Superflux is looking at the ways emerging technologies interface with the environment and everyday life and the result of their research is a rather extraordinary portfolio which explores deviant economies for India’s elastic cities, climate change, political engagement, desertification, human enhancement, etc
Suzanne Lee is the Founder of BIOCOUTURE, the first ‘living materials’ design consultancy. The last time i met Suzanne, she was cultivating bacteria into green tea and harvesting layers of cellulose which, once dried looked like leather that she then used to make garments.
Suzanne’s work has now taken an even more ambitious dimension as she is building an open innovation resource to enable collaboration within the global biological materials community
The theme of this year’s exhibition is City of Cyborgs. Not the city of androids, clunky clones and man/machines contraptions but the city we are already walking through, smartphones in our pockets, implants in our bodies for some and ready to get our hands on Google glasses. City of Cyborgs in STRP speak means animatronics, opera for prehistoric creatures, a forest of interactive lasers, tapas made from edible solar cells, absurd mega machines and lots of dance. The high tech, the low tech, the digital, the organic and everything in between and beyond.
For some obscure reason i haven’t been able to locate the wikipedia entry about Haus-Rucker-Co. but if you’re curious about their work, there is a lot to (re)discover at the retrospective of the Viennese group currently hosted by WORK Gallery, near Kings Cross: inflatables capsules for two, parasitic structures, breathing devices, utopian ideas, helmets and pneumatic prostheses. It’s critique of architecture and architecture as critique at its best
I love Walter Van Beirendonck. He puts men on stilts, wraps them in latex, has them wear T-shirts with prints of preoperative drawings for plastic surgery, sends them on the runway with gas masks, corsets, prosthetic horns or with the face adorned with stick-on latex interpretations of Maori facial tattoos, etc. Actually, i think i adore that guy
While worn, exposure to the noise is structured through a sequence designated by a composer which controls the behavior of the sound-prevention valves. The composer also determines what values are adjustable by the listener through the single knob built into the device. The headphones mechanically create a personal listening experience by composing noise from the listener’s environment, rendering it differently familiar
The Muybridge installation is a study set out to capture temporal change in 3D. A three-step sequence of a bird spreading its wings is reconstructed and sculpted into T-Shirts. As the change in the wings’ position is a function of time, each wing’s plumage is reduced to polygonal form, modeled and rigged into successive arrangements to portray the spreading motion