My guest in this show will be Alex Fleetwood who founded London-based Hide&Seek in 2007. Hide&Seek is a game design studio which re-imagines public space as a place to play. They create new games and experiences, curate and support the work of artists and designers, and right now they are working on games inspired by a month-long Christmas party that King William III held at Kensington Palace in 1699
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The show invited artists whose work reconsiders the notion of territory in a time when the obsolescence of concepts such as the nation state and borders coincides with new forms of nationalism and a corollary desire to affirm the individuality of a community or to protect their privileges with the construction of new physical demarcations
Nuría Güell has an impressive portfolio: she wrote a manual on How to Expropriate Money from the Banks, married a man from Cuba to give him her nationality, collaborated with a famous bank robber to design the plan to rob a bank agency from the high security prison where he was detained
Today’s guests are Evan Roth, Becky Stern, Geraldine Juárez and Magnus Eriksson from the Free Art and Technology Lab (F.A.T. Lab), a network of artists, engineers, scientists, lawyers, and musicians who are committed to supporting open values and the public domain through the use of emerging open licenses, support for open entrepreneurship, and the admonishment of secrecy, copyright monopolies, and patents
Final post about Artissima, Turin’s contemporary art fair. Once again, i’m merely going to format and paste as many photos as i can stomach and add sporadic comment.
I’m leaving aside the purely decorative artworks and focus on art that has bite and a story to tell
Vision as Power invites us to consider the impact of prisons, watchtowers, defensive structures and other surveillance structures on the environment, the observer and the observed
A quick and hopefully efficient post to show some of the works i’ve discovered at Artissima, Turin’s contemporary art fair which closed last weekend. As i mentioned a few days ago, Artissima is, in my view, far far more exciting than Frieze. Maybe i’ll explain why in a coming story (and get my Frieze 2014 request for a press pass refused in the process?) I didn’t exactly rack my brain to figure out how to screen the many photos i had taken or received in the press package
Usman Haque is an architect who creates responsive environments, interactive installations, digital interface devices as well as many mass-participation initiatives. Usman is the Founder of the sensor platform Pachube, now known as Xively.com.
Today, we’re going to talk about the smart city vs the messy city
The publication examines the increasingly important role of digital fabrication in contemporary art, design, and architecture practice from 2005 to the present. New levels of expression will demonstrate the reciprocal relationship between art and innovation as seen through the lens of emerging twenty first century aesthetics
Tatsuki Masaru spent a decade following the Decotora (an abbreviation for “Decoration Truck”) subculture, photographing the trucks of course but also their drivers and in the long series of “Japanese do it better”, these vehicles have a panache and extravagance that never reach bad taste
I’ve finally gone through all the images and texts i made and received from the GAMERZ festival in Aix-en-Provence. There’s a ridiculously high amount of new artists and works i’d like to blog about. But let’s start with what i think are the smartest and most elegant works in the festival. Both play with perception, both are by Luce Moreau
There is a lot to say, dislike (portraits of perma-tanned, bejeweled ladies) and like (all the rest) about u s e r u n f r i e n d l y, UBERMORGEN solo exhibition at Carroll/Fletcher.
Whether it’s a painting, an installation or a website, everything in u s e r u n f r i e n d l y comes with an uncomfortable background. Take Perpetrator: the photo of a young man shouting in an abandoned train station. The print is part of a series of photo and video works based on the life of Guantanamo Bay military guard
Michiko and Michael’s work is never without surprise. Whether they entrust opera singers to produce food in a future world where algae have become the world’s dominant food source or explore the possibility of a city that would be isolated from the wider environment and where food, energy, and even medicine, are derived from human origin and man-made biological systems.
Inspired by the environmental work of Diller & Scofidio, the performative and multi-sensory work of Bompas and Parr, and the nostalgia of 1960s event architecture, the project utilises sugar as a base element and ‘centrifugal random fibre extrusion’ fabrication (candyfloss) to build a candy floss cloud on an architectural scale
Formerly secret, highly official photographs show officers and employees putting on professional uniforms, gluing on fake beards, or signaling to each other with their hands. Today, the sight of them is almost ridiculous, although the laughter sticks in the viewer’s throat. This publication can be regarded as a visual processing of German history and an examination of current surveillance issues, yet it is extremely amusing at the same time
Contour 2013, the 6th Biennial of Moving Image, presents videos, installations and performances in Michelen’s prison, football stadium as well as in a church and a museum. Under the title Leisure, Discipline and Punishment, the event examines social roles and relations within society.
As one surfs the net, data packets are sent from the user’s computer to the target server. The data packets go on a journey hopping from server to server potentially crossing multiple countries until the packets reach the desired website. In each of the countries that are passed different laws and practices can apply to the data, influencing whether or not authorities can inspect, store or modify that data
Suzanne Lee is the Founder of BIOCOUTURE, the first ‘living materials’ design consultancy. The last time i met Suzanne, she was cultivating bacteria into green tea and harvesting layers of cellulose which, once dried looked like leather that she then used to make garments.
Suzanne’s work has now taken an even more ambitious dimension as she is building an open innovation resource to enable collaboration within the global biological materials community
This brilliant little exhibition considers the connections between craft practice and sound art in the ‘digital age’. Exploring the physicality of sound, the works are characterised by both their sonic properties and materiality
In the art world, attitudes to drawing have changed. Drawing became a way of making a statement as an artist, of showing masterly skill – something that up to then had been most commonly associated with painting. After centuries in the shadow of its more illustrious fine art relatives, drawing started to be appreciated for its own sake, as an art discipline, an end in itself, an art form
Ototo is an experimental printed circuit board (PCB), which, combining sensors, inputs and touchpads, allows you to easily create your own electronic musical instrument
An attempt by photographers Ioana Cîrlig and Marin Raica to document the remains of communist industrialisation in central and eastern Romania. Decades ago, these areas were attracting workers from all around Europe but the collapse of Ceauşescu regime left these communities to their own devices and the mining towns are now fighting unemployment and poverty
Award-winning science communicator Professor Marcus du Sautoy and actress and mathematician Victoria Gould use mathematics and the theatre to navigate the known and unknown reaches of our world
In the late 1960s, Tony Ray-Jones traveled across his country in a VW camper to document the leisure and pleasures of the English. He was a man who lived by his own rules. One of them was to never take a boring photo. There are dozens of images in the exhibition and none of them is remotely insipid
William Bondin’s proposal involves a colony of self autonomous creature-like structures, called Morphs, which very slowly navigate public parks. Their moves are not just dictated by a set of pre-programmed rules, they also rely on their physical and social environment
Scott is the author of The Heretic’s Guide to Global Finance. Hacking the Future of Money. The book “applies economic anthropology, gonzo exploration, hacker philosophy, DIY culture, and a bit of mischievousness to the world of high finance.”
We’ll talk about the book, the bitcoins and other radical approaches to global finance of course but also about Scott’s plan to start a London-based school of financial activism
In early modern Japan, 1600-1900, thousands of sexually explicit works of art were produced, known as ‘spring pictures’ (shunga). The exhibition examines the often tender, funny, beautiful and accomplished shunga that were produced by some of the masters of Japanese art
How much does the practice of video games affect our imagination and the way we perceive reality? Are video games shaping our perception of reality or is it our perception of reality that shapes the imagination behind video games?
Plotting expeditions from London, Paris, Berlin, Detroit, Chicago, Las Vegas and Los Angeles, Bradley L. Garrett has evaded urban security in order to experience the city in ways beyond the boundaries of conventional life. He calls it ‘place hacking’: the recoding of closed, secret, hidden and forgotten urban space to make them realms of opportunity
VisualLeader 2013, The Best of Magazines And Internet displays the works of the nominees and winners of last year LeadAwards, Germany’s most prestigious print and online media award. Photo reports, fashion shoots, advertisement, blogs, etc. That made for a great afternoon so without further ado…
The Living Mirror is a ‘bio-installation’ that combines magnetic bacteria with electronics and photo manipulation to create liquid, 3D portraits
I haven’t seen that many exciting exhibitions in London over the past few weeks. I was however, bowled over by the photos of Philip-Lorca diCorcia at the David Zwirner Gallery. The East of Eden series brings side by side biblical references and the dark side of the American dream
Addie made a painting using a drone as a brush, enrolled a stern industrial robot to rock a baby cradle, asked online sexcam performers to replicate classical paintings, and built a chandelier using CCTV cameras
Tomorrow the episode of the radio show will focus on online language and communication, algorithms, forms of mediated intimacy, and distributed art works. Amongst others!
Art of the 1980s oscillated between radical and conservative, capricious and political, socially engaged and art historically aware
For her project Ergo Sum Charlotte Jarvis donated blood, skin and urine to the stem cell research laboratory at the University of Leiden. These donations have been transformed into stem cells, which in turn have been programmed to grow into cells with different functions such as heart, brain and vascular cells.
The result is a biological self-portrait; a second self; biologically and genetically ‘Charlotte’ although also ‘alien’ to her – as these cells have never actually been inside her body
Conducted and presented as a scientific experiment TNM challenges the participants to consider the outrageous proposition of algorithmic prejudice. The responses range from fear and outrage to laughter and ridicule, and finally to the alarming realization that we are set on a path towards wide systemic prejudice ironically initiated by its victim, Turing
The book is as much about fantastical creatures as it is about pseudoscientists making radical claims about the world, sneering at evidence-based research and undermining the teaching of science in the process
a video archive of global dissent which explores four decades of social disobedience: from the uprising in Italy in 1977 to the anti-globalization protests and to the insurrections in the Middle East
The robotic installation consists of large groups of autonomous water vehicles. With roughly 50 individuals in a population, the robotic agents interact with each other and their environment to form a simple ecosystem. Their collective, emergent behaviour resembles the social interactions in a community of living creatures