In a world where scientific rationalism rules, interest is on the rise for alternative forms of relating to the world and to others.
The objects, books, artifacts, gadgets and artworks offer a contemplation on autonomy as a disappearing modus operandi of political action, while workshops, discussions and demos focus on the devices we use every day: How do they work? What individual data traces do they capture? Where do these go, and what kind of control can one regain?
Every single day and every single night, rain or shine, the movements of people living in Kabul and Kandahar in Afghanistan, are watched over by huge surveillance balloons. The U.S. army calls them aerostat or Persistent Threat Detection System
The artist’s work investigates issues as different from each other as perception, international power networks, religion, changes in the human condition through technology, surveillance and electronic and physical warfare
Visit the scene of a crime by live webcam or inform the police of an offense. In Sheriff Software, media artist Dries Depoorter allows us to peer over the police’s shoulder – or even play traffic cop ourselves
Annie Machon is an intelligence expert and author who worked for 6 years as an intelligence officer for MI5, the UK domestic counter-intelligence and security agency. Together with her ex-partner, David Shayler, she resigned in the late 1990s to blow the whistle on the spies’ incompetence and crimes
Simon Farid is a visual artist interested in the relationship between administrative identity and the body it purports to codify and represent. In practice, this means that the artist is ‘squatting’ identities that have been constructed by other people for surveillance, marketing or institutional purposes and then discarded.
He notoriously ‘inhabited’ the identity of an undercover police officer and the one of a politician who moonlighted as a web marketing guru