he had no computers at his disposal at the time, he created a device built out of matchboxes and glass beads to simulate a learning algorithm.
The Promise of Total Automation, an exhibition recently opened at Kunsthalle Wien in Vienna, looks at our troubled relationship with machines. Technical devices that were originally designed to serve and assist us and are now getting smarter and harder to control and comprehend. Does their growing autonomy mean that the machines will one day overpower us? Or will they remain our subservient little helpers, our gateway to greater knowledge and sovereignty?
A few years ago, artist Nick Laessing stumbled upon a book in a second-hand bookshop. Titled The Search of Free Energy, the publication introduced him to the world of people who are searching for alternatives to fossil fuel as a source of energy
Luque Sánchez uses matter and technology to seduce, puzzle and inspire viewers. His art installations, which double as science fiction works, materialize scientific concepts and theories that might seem arcane to most people: artificial intelligence, chaos theory, infinity
The exhibition brings side by side poetry and suspense, art and physics, children book and video art, Greek mythology and Einstein’s theory of general relativity, music by Philip Glass and Tarot cards, spirituality and human cloning. But in a form that is fortunately far more digestible than my introduction would suggest…
The artist’s work investigates issues as different from each other as perception, international power networks, religion, changes in the human condition through technology, surveillance and electronic and physical warfare
Second and last chapter of my report from the GAMERZ festival, one of the very few French festivals that doesn’t play it safe nor stiff with a programme that endorses the unexpected, a laid-back atmosphere, a few famous names but also an impressive line-up of fresh talents. Plus, it’s in Aix-en-Provence so as the French say “y’a pas photo!” (which means something like ‘it’s a no-brainer.’)
This year’s edition of the GAMERZ festival not only demonstrated that there is nothing trivial about play but it also explored how our relationship to play has changed with the advances of technology. And, more interestingly, it invited us to join artists whose work investigates how the digital age is changing man, whether we’re talking about Huizinga’s homo ludens, the working man (Homo Faber) or more generally the modern man (Homo sapiens.)
Famous Deaths, IDFA International Documentary Filmfestival Amsterdam. Photo Nichon Glerum Would you like to know or even experience […]
DocLab Expo: Seamless Reality, IDFA International Documentary Filmfestival Amsterdam. Photo Nichon Glerum The DocLab Expo: Seamless Reality exhibition […]
The piece is made of Exxon, Shell, BP, and Mobil oil cans, but overnight, the local gallery staff had them secretly changed to Petronas labels. Though this violates the contract, I decided to keep the piece in the show because of the strange situation this tampering creates–a nationally owned oil company rushing to put its logo on a piece of art that is highly critical of the oil industry and what it appropriates and extracts
The works on show range from a robotic soccer robot to the Soccket energy generating football, from the ever irresistible and painful Leg Shocker to the world premier of Jer Thorp’s immersive installation The Time of the Game. The result is an exhibition that brings into a highly popular museum an entertaining but also critical and provocative view of the impact that technology has on ‘the beautiful game.’
Aernoudt Jacobs is an artist fascinated with sound in all its forms and possible expressions. He collects fields recordings around the world but he also creates installations based on Bell’s photoacoustic effect that reveals the sonority of any material hit with a strong beam of light, builds sound microscope that magnifies the freezing and melting process of water or suspends coils, magnets and 1000 tin cans into the air to play with the laws of electromagnetic induction and create tiny vibrations that produce sounds
Nearest Costco, Monument or Satellite is a networked sculpture that accurately points to the nearest Costco, monument or orbiting GPS satellite(s). As an artwork it explores how we form our sense of of place in the contemporary environment
The artist harvested 24kg of an invasive weed from a highighly polluted area in Spain, extracted the iron ore from the plants and used it to make an iron ring. The innovative experiment brought together the biological, the industrial, the technological and even craft to create a piece of jewellery that weights 2 grams. The project also suggests a way to reverse the contamination process while at the same time mining iron ore from the damaged environment
A quick post to let you know about the really REALLY nice book i received the other day. I can’t stop playing with it. The publication celebrates Staalplaat Soundsystem’s brilliant work
The sound of empty space explores relationships between microphones, speakers, and surrounding acoustic environments through controlled, self-generating microphone feedback. By building flawed technological systems and nullifying their intended potential for communication, the ear is turned towards the empty space between components; to the unique configurations of each amplifying assemblage
With ‘A simple line’, Essaïdi attempts to merge the abstract idea of a line with its most tangible reality by having a zebra finch look at its own brain cells in the form of a line
The 10th edition of the festival celebrated the death of passive leisure in the hands of games and art as well as the transformation of the compliant consumer into a creative user and abuser of technology. The exhibitions across town also investigated how the digital environment impacts and disrupts people’s development at conscious and unconscious levels (cognitive, social, psychological, among others) and looked at how these often invisible adjustments can be harnessed in alternative social, economic, political or ecological practices.
The artist has worked with media as diverse as fetal calf cells, human blood, maggots, multi-component 3D Human Skin Equivalent models or taxidermied insects. She is currently participating to Experimenta Recharge biennial of media art with an ever-changing face mask that uses Saos-2, a cell line that originally came from the bone cancer lesion of an 11 year old girl who died in 1973
A few days ago, the Haus der elektronischen Künste (House of Electronic Arts) in Basel inaugurated its new premises with a three-day festival of drones, music performances, immersive data explorations and giant mushrooms.
HeK space is a cultural center dedicated to the new art forms of the information age. The programme is as sleek and geek as its buildings be but its spirit is critical and inquisitive. HeK takes technology out of consumer culture and looks at its more meaningful, socially-engaged or aesthetic uses
By bringing together works by artists, designers, scientists, meteorologists and engineers STRANGE WEATHER asks questions such as: Should human culture be reshaped to fit strange weather or should we reshape weather to fit our strange culture? Who is going to take advantage of climate chaos and how will strange weather benefit me? How will you choose to work, celebrate, live and die when weather gets weird?
The show goes from the very absurd (the Halliburton survivaball) to the very dark and dramatic. But the adjective that pervades the show is ‘fun’. While visiting the exhibition, i’ve been drinking cloud, watched a 1959 film that speculates on how weather control departments would use satellites and met with little child mannequins in Hazmat suits in the most unexpected places
The POLSPRUNG installation features a series of instruments that measure the earth’s magnetic field to detect a possible polar reversal, register the gamma radiation caused by the solar wind and compare the data with the speculative disastrous gamma radiation data during a polar reversal. A small reading space also provides information about polar reversal research and disaster speculation, a magnetite laboratory and a notebook in which visitors can write down their thoughts about disasters.
Over the past few years, Martin Howse has been investigating the possibility to build a computational device that would not only be constructed solely from the earth but would also be embedded within the earth as a critical monument to human technology
Ghostradio deploys feedback and quantum effects to create random numbers from the boundaries of reality and beyond. Ghostradio publishes the resulting random number datastream for the generation of cryptographic keys. This will release the public from the current state of surveillance
The Wind Tunnel project filled with site-specific commissions two wind tunnels buildings, known as R52 and Q121, that were built to test planes, from Spitfires to Concorde, from the first world war onwards. These buildings were decommissioned after the 1960s and have remained closed to the public ever since
Darsha Hewitt built a whole installation that exploits the inherent and irritating glitches emitted by vintage baby monitors. The receivers are attached to motors and slowly bow back and forth in front of the emitters, creating a subtle soundscape of nuanced feedback patterns and squelching radio interference reminiscent of the whimpers of crying babies