An exhibition that brilliantly puts the dance party culture of the 1990s into a neat museum package
The shopping mall was invented in the United States just less than sixty years ago and quickly spread throughout the world. Due to urban planning’s increasing orientation toward the automobile, the mall became a substitute for lost urbanity. Yet what direction is the development of the shopping mall taking today?
Show Us The Money takes you on a journey to the world’s off-shore tax havens and corporate financial nerve centres. FOMU provides a glimpse of the structures that impact on all of us but which are themselves practically invisible. Three projects use very different artistic strategies to expose this global issue
AJNHAJTCLUB is a brave, timely and intelligent show that celebrates immigration and the economic and cultural contribution it can bring to a host country AJNHAJTCLUB could have been an exhibition full of gravity, nostalgia and anxiety. And indeed it sometimes features moments as serious as the times we are living but it is mostly a show full of humour, lightness and self-irony
Session 5. The Extended Body: Biomedicine, Micromatter & the Transhuman was the most eclectic and unpredictable one. It investigated issues as diverse as the use of forensic methodologies in art, the presence of human cells outside of the body and the possible role of bacteria in creativity
I’ve always liked the work of Serrano. A lot. It’s outrageous, in your face and enjoyably iconoclastic. Portraits of the Ku Klux Klan leaders, close-up of Trump trying his best to look ‘deep’, cheap crucifix immersed into urine, bondage scenes, decaying corpses at the morgue… Shit
Japanese Tattoos explains the imagery featured in Japanese tattoos so that readers can avoid getting ink they don’t understand or, worse, that they’ll regret. This photo-heavy book will also trace the history of Japanese tattooing, putting the iconography and kanji symbols in their proper context so readers will be better informed as to what they mean and have a deeper understanding of irezumi
This session was one of the most fascinating sessions for me. Full of weirdness and wisdom. It started with a 19th century sculptor who made a life-like statue of himself complete with his own hair and teeth, proceeded with a set of artists who work with tattoo and the latest technology and ended up with artworks, socks and other artifacts made of human hair.
Image courtesy of the artist While visiting an ex soldier training area in Maastricht turned into workshops for […]
With the arrival of 3D printing prosthesis using bio-compatible material, we might see more and more extreme body modifications reaching the mainstream. What could once only be imagined is now only a matter of time
The second session of the symposium dedicated to the use of the human body by artists was titled “Blood & Bone: Post-mortem Afterlives, Trauma & Ethics.” And it involved many uncomfortable trips to the autopsy room
In a world where scientific rationalism rules, interest is on the rise for alternative forms of relating to the world and to others.
Semen, cell cultures, urine, feaces, tears, blood, hair, skin– the human body has been used not merely as the subject of art works, but also as their substance.
Last week, the Institute of Advanced Studies at University College London held a symposium that explored the use of “biomaterial” in modern and contemporary art practices
The two installations are composed of identical elements, connected in a network and exchanging information through electric signals. The collective behavior of the actuators and sensors create unpredictable patterns, as though a system of living organisms with their own variable program. A moving scene emerges, where the borders between a ‘natural’ order of things and the mechanical constructions of humans are tested
The young designer uses radically different entertainment channels to explore questions of radicalisation, spying and UK government role in spreading a climate of suspicion
The triptych All About You is a ready-made that brings up several social and subject/object relations, such as money circulation, artwork status, identification and citizenship. We could say it represents a “self-portrait as a citizen” with the Republic of Slovenia used as a mirror
Following the death of industrial Europe, rave emerged as Europe’s last big youth movement. This book considers the social, political and economic conditions that led to the advent of rave as a ‘counterculture’ across Europe, as well as its aesthetics, ideologies and influence on contemporary art and beyond
When Jonáš Gruska is not busy giving workshops on urban sonification, creating his own recording instruments, making electromagnetic fields audible or organizing a solar-powered (experimental) music festival called SVUK, you’ll find him under bridges, inside bridges, in ventilation systems or near oil refineries exploring the psychoacoustic properties of sound in industrial spaces
This piece of sound equipment emits low frequency infrasound waves, which causes those in its path to release the contents of their bowels—or more colloquially, to “shit themselves”. This kind of sound cannon has its roots in sonic weapons first developed by the Nazis for the purposes of crowd control, and purportedly also by the French authorities during the Paris riots of 1968
In spite of the loss of a large part of its collection, the museum remains a wonderful place to visit. For the historical specimens of course but also for a number of artefacts that are interesting from an artistic point of view
Perry can be a bit rude but he’s never vulgar. He observes and satirizes British society, its classes, tastes and rituals but he does so with kindness. His vases look traditional but as you go nearer, you realize that they bear crude images and cheap tabloid headlines
The book examines cultural contexts and stereotypes with visual examples. It demonstrates that communication tools are never neutral, and encourages its users to rethink global cultural understanding. Additional works by contemporary artists and designers show that political awareness does not limit creativity, but opens up new explorations for a critical visual culture
This year, the Share festival in Turin shed its new media art skin and became a festival resolutely centered on design. The event was all about technology and creativity but this time in their most domesticated forms
A new variety of capitalism is currently taking form on the African continent. States are being remade under the pressures of rapid demographic growth, conflicts over boundaries, security demands, and the offerings of multi-lateral donors and data-processing corporations. Much of this turns to enhanced forms of state surveillance that is common to societies across the globe, but the economic and institutional forms on the African continent are unusual
The exhibition questions the underlying myths within design, deconstructs its emerging signs, and examines how technology determines the future landscape of design
Each of the essay in the book explores a different case study: ‘anti-Indianism’ in New Mexico, influence of Israeli policing structures on the LAPD, New York city’s strategy to rely more on invasive policing than on mass incarceration, LA Skid Row as a testing ground for police practices that will be exported to the world, links between criminalization of poverty and real estate speculation, state violence and gentrification in El Salvador, etc.
Syuko Kato and Vincent Huyghe from the Interactive Architecture Lab have designed a robotic system that turns dance into architectural forms
The exhibition Hormonal at LifeSpace Gallery in Dundee brings together work by three women artists who, each in their own witty way, reflect on the hormone oestrogen and how it is understood socially, politically, technologically and environmentally.
Nik Nowak‘s sound objects combine the aesthetic qualities of sculpture with utility or functional objects, and explore urban or military phenomena at play in everyday life
The exhibition explores the mechanisms by which cultures, from the most ancestral to the most contemporary, “inject personality” into objects. Through 230 pieces: statues, installations, paintings, robots, excerpts from films, the show throws light on these “strange humans”
Ellie Irons is one of those rare artists whose work opens your eyes to what is just under your nose but remains unnoticed. Some artists bring the spotlight on data collecting, others on corruption, corporate malpractice, or land grabbing. Ellie forces us to consider the wild and often reviled urban ecology that sprouts all around us. She uses galleries to provide asylum to wild and invasive plant species, extracts the pigments from local weeds to paint their map-like portraits, photographs the vigorous life growing inside vacant lots, and is actively collecting the seeds of the most humble but robust plants that mirror population growth and flux in globalized cities
Bruce Gilden, Factory in the Midlands, from the series The Black Country, 2014 Evelyn Hofer, Crossing Guard, London, […]
From painting to digital technologies to crowdsourcing, over the last few decades the means of making artworks have become more extraordinary and diverse. Yet we rarely consider the implications of how art is made
When he is not painting murals in Latin America, creating coloring books for children living in refugee camps or stealing Berlin’s iconic and kitschy buddy bears, Avignon turns himself into “neoangin”, a performer of electronic music that doesn’t seem to take himself too seriously either.
There is a surprising similarity in the way neural networks and analogue modular synthesizers function, in that for both, voltages are passed through components to produce data or sound. The neural interface we developed juxtaposes these two networks and in a sense creates a continuum that creates one unified network. With CellF, the musician and musical instrument become one entity to create a cybernetic musician, a rock star in a petri dish.
The installation’s mechanical workings and network of strings allow us to explore the poetic potential of technology via its materiality, so that Interface I sits on the boundary between an imaginary field and an epistemological condition
The objects, books, artifacts, gadgets and artworks offer a contemplation on autonomy as a disappearing modus operandi of political action, while workshops, discussions and demos focus on the devices we use every day: How do they work? What individual data traces do they capture? Where do these go, and what kind of control can one regain?
Through the course of these lifeworks, Hsieh moved from a year of solitary confinement in a cell to a year in which he punched a worker’s time clock in his studio every hour on the hour to a year spent living without shelter in Manhattan to a year in which he was tied by a rope to artist Linda Montano and finally to a year of total abstention from all art activities. In 1986 Hsieh announced that he would spend the next thirteen years making art but not showing it publicly
The mobile ecosystem has a robotic core wrapped in twelve garden modules. Whenever the lowermost plants require more sunlight, they ‘vote’ to have the sphere gently roll over. If it becomes too hot for the majority of them, they will steer the structure towards the shade
Martin Roemers’ photographs take us to abandoned army bases and bunker complexes, military training areas, technical installations, monitoring facilities and military cemeteries