Together artists, designers, curators, scientists and philosophers delved into technodiversity, contemporary utopias and dystopias, the future of money, Glitch Feminism and cultural resistance, and the human-technology relationship from an artistic, philosophical and scientific point of view
“The collective wisdom of more than a hundred grassroots organizers from five continents. It’s everything you need for a DIY uprising of your own”
Using defective photographic material and a bit of photoshop, Barker shot the plastic bits of trash to make them look like plankton in water
At MUTEK_IMG in Montreal, i got to hear some very interesting and, at times, provocative ideas about artificial intelligence, post-truth media, human-machine choreography and automated storytelling tools
Artists investigating how creativity can be deployed to establish empathy and communication between incarcerated people and the public outside the prison
“How can acts of listening, walking, conversing, cooking, and gardening be related to, or even equated with, the well-established history of painting, drawing, sculpture, installation, and other recognized art forms?”
From biomimicry to forged documents, from scandals to substitutes, Fake asks when authenticity is essential, when copying is cool, and what the boundary is between a fakery faux-pas and a really fantastic Fake
The event attempted to re-frame the discussions around borders, looking at how borders are strengthened, shuffled and blurred by global phenomena such as climate disruptions, planetary-scale computation and international politics
Although the exhibition is small, it still manages to convey many of the mechanisms, discriminatory practices and possibilities for rebellion that shape the narrative of transnationalism
The state of suspension is often likened to being paralysed or stunned, but it is actually a constant, relentless, never-ending struggle to adapt
Goldin+Senneby’s artworks uncover something of the shrouded relationships between art and money, while also spinning further fictions from them
Reilly addresses the urgent need in the contemporary art world for curatorial strategies that provide alternatives to exclusionary models of collecting and display. In so doing, she provides an invaluable source of information for current thinkers and, in a world dominated by visual culture, a vital source of inspiration for today’s ever-expanding new generation of curators
Campeau is fascinated by the history of photography and in particular the disappearance of analog tools and practices. Each of the works exhibited explores a material culture that used to suggest magic and craftmanship: the messy darkrooms with duct tape to fend off the light and wooden pegs to hang the images to dry; the colourful rolls of photo film and the iconic camera models; the amateur developer who gave way to the computer pixel specialist, etc.
With this installation, critical and speculative scenario designer Tina Gorjanc is asking whether producing ‘fake’ copies of an extinct animal is an attempt to understand the past, or just an excuse to constantly create the desire for rarity
Paying close attention to practices of trolling and making memes, Megan Condis demonstrates that, despite the supposedly disembodied nature of life online, performances of masculinity are still afforded privileged status in gamer culture. Even worse, these competing discourses are creating rifts within the culture at large, as witnessed by the links between the GamerGate movement and the rise of the alt-right during the last presidential election
Animals that fake their appearance to blend in their surrounding and attract their prey, people who fake a […]
The interactive installation invites “deep listening” within the body but also offers us an opportunity to reflect on how anthropocentric geological changes might be recorded, experienced and how they can be reproduced for other people in order to help them attune themselves to a future marked by man-made geological changes
The book portrays the routine cruelties of the twenty-first century through a series of detailed non-fictional graphic illustrations. None of these cruelties represent extraordinary violence – they reflect day-to-day implementation of laws and regulations around the globe
Maja Smrekar has spent the past few years investigating human/dog/wolf co-evolution, co-habitation as well as the possibility to create a hybrid of the human and the dog species
What are the consequences of owning someone else’s DNA data? How does this influence the spatial privacy of the biological owner and his family members?
As its name suggest, the show aimed to demonstrate that design can play an important role when it comes to engaging with today’s social, social and political concerns. Through various visual and experiential strategies, designers can make more visible and even tangible problems that are under-discussed or too abstract to be easily understood
Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent
Artist Maria McKinney uses ‘semen straws’ to explore genetics in cattle breeding as well as the hidden systems beneath beef and milk production
Through an analysis of textual and media searches as well as extensive research on paid online advertising, Safiya Umoja Noble exposes a culture of racism and sexism in the way discoverability is created online
For their “Forensic Fantasies” trilogy, KairUs (Linda Kronman and Andreas Zingerle) used data recovered from hard-drives dumped in Agbogbloshie, Ghana to develop works that investigate the issue of data breaches of private information and ask: What happens to our data when we send a computer, an hard disk or any kind of other storage device to the garbage?
A resolutely nonanthropocentric take on the materiality of one of the most controversial mediums in art, this approach relentlessly questions past and present ideas of human separation from the animal kingdom. It situates taxidermy as a powerful interface between humans and animals, rooted in a shared ontological and physical vulnerability
The combination of the qualities of the positive photographic paper and the impossibility to fully control the oddly staged happenings evokes 19th century’s attempts to photographically capture paranormal activities
In 2005, a group of photographers took a stand alongside the people of the small town of Bil’in, and documented their fight to stop the Israeli government building the infamous West Bank Barrier. Inspired by what they had seen in Bil’in, the group went on to form Activestills, a collective whose work has become vital in documenting the struggle against Israeli occupation and everyday life in extraordinary situations
An exhibition at BOZAR in Brussels explores the intersection between photography and surveillance. Employing a dynamic range of approaches—from documentary to conceptual practice, from appropriation to street art—these 10 artists provide a satellite-to-street view of the ways in which surveillance culture blurs the boundaries between the private and public realm
The exhibition gathers contemporary artworks as well as zoological and botanical objects to explore the changes in the tropical regions that Wallace once traveled and to shed light on the ecological issues faced by the fauna and flora of Amazon, Indonesia, Malaysia and Singapore today
Disappearing Legacies: The World as a Forest, an exhibition currently open at the Zoological Museum in Hamburg, “confronts the destruction of tropical habitats in the context of the Anthropocene and mass extinction”
Ancestry DNA testing has been widely embraced as a new way to understand our identity. But how does this removal of identity from its narrative and social dimension impact on understandings of race and relationships? And what is the scientific validity of this testing?
Based on Lauren-Brooke Eisen’s work as a prosecutor, journalist, and attorney at policy think tanks, Inside Private Prisons blends investigative reportage and quantitative and historical research to analyze privatized corrections in America
Part 2 of my cursory review of the Artissima art fair which took place in Turin back in early November. Yesterday, i talked photos, today will be a rapid fire of paintings, drawings, installations, etc. In no particular order and with as little commentary as possible
I don’t normally write about art fairs but Artissima usually introduces me to so many new ideas, artists and way of representing the world that i can’t resist sharing some of the images of the event on the blog
Some 100 contributors document around 120 key buildings from this period, including many previously unpublished discoveries that are in acute danger of loss through neglect of intended demolition. Moreover, the book features overviews of brutalism in architecture in twelve regions around the world
I was expecting the curator’s ideas of transience, instability and uncertainties to be translated into powerful works that directly engage with some of today’s most pressing and depressing concerns. I got very little of that. I got plenty of clouds (including a couple of atomic ones), foam, puddles, waves and fountains though.
Fortunately, the biennale also features a surprisingly high number of sound works, extraordinary visual and emotional experiences and, here and there, a couple of more politically-minded artworks
Gambiologia is the Brazilian art and science of kludging. Someone with gambiarrá displays a cunning ability to improvise, kludge, hack and make do with whatever is available. Gambiologia, however, is far more than a demonstration of one’s own resourcefulness, it is also a political and ethical gesture. It questions industrial processes and mechanisms, rejects consumerism and postulates the need for greater autonomy
Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings
Exploitation Forensics is a collection of maps and documents created as a result of investigations conducted in the last few years by the SHARE Lab. The maps will help visitors explore the invisible layers of contemporary technological black boxes and their fractal supply chains, exposing various forms of hidden labour and the exploitation of material resources and data