Momentum 9, The Nordic Biennial of Contemporary Art, opened a few days ago in Moss, Norway. Its focus is Alienation, a pertinent theme for a time characterized by deep social and economic inequalities, new forms of rabid colonialism, atmospheric turmoil, transhumanism, closing borders and relentless questioning of democracy
Can art help us understand the ethical complexities of emerging (bio)technologies? Are artists able to uncover our hidden desires and demystify the promises emerging technologies represent? Are living artworks allowed and is art allowed to alter life?
Drawing on fieldwork, philosophy, literature, history, and a range of other perspectives, each of the chapters in this book tells a unique extinction story that explores what extinction is, what it means, why it matters—and to whom
Socle Du Monde, the biennale that opened a few weeks ago in Herning (Denmark), celebrates artists who have “accepted the challenge of turning the world upside down”
EE #2 moves Beyond Nature, investigating experimental and emerging ways of understanding as well as making art/nature. This issue visits not just hybrid, but also parasitical ways of doing art in times of danger and apocalyptic visions. In the current ecological and socio-political crisis, the function of the artist emerges as more critical than ever
The Socle du Monde biennale in Herning is currently showing Koen Vanmechelen’s Planetary Community Chicken, a cross between his now iconic Cosmopolitan roosters and commercial hens
Last year, the Flatbread Society embarked on a year-long sailing expedition that will take them from Oslo to Istanbul. On board is a rotating crew of artists, sailors, anthropologists, activists, writers, ecologists, etc. As for the cargo, it consists mostly of grain seeds that had been lost or forgotten