This week we’ll be talking factory lines, outsourced production and the contemporary art system with artist Jeremy Hutchison. Last year, Jeremy was all over the blogs (including mine), newspapers and art exhibitions for his Err project.
The artist sent emails to manufacturers around the world, asking them to produce a fairly common item, a pair of shoes, a comb, a football, a spade or chair. However, he added a special requirement: the product had to be intentionally imperfect
Michail Vanis’s project suggests that our romantic ideas and ideals regarding nature – a nature that has to be preserved exactly as it is- are holding us back from finding new ways to interact with the world surrounding us. Vanis’ Neo-nature project invites us to reconsider our relationship to nature and adopt a more rational approach to ecological thinking and to conservation
Today i’m stuck in Turin, it’s been snowing all day long and i’m not complaining but i don’t feel like going out to see exhibitions. I’m thus going to point you to an online exhibition over at dARTboard, a digital art space that the Vilcek Foundation created to ‘celebrate the accomplishments of foreign-born artists living in the United States and working in the realm of digital art.’ This year’s featured artist is Marc Böhlen who’s showing two works that investigate the relationship between people and automated systems
As we develop the tools to manipulate and engineer new forms and systems of life, the exhibition considers our historical and contemporary entanglements with nature, technology and the economy, and how these relationships influence emergent forms in biological and synthetic matter, through new sculpture, installation and moving image works
Charlotte has donated parts of her body to stem cell research. Her tissue and blood samples are now in a lab where they will be transformed into induced pluripotent stem cells and from there into a range of completely different substances. A second self of Charlotte will be created, made from a collage of in vitro body parts.
The project is called Ergo Sum and it recently received the Designers and Artist’s for Genomics Award. It will be exhibited this Summer in The Netherlands. But until then, Charlotte is in the studio to tell us more about this work.
Illustrations of an alternative world where bespoke sports events replace traditional warfare as a means of solving seemingly chronic conflicts. Each sport is designed to reflect the cultural and geopolitical characteristics of the opposing sides, in this case North Korea vs South Korea + Japan + USA, and India vs Pakistan
From abstract and conceptual visual interpretations of structures to more traditional architectural renderings, the featured work is divided into thematic chapters, ranging from ‘Adapt/Reuse’ to ‘Clandestine” ‘Mobile” ‘Radical Lifestyle’, ‘Techno-Sustainable’, and ‘Worship’. Along with arresting and awe-inspiring illustrated content, every chapter also features an essay exploring its respective themes.
Highlighting visions that exist outside of established channels of production and conventions of design, Architectural Inventions showcases a wide scope in concept and vision, fantasy and innovation
OpenPositioningSystem aims to offer an alternative to the dominant global positioning systems or other navigation systems which are controlled by governments, network companies or in the case of GPS by the U.S. military. Developed in the same spirit as OpenStreetMap, OpenPositioningSystem would be open, accessible to anyone and collaboratively run by citizens.
Zoe has spent the past year exploring the scientific and technological developments in Artificial Reproductive Technologies. She particularly looked at questions such as “Will the techniques themselves have the potential to fundamentally change the way we perceive parenthood and reproduction? How will the stories we tell children evolve?” In the show, we will be talking artificial uterus, the orphan child who had 5 parents, artificial gametes, and premature babies exhibited in freak shows
This morning i went to the press view of the exhibition i was most looking forward to this month: Light Show at the Hayward Gallery. The exhibition explores the experiential and phenomenal aspects of light by bringing together sculptures and installations that use light to sculpt and shape space in different ways. It’s not just an exhibition of bulbs and luminosity, it’s about colour, volumes, spatial perception, natural phenomena recreated using technology, kinetic and even politics
‘Crime Pays’ project is a fictional monetary system set within an alternative present. The project is designed to disrupt the current technological direction of our cashless payment systems by proposing a different system, which demonstrates both the need for accountability and anonymity within our finances
I’ve interviewed Lisa about her farmification project for the blog last year but this time, we’ll be hearing about the fate of the joystick factory workers one year on (clue: it doesn’t involve many game controllers), obsolete technologies and eating pigeon wings as a contraceptive measure
This week, i’m trying something new. Cramming into a quick post the exhibitions i’ve seen over these past few days in London. Only the ones worth a mention, though. Contains alchemists, Yuri Suzuki’s The Sound of the Earth and cloud suspended inside galleries
The Ostkreuz agency was founded when what was probably the most important border in the history of Germany–the Berlin Wall–disappeared. Two decades later, the agency’s photographers set out on a search for today’s frontiers. Their pictures tell of discovering a state identity in South Sudan; they portray groups of indigenous peoples battling for their land in Canada and gay people in Palestine seeking exile in the enemy country of Israel. The focus is always on people: how do boundaries influence their everyday lives, and how do they shape their lives along those that surround them?
There’s a Kindergarten-style sandpit, gigantic orange worms, various pieces of ‘computational cinema’ and media archaeology right now at the Carroll/Fletcher gallery
Our radio interview will focus on the Critical Engineering Manifesto that Julian wrote a year ago together with Gordan SaviÄŤić and Danja Vasiliev. Expect explanations about why Engineering is the most transformative language of our time, questions about how to adopt the critical engineering ethos if you have next to zero technical skills, and details about Julian Oliver’s upcoming projects
“BAD GRAFFITI is a current photography series focusing on the vulgar, juvenile, poorly scrawled, often misspelled, ignorant, ridiculous, hilarious, bad-ass, so-bad-its-good, under-the-radar, and generally dismissed as shitty graffiti that I love throughout Detroit.
It is also a book”
A handmade book project by Garnet Hertz in the field of critical technical practice and critically-engaged maker culture. Critical making is defined by Ratto as exploring how hands-on productive work – making – can supplement and extend critical reflection on the relations between digital technologies and society. It also can be thought of as an appeal to makers to be critically engaged with culture, history and society
There were a few works i didn’t care about (mostly the ones by Jeff Koons), a couple that surprised me (and that includes one by Jeff Koons) and many more i found rather uplifting. The Murderme collection is pure entertainment. Death is made dramatic and sometimes even cheerful. The artists have names most people have heard about. I found the exhibition curious and fascinating, it’s that contemporary art world I find charming but also utterly alien to me
In this book, Alessandro Ludovico re-reads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than twenty years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art
Since the last post about the Artissima art fair was so verbose, this one adopts the opposite strategy.
An art fair is not the best place to discover works related to science, technology or politics. And when there are indeed such works on offer, they are not easy to spot. Galleries exhibiting at art fairs don’t usually accompany the artwork with a text explaining what the piece is about. In fact, several galleries don’t even write down the name of the artists they exhibit. You have to go and ask them. Which i do when i’m desperate but most of the time, i just want to keep on walking from gallery to gallery (there were 172 of them this year at Artissima) and see the rest of the show before my head explodes.
I did however, spot a few gems at Artissima this year
Almost two months ago, i wrote a couple of measly posts (Arnold Odermatt, policeman photographer and Artissima – Valerio Carrubba) about the 19th edition of Artissima, the contemporary art fair that takes place in Turin each year in November. I’ve finally decided to catch up with my reports from the fair
A Guide to Archigram 1961-74 is a compact history showcasing the group’s most interesting and influential schemes, from walking cities and plug-in universities to inflatable dwellings and free time nodes. This book, the most comprehensive guide to Archigram’s voluminous output, collects the critical responses of the period, in addition to hundreds of drawings and photographs
Shomei Tomatsu’s most famous series is “Nagasaki 11:02”. Fifteen years after the horrific atomic bombings of the cities of Hiroshima and Nagasaki, Shomei Tomatsu was commissioned by the Japan Council Against Atomic and Hydrogen Bombs to document the effects of the A-bomb on the city of Nagasaki and on its inhabitants
This week i’m talking with Ollie Palmer is a designer, artist, a tutor at Bartlett but he is also the guy who’s so interested in dancing insects that he’s embarked on a 6 year project to choreograph and stage an Ant Ballet.
During the interview, Ollie talks ants and more precisely Argentine ants, a particularly invasive species that the UK wants nowhere near its shores. We also learn about the best way to collect ants, to synthesize pheromones and end the show with a few words about the Godot Machine, a device built for the sole purpose of preventing a single ant to move around
Three large-scale installations that experiment with scientific phenomena and pay homage to Nikola Tesla. The works can be experienced without mediation but each of them also conveys several layers of meanings and readings, whether you’re intrigued by the technical description or by the sheer beauty of the sparks, lightening bolts, and sonic properties of the works
FACT gallery has just opened WInter Sparks, The exhibition features large-scale installations by artists who use scientific experiments as a raw material. The figure at the core of the work exhibited is the one of the engineer whose inventions and ingenuity shaped the 20th century technology: Nikola Tesla. There are only three installations in the show, each of them large-scale, impressive and attempting to make scientific processes visible. I’m going to single out Evolving Spark Network and write about the others in my next post
Last Friday, i spent the evening at the Arts Catalyst for the Kosmica sound night, ‘a social event for artists, scientists and the cosmically curious exploring sound and sonification of space.’ That means drinks, crisps, pop corn, space music and presentations by curator and artist Honor Harger, sound artist and composer Kaffe Matthews and designer slash sound artist Yuri Suzuki. Arts Catalyst uploaded the videos of the whole evening. And i’m adding a summary of the presentations, along with a few links to the projects, historical facts and scientific discoveries mentioned during the presentations
London Fieldworks asked avant-garde artist Gustav Metzger to sit on a chair for 20 minutes thinking of nothing. Meanwhile, readings were taken of the electrical activity taking place inside his brain. The resulting electroencephalograms were then analyzed and turned into instructions for a factory robot to drill a hole inside a bloc of stone
Hertz makes robots controlled by cockroaches, video game systems that you can literally drive around, he gives talks about Zombie Media and has just crafted a magazine about critical technical practice and critically-engaged maker culture that puts us all (us being media people) to shame
Inside these pages some of the biggest (and smallest) mysteries of the natural world are explained in essays by real working scientists, which are then illustrated by artists given free rein to be as literal or as imaginative as they like. The result is a celebration of the wonder that inspires every new discovery
Koen Vanmechelen who has spent the past 20 years crossbreeding national species of chicken in order to create the ultimate ‘Cosmopolitan Chicken Project.’ You might or might not know it but each country has created its own peculiar type of chicken: the French, for example, have the Poulet the Brest. It’s white and red with blue feet, the same colours as their flag. Americans like their chicken to be big and powerful. The Chinese have a chicken covered in silky feathers
Beginning in 1969, Mohr was one of the first visual artists to explore the use of algorithms and computer programs to make independent abstract artworks. His early computer plotter drawings – when he had access to one of the earliest computer driven plotter drawing machines at the Meteorology Institute in Paris – are delicate, spare monochrome works on paper derived from algorithms devised by the artist and executed by the computer
In the period following World War I, a curious attraction appeared at fairgrounds: the photographic shooting gallery. If the punter’s bullet hit the centre of the target, this triggered a camera. Instead of winning a balloon or toy, the participant would win a snapshot of him or herself in the act of shooting
‘What if?’ scenarios with which to proceed on the journey towards becoming an architect; towards the conception of a design vocabulary that expresses everyday lives; and the creation of buildings and urbanities that embrace the irrational and celebrate the social.
‘As a Palestinian born in Gaza I am not authorized to return to the West Bank, so I delegated a Palestinian photographer to carry out these photos. They are out of focus, clumsily framed, imperfectly lighted. In this territory, one cannot install the heavy equipment of the Bechers or take the time to frame the perfect position, let alone afford to wait days for the ideal light conditions.’
Resurrection men were body snatchers who often worked in gangs to steal corpses from mortuaries and dug up recently buried corpses to supply anatomy schools with bodies to dissect and study. Unsurprisingly, the poor, often hastily buried, were easier to unearth and carry to the nearest anatomy school.
One of the best surprises of this year’s edition of the GAMERZ festival in Aix en Provence was a work that mixed clips from cult movies with gaming dynamics. Using 2 buttons and a joystick, visitors can navigate inside movie sequences from The Shining, Jurassic Park, The Blair Witch Project, Old Boy or Rocky. The main actor becomes an avatar and you can delay the inescapable moment when the little boy in The Shining bumps into the evil-looking twins or you can give a couple of extra kick and lengthen the fight that opposed Bruce Lee to Chuck Norris in Way of the Dragon
Ledare is famous for being one of the very few contemporary artists who still manages to shock and break taboos. His most famous series was shot over a period of 8 years and stars Tina Peterson, his own mother. Posing gleefully for him in nĂ©gligĂ© or in fur hat but more often naked. In sickness and in health. Flirting with the camera (or the man behind it), masturbating, having sex with younger men, etc. One moment she is defiant, powerful and utterly stunning. The next, she’s chubbier and wearing a brace around her neck
