Loosely defined as a long-term project initiated between architecture and performance presenting work in several cultural contexts, IF keeps coming up with projects and ideas that could not be more diversified: videos, perfumes, arabic courses inside Copenhagen’s Temporary National Theater, TV-programs, a mini Mobile Disco. The even shot a remake 1949 musical film On The Town as an alternative way to explore the social and spatial geographies of New York City

Enter the Casino art center and you will find video consoles, a trampoline, a pin-ball machine, games of dart, a billiard table, a playground, etc. Yet, every single work is playing with you rather than the opposite. You instantly loose every single game of Mortal Kombat, the ceiling of the room where a huge trampoline lies is far too low for you to even stand on your feet, the hula hoop is monopolized by a plastic cactus, the mohair bascketball net is 130 m long, fences deny any access to the playground, etc

Herbologies/Foraging Networks is a series of workshops, seminars and expeditions that explores the connection between traditional knowledge of herbs, edible and medicinal plants and media networked culture. The result of the Helsinki chapter of H/FN is a surprising fusion of hydroponic technologies, vodka-making workshop, fermentation sermon, DNA isolation experiments and lecture on subjects as diverse as biopiracy and honey beekeeping in Brussels

Meiselas was 26 when she joined Magnum. One of the few women at the agency, she is probably better known for her work covering political upheavals in Central America in the 1970s and 1980s than for her coverage of the sex scene in the US. I saw both facets of her portfolio in London a few weeks ago

Chris Steele-Perkins unflinchingly records the absurdities, the pleasures and the tragedies of English life, invariably with wit and humour. There is a certain pathos in the image of a crowded beach, complete with donkeys, in which an unobserved dog pisses upon a windbreak: the English are unbelievably stoical holidaymakers

Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. The food is served out of a take-out style storefront, which will rotate identities every 4 months to highlight another country. Each Conflict Kitchen iteration will be augmented by events, performances, and discussion about the culture, politics, and issues at stake with each county we focus on

Two of our speakers explores the cultural and economic modes of (in)formal distribution both in the world of file-sharing and in Tepito, an area of Mexico city famed for its humongous street market where you can buy pretty anything, especially if pirate, stolen or counterfeit. We also had rappers performing live, a lesson on local pride and an intense introduction on critical fetishes

The photo series documents a traditional winter masquerade in Bulgaria that was originally aimed at frightening the evil spirits away but has now become way to welcome the new year. Estelle Hanania observed the scene from a nearby parking lot where participants changed into their costumes and masks

Ali Gadorki is the leader of Kumbia Queers, an all-ladies group which mixes influences from punk and Cumbia, a musical style and folk dance that is considered to be representative of Colombia. Now mixing these two is considered an heresy by most people in the punk and metal communities. It nevertheless works wonderfully

Two of them. One is the catalogue of the exhibition El proceso como paradigma – Process Becomes Paradigm. The second comes courtesy of LABoral Art and Industrial Creation Centre again, it’s the magazine/catalogue of Habitar, an exhibition which engages with cities where bits and flows of information shape the urban experience as much as brick and mortar

In the controversial contemporary reality the online platform “Esse, Nosse, Posse: Common Wealth for Common People” focuses on “posse”, on the mode of production and being not only of the creators presented within this context but of all the contributors of today’s common wealth , as well as on the possibilities of re-appropriation of knowledge that may occur only through knowledge itself

Austin Houldsworthhas installed a 3 tonnes and 4m-tall ‘Fossilisation Machine’ in Tatton Park, a historic estate in Cheshire, England. With Two Million & 1AD, the artist is trying to create a fossil using rudimentary, human-designed machines that would substitute and speed-up the natural processes. Houldsworth’s project starts with the attempt to petrify both a Tatton-grown pineapple and pheasant, and conclude when it is a human that ends up fossilised

Laurent Grasso’s movie, shot in 2009 in The United Arab Emirates, looks at traditional hawk hunting. This time however, tthe hawk gets equipped with light and sophisticated surveillance equipment. The camera records every dune and village the hawk flies over. The images are fascinating but they are also threatening. Who is the man tracking the bird with an antenna? What is he trying to uncover?