Passages. Travels in Hyperspace is a selection of works drawn from the collection of Thyssen-Bornemisza Art Contemporary. Consisting primarily of large-scale sculptural or installation work, the exhibition was designed so as to foster a contemplative stroll, making the body central to the visitor’s experience of art and offering a journey into a perceptual dimension that activates the physical, the sensory, and the cerebral

The series that put me in a merry mood for the rest of the day is Tony Hayward’s ‘Loving Couples’ porcelain figurines. The artist found damaged porcelain lovers on a flea market and ‘restored’ them by adding a replacement head that belong to today’s pop culture. The lovely shepherdess shows her legs to a green monster and a love-struck squire courts a girl with a playmobil head

The first book to present the full historical sweep, global reach and technical developments of the street art movement, Trespass features key works by 150 artists, and connects four generations of visionary outlaws including Jean Tinguely, Spencer Tunick, Keith Haring, Os Gemeos, Jenny Holzer, Barry McGee, Gordon Matta-Clark, Shepard Fairey, Blu, Billboard Liberation Front, Guerrilla Girls and Banksy, among others. It also includes dozens of previously unpublished photographs of long-lost works and legendary, ephemeral urban artworks

To discover M10, you have to open a very mundane door. Then another one on your right. And another one in front of you. There are ten of them, each leading to a plain, beige room so claustrophobic you quickly look for more doors that will take you out of there as the art critics mayhem pictured here demonstrates

In the previous episode, Austin Houldsworth had installed a ‘Fossilisation Machine’ in the Tatton Park estates in England. He was hoping that his rudimentary machine could fast-forward the fossilisation process and petrify a pineapple and pheasant over the Summer only. Two weeks ago, the artist opened the prototype fossilisation machine and checked out the outcome of the experiment

Some 100 works by photographers as Sibylle Bergemann, Evelyn Richter, Ulrich Wüst, Ute Mahler, Will McBride, Helga Paris and Roger Melis. In black and white, they have documented everyday situations that reflect the more recent history of East-Germany beyond high politics – snapshots that show the professional and private everyday life, political activities, urban landscapes, interiors and nudes

To get a sense of the true vastness of the Solar System, you are invited to follow its walkable scale model. Along one of Britain’s most longest Roman roads, local shopkeepers at the appropriate points on the route are acting as guardians to the planets – hosting models represented by everyday objects, at their correct sizes on this 3.1 km scale

The book provides a detailed insight into the techniques of ten creative individuals (Jason Bruges Studio, Greyworld, HeHe, Crispin Jones, the Owl Project, the Pooch, Bengt Sjolen, Troika, and Moritz Waldemeyer.) and how they exploit the latest computing technologies in their work and the impact this will have for creative practice in the future

Unlike most critics and visitors, i can’t say i’ve found the exhibition of 12th biennale of architecture particularly exciting. Call me a masochist but i missed the overdose of information we were submitted to in 2006. I also missed the extravagance and the speculation of the 2008 edition. The 12th biennale of architecture is mostly aesthetics and lightness. What i did enjoy more than any other year however was the way Kazuyo Sejima played with the architecture of the Corderie. There was air, grace and gaiety

This year, the biennial was guided by the notion of cybernetic autonomy – by the evolution of principles and patterns derived from the emerging behaviors of the devices themselves. The devices not only possess the ability to enter in a dialog with their surroundings, they also determine the rules for this interaction and change their behavior as if they had “personality”

To many of their fellow Israelis, they are traitors. They are attacked, arrested and demonised. Yet Israelis like Yehuda Shaul, leader of Breaking the Silence and Jonathan Pollack from Anarchists Against the Wall continue to struggle for a more peaceful Middle East. They believe that they can save their state by putting an end to the military occupation

The project explores the difference between the virtual freedoms experienced by a population and the physical constraints imposed upon it by the urban environment. It explores the effects of new technologies of urban sight and urban occupation on the social and political structure of a city. The resultant proposition is a series of physical interventions that subvert the urban landscape through its digital counterparts

In the exhibition JULIE NORD – XENOGLOSSY we are invited into a strange home, where nothing looks as usual. Doll-like girls with shiny, almond eyes, bunches of flowers and cute little animals tempt us to take a closer look at the pictures. It all looks enchanting, but a closer look at them confronts us with an abundance of grotesque hybrid creatures, sculls and meat-eating plant

The nuclear renaissance offers a clean, near limitless energy solution that could allow us to meet CO2 emission targets (without going short as consumers).

What if we ask for protective barrage balloons, establish concrete emergency services and resign ourselves to the perceived ‘hazards’? What if we embrace pet polar bears and pineapple ice cream along with other benefits that nuclear energy could bring? And what if not; are we prepared for blackouts instead?

This year’s Future Exhibitions aims at highlighting the exhibition’s spatial relationship to the visitor. How can architecture, stage design and technical innovation enhance the visitor’s overall experience? In conversation with some of the leading actors in the field, Swedish Travelling Exhibitions examines innovative techniques and explores the exhibition medium of the future

Large amounts of sugar are excreted on a daily basis by type-two diabetic patients especially amongst the upper end of our aging population. Is it plausible to suggest that we start utilizing our water purification systems in order to harvest the biological resources that our elderly already process in abundance? In James Gilpin’s scenario, sugar heavy urine excreted by patients with diabetes would be used for the fermentation of high-end single malt whisky for export

The last time i blogged about Postopolis was two months ago. The idea of getting to grips with a report that had to chronicle a criminally long day was a bit intimidating. The fifth day of our blogathon in Mexico DF started at noon and ended at 10 pm. We were braced for the worst but the whole day was over in no time, thanks to some brilliant presentations and a friendly weather. No time to yawn nor complain

The movie that received most attention from both the public and the members of the File Prix Lux is War of Internet Addiction, a machinima advocacy production that voices the concerns of the mainland Chinese World of Warcraft community. Although the machinima was created with WoW players in mind, the video strikes a chord with the broader public by pointing the finger to the lack of Internet freedom in the country and conveying a general feeling of helplessness

Fifty years after The Americans of Robert Frank, and practically at the same time as the reconstruction of the then pioneering exhibition “New Topographics: Photographs of a Man-Altered Landscape”, FotoMuseum, through the exhibition American Documents, offers a comprehensive overview of the documentary trends in American photography from the 1970 until now

In this series of photos and installations in public space, Mitch Epstein explores and questions the ‘power’ that lays at the core of the United States. ‘Power’ in this case stands for both strength and energy. Over the course of 5 years he traveled through 25 states to photograph nuclear reactors, oil refineries, mines, rigs, abandoned gas pumps, wind parks, pipelines as well as their environs

As her pop musician alter ego “Sputniko!” Hiromi Ozaki showcases 3 manga-inspired characters who design objects to fulfil their own particular complex needs — Crowbot Jenny builds a crow-shaped robot to communicate with crows, Sushiborg Yukari, a sushi-serving cyborg who modifies her body to become a lethal weapon, and Menstruation Machine (Takashi’s Take), a boy desiring to become more ‘feminine’ who builds a suit in an attempt to experience the bleeding of menstruation