With this installation, critical and speculative scenario designer Tina Gorjanc is asking whether producing ‘fake’ copies of an extinct animal is an attempt to understand the past, or just an excuse to constantly create the desire for rarity
The interactive installation invites “deep listening” within the body but also offers us an opportunity to reflect on how anthropocentric geological changes might be recorded, experienced and how they can be reproduced for other people in order to help them attune themselves to a future marked by man-made geological changes
INHERITANCE consists of a set of precious jewellery artefacts which are radioactive and therefore rendered practically and symbolically unwearable for deep time, until the radionuclide transmute naturally into a stable and non radioactive isotope of lead
Superflux is looking at the ways emerging technologies interface with the environment and everyday life and the result of their research is a rather extraordinary portfolio which explores deviant economies for India’s elastic cities, climate change, political engagement, desertification, human enhancement, etc
Suzanne Lee is the Founder of BIOCOUTURE, the first ‘living materials’ design consultancy. The last time i met Suzanne, she was cultivating bacteria into green tea and harvesting layers of cellulose which, once dried looked like leather that she then used to make garments.
Suzanne’s work has now taken an even more ambitious dimension as she is building an open innovation resource to enable collaboration within the global biological materials community
The theme of this year’s exhibition is City of Cyborgs. Not the city of androids, clunky clones and man/machines contraptions but the city we are already walking through, smartphones in our pockets, implants in our bodies for some and ready to get our hands on Google glasses. City of Cyborgs in STRP speak means animatronics, opera for prehistoric creatures, a forest of interactive lasers, tapas made from edible solar cells, absurd mega machines and lots of dance. The high tech, the low tech, the digital, the organic and everything in between and beyond.
For some obscure reason i haven’t been able to locate the wikipedia entry about Haus-Rucker-Co. but if you’re curious about their work, there is a lot to (re)discover at the retrospective of the Viennese group currently hosted by WORK Gallery, near Kings Cross: inflatables capsules for two, parasitic structures, breathing devices, utopian ideas, helmets and pneumatic prostheses. It’s critique of architecture and architecture as critique at its best