“The collective wisdom of more than a hundred grassroots organizers from five continents. It’s everything you need for a DIY uprising of your own”
“How can acts of listening, walking, conversing, cooking, and gardening be related to, or even equated with, the well-established history of painting, drawing, sculpture, installation, and other recognized art forms?”
Reilly addresses the urgent need in the contemporary art world for curatorial strategies that provide alternatives to exclusionary models of collecting and display. In so doing, she provides an invaluable source of information for current thinkers and, in a world dominated by visual culture, a vital source of inspiration for today’s ever-expanding new generation of curators
In 2005, a group of photographers took a stand alongside the people of the small town of Bil’in, and documented their fight to stop the Israeli government building the infamous West Bank Barrier. Inspired by what they had seen in Bil’in, the group went on to form Activestills, a collective whose work has become vital in documenting the struggle against Israeli occupation and everyday life in extraordinary situations
Man-made virgin forest, plants that remove toxic substances from polluted waters, community urban orchards, mobile library, etc. Today’s short selection will focus on artistic attempts (many of them successful) to restore environmental damage
Alone or with the help of local communities, these artists have cleaned up polluted areas, planted wheat field, provided pollinators with colourful and appetizing flowery landscapes, built hanging and floating gardens, initiated edible and medicinal urban farms, developed schemes for sharing excess food and bred more resilient chicken breeds
I interviewed Morehshin Allahyari and Daniel Rourke about The 3D Additivist Manifesto and The 3D Additivist Cookbook for this year’s edition of the Digital Design Weekend 2017 in London
Maya Jay Varadaraj sees the glass bangles worn by married women in India as objects that condone the oppression of women and normalize violence towards them. Her Khandayati project uses household objects to reduce these bangles to dust and then transform them into spinning weapons
The artists and activists of Art the Arms Fair want to raise awareness about the London arms fair and the deadly consequences of selling arms. Hundreds of artists have submitted work, including Guerrilla Girls, Peter Kennard & Darren Cullen
In January 2017, artist Louise Ashcroft invited herself to be an artist in residency at Westfield Shopping Centre. That’s the mega mall in Stratford, East London. Because there’s nothing remotely boring, mass manufactured nor glittery about her work (and also because she is quietly plotting the demise of capitalism), Ashcroft spent her time there undercover, pretending she was only looking for a bit of shopping fun
Sholette lays out clear examples of art’s deep involvement in capitalism: the dizzying prices achieved by artists who pander to the financial elite, the proliferation of museums that contribute to global competition between cities in order to attract capital, and the strange relationship between art and rampant gentrification that restructures the urban landscape
The aim of the gamma-radiation project, is to develop an emergency-infrastructure that can be deployed within minutes, by activating your (covered) webcam from a webpage
Throughout history, declaring a group to be nonhuman or subhuman has been an effective tool for justifying slavery, oppression and genocide. Conversely, differentiating humans from other species has paved the way for the abuse of natural resources and other animals
The booklet’s manifesto calls for design (or art) that gets out of the sleek graduation shows and galleries, confronts sociopolitical issues head-on and bites back. As he sums up, “Design can be how to punch Nazis in the face, minus the punching”
The case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere
Last year, the Flatbread Society embarked on a year-long sailing expedition that will take them from Oslo to Istanbul. On board is a rotating crew of artists, sailors, anthropologists, activists, writers, ecologists, etc. As for the cargo, it consists mostly of grain seeds that had been lost or forgotten
In May, i will be running online classes that focus on activist art and provide an overview of the most inspiring and thought-provoking actions performed and orchestrated by members of the ‘creative resistance’
Joana is an artist and a researcher whose work critically explores the way post-capitalist narratives affect the alphabetization of machines, humans and ecosystems. Her main research topics include Internet materiality, surveillance, online tracking, critical interfaces and language
Featuring original essays from prominent media scholars discussing Banksy and Shepard Fairey, foundational texts such as Mark Dery’s culture jamming manifesto, and artwork by and interviews with noteworthy culture jammers including the Guerrilla Girls, The Yes Men, and Reverend Billy, Culture Jamming makes a crucial contribution to our understanding of creative resistance and participatory culture
Finding the Operator presents the documentation of a series of attempts to find out who the operator(s) of a specific government owned CCTV camera is, initially through freedom of information requests and later through the construction of an electronic device that broadcasts messages that can only be read using a CCTV camera
Socially engaged artists need not be aligned (and may often be opposed) to the public sector and to institutionalized systems. In many countries, structures of democratic governance and public responsibility are shifting, eroding, and being remade in profound ways—driven by radical economic, political, and global forces. According to what terms and through what means can art engage with these changes?
Artist Daniel Mayrit (famous for a photo series which presents the portraits of the most powerful people in the City of London as if they were delinquents caught up on CCTV cameras) demonstrates the absurdity of Spain’s gag laws
The documentary 13th argues that the 13th Amendment to the U.S. Constitution, which abolished slavery except as “punishment for crime,” has not outlawed the practice of slavery. It has merely repackaged it into a ruthlessly efficient system of mass incarceration.
One post about two important stories: a series of excellent webinars dedicated to art&activism and a few words about the origins of Unthanksgiving Day!
Short list of publications worth buying/downloading. Because there’s a world out there that refuses to give in to bigots, idiots and predominant dogmas
Focusing on the alliance between Apple and Taiwanese manufacturer Foxconn, Jack Linchuan Qiu examines how corporations and governments everywhere collude to build systems of domination, exploitation, and alienation
The exhibition questions the underlying myths within design, deconstructs its emerging signs, and examines how technology determines the future landscape of design
Each of the essay in the book explores a different case study: ‘anti-Indianism’ in New Mexico, influence of Israeli policing structures on the LAPD, New York city’s strategy to rely more on invasive policing than on mass incarceration, LA Skid Row as a testing ground for police practices that will be exported to the world, links between criminalization of poverty and real estate speculation, state violence and gentrification in El Salvador, etc.
The exhibition Hormonal at LifeSpace Gallery in Dundee brings together work by three women artists who, each in their own witty way, reflect on the hormone oestrogen and how it is understood socially, politically, technologically and environmentally.
The objects, books, artifacts, gadgets and artworks offer a contemplation on autonomy as a disappearing modus operandi of political action, while workshops, discussions and demos focus on the devices we use every day: How do they work? What individual data traces do they capture? Where do these go, and what kind of control can one regain?
Destructables.org is a DIY repository of projects of protest and creative dissent. The site features user generated step-by-step video and photo/text based instructions for a wide range of dissenting actions, including art actions, billboard alterations, shop-dropping, protest strategies, protest props, methods of civil disobedience, stencil work, and many other forms of public dissent – from the practical and tactical to the creative and illegal. It is a living archive and resource for the art and activist communities
global aCtIVISm (the capitalized letters form the Latin word civis, emphasizing the power of citizens) describes and documents politically inspired art—global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space
British photographer Edmund Clark and counterterrorism investigator Crofton Black have assembled photographs and documents that confront the nature of contemporary warfare and the invisible mechanisms of state control
Spanning the abolitionist movement, early labor movements, women’s suffrage, the civil rights movement, and up to the present antiglobalization movement and beyond, A People’s Art History of the United States is a tool kit for today’s artists and activists to adapt past tactics to the present, utilizing art and media as a form of civil disobedience
The 11th edition of this festival of unconventional and radical art was anchored into the most banal manifestations of our networked society, one that is made of surveillance, social bullying, aesthetics of power, communication guerrilla and disintegration of the space of free speech and ideas that internet was meant to be
YES! !Mediengruppe Bitnik. Love these guys. I didn’t realize how much at first. I knew several of their works. The parcel for Assange, the architectural bug at HeK in Basel, the bot that shops on the darknet. I just didn’t realize these works were from the same 2 people
A broad view on media piracy as well as comparative perspectives on recent issues and historical facts regarding piracy. The book contains a compilation of texts on grass-roots situations whose stories describe strategies developed to share, distribute and experience cultural content outside of the confines of local economies, politics or laws
Authors Brunton and Nissenbaum provide tools and a rationale for evasion, noncompliance, refusal, even sabotage—especially for average users, those of us not in a position to opt out or exert control over data about ourselves. Obfuscation will teach users to push back, software developers to keep their user data safe, and policy makers to gather data without misusing it
This exploration of visual protest since 9/11 isn’t constricted by boundaries nor hierarchies. Online interventions rub shoulders with good old posters, murals with performances, court sketches with design objects. The people who rebel, resist and visually express their opposition are famous artists such as Banksy and Ai Weiwei. More often than not, however, they are anonymous or operate behind pseudonyms
Annie Machon is an intelligence expert and author who worked for 6 years as an intelligence officer for MI5, the UK domestic counter-intelligence and security agency. Together with her ex-partner, David Shayler, she resigned in the late 1990s to blow the whistle on the spies’ incompetence and crimes