The main exhibition space presents objects and evidence collected from 24 real-life case files. Some of them relate to the capital’s most notorious crimes. From the Great Train Robbery to the Kray twins. Other cases earned their place in the show because of the important role they’ve played in the the development of forensics, because they’ve changed the law or because of the impact they had on society

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With his performances, apps and other works, Satrom is opening the black box of the operating system we daily use. He is even inviting each of us to join the glitch party. Together with Ben Syverson, he created the sOS or Satromizer Operating System, the world’s first ‘100% problem-based operating system’ which you can download to turn your laptop, iPad and phone into a neverending glitch party

Second and last chapter of my report from the GAMERZ festival, one of the very few French festivals that doesn’t play it safe nor stiff with a programme that endorses the unexpected, a laid-back atmosphere, a few famous names but also an impressive line-up of fresh talents. Plus, it’s in Aix-en-Provence so as the French say “y’a pas photo!” (which means something like ‘it’s a no-brainer.’)

Spanning the abolitionist movement, early labor movements, women’s suffrage, the civil rights movement, and up to the present antiglobalization movement and beyond, A People’s Art History of the United States is a tool kit for today’s artists and activists to adapt past tactics to the present, utilizing art and media as a form of civil disobedience

This year’s edition of the GAMERZ festival not only demonstrated that there is nothing trivial about play but it also explored how our relationship to play has changed with the advances of technology. And, more interestingly, it invited us to join artists whose work investigates how the digital age is changing man, whether we’re talking about Huizinga’s homo ludens, the working man (Homo Faber) or more generally the modern man (Homo sapiens.)

V12 Laraki is a perfect copy of a Mercedes-Benz 6.2L V12 engine. Except that each of its 465 components was handcrafted by Moroccan artisans who used 53 materials traditional to the country. The artist bought a Mercedes engine, his team disassembled it and faithfully replicated each piece using brass, marble, bone, mother of pearl, malachite, agate, precious woods, ammonite fossils, terracotta enamel, and other local materials. Then they assembled the engine using 660 casted copper bolts and the 465 exquisitely reproduced parts

Will tomorrow’s wars be dominated by autonomous drones, land robots and warriors wired into a cybernetic network which can read their thoughts? Will war be fought with greater or lesser humanity? Will it be played out in cyberspace and further afield in Low Earth Orbit? Or will it be fought more intensely still in the sprawling cities of the developing world, the grim black holes of social exclusion on our increasingly unequal planet? Will the Great Powers reinvent conflict between themselves or is war destined to become much ‘smaller’ both in terms of its actors and the beliefs for which they will be willing to kill?

The exhibition presents eleven case studies spanning the period from the invention of ‘metric’ photography of crime scenes in the 19th century to the reconstruction of a drone attack in Pakistan in 2012 using digital and satellite technologies. These offer an analysis of the historical and geopolitical contexts in which the images appeared, as well as their purpose, production process and dissemination

The event is a one-day meeting for filmmakers, producers, artists, designers, entrepreneurs and anyone else interested in exploring how digital technologies and new forms of interactivity are shaping the future of documentary storytelling. The conference is one of the highlights of the Seamless Reality program set up by IDFA DocLab, a festival program for ‘undefined art and unexpected experiences’

A broad view on media piracy as well as comparative perspectives on recent issues and historical facts regarding piracy. The book contains a compilation of texts on grass-roots situations whose stories describe strategies developed to share, distribute and experience cultural content outside of the confines of local economies, politics or laws

A few days ago i popped by the The World Press Photo exhibition at the Royal Festival Hall in London. It’s a show i always look forward to visiting. The quality of the prints is often ridiculously low but the photos that win the photojournalism competition give me some time to reflect on the stories that made the news over these past few months but also to discovered under-discussed cultural or political issues

This exploration of visual protest since 9/11 isn’t constricted by boundaries nor hierarchies. Online interventions rub shoulders with good old posters, murals with performances, court sketches with design objects. The people who rebel, resist and visually express their opposition are famous artists such as Banksy and Ai Weiwei. More often than not, however, they are anonymous or operate behind pseudonyms