The exhibition addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces–largely enabled by the “progress” of digital information technologies–inexorably feed us forward
A comprehensive, timely international survey that addresses the relationship between art and electronic technology, this volume explores the presence and meanings of mechanics, light, graphics, robots, virtual reality and the Web in the art and visual culture of the last hundred years. It also considers the reaction, development and future of artistic practice in the face of new technology
Developing projects on the net, filming with mobile phones, remixing common moments and figures of today`s culture in an VJ-like audiovisual rhythm, Amerika redifines the characteristics of today’s culture and opens up the possibilities for new interpretations and thoughts from the audience itself
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Burgos expands urban apocalyptic visions which proliferate in daily life. His starting point is a children’s storybook, from which he constructs a delirious collage. Anything is possible in his productions. With amazing dexterity he cuts, pastes, digitally photocopies and photocopies again, the result of which he fits into a fascinating stage design. Within these metaphors, there are, mingled with a large cast of characters, iconic elements of national images
The curators approach the topic of collecting, and the psychology behind the practice of expressing oneself through physical objects. Why do we gather items and surround ourselves with them in our every day lives? Which mechanisms of desire trigger our selection?
The exhibition, located in the beautiful but cruelly un-heated Fondazione 107, uses photographic works, videos, installations and sculptures to document a moment of extraordinary transformation for an area that is five times bigger than Europe. The result is bold and exciting with its mix of “globalization”, acceleration, pre-soviet and islamic traditions
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Letizia Battaglia’s pictures, because of the corruption, silence, violence and suffering they laid bare, played a crucial role in the anti-mafia campaign. They show anti-mafia Judge Cesare Terranova shot in his car, corpses of mafiosi found by the road, tears of the wives and mothers when they discover the scene of the crime, arrests of the mafia boss, teenagers pretending to be though guys with attitude and guns
In a series of symbiotic encounters and parasitic relationships, the solo presentations are often interrupted by incongruous presences or perturbed by unusual juxtapositions: drawings by Kara Walker surround a tomb by Urs Fischer; Maurizio Cattelan’s homeless man kneels down in front of Kiki Smith’s Bat Woman; Robert Gober’s haunted rooms incorporate Gregor Schneider’s architectural fragments, etc.
Calculating Space is a delicate sculpture made of sticks, strings and little plumbs. The fragility and transparency of its structure reveals as much as it hides the logic and functioning of the machine. Its units operate like a very basic artifical neural network
The VivoArts School for Transgenic Aesthetics Ltd., Adam Zaretsky and Waag Society’s temporary research and education institute on Art and Life Sciences, will be focusing this month on body art
This year the wooden pavilion, designed by architect Alvar Aalto in 1956, hosts a collection of Fire & Rescue Museum by Jussi Kivi. The artist’s museum project is based on his long-term passion of collecting every imaginable item that ever has had something to do with firefighting
The installation echoes the artist’s concern for the relentless threats against Iran made by many countries in recent years. Sentences that include “attack Iran” are scavenged from Google News and spoken using a text-to-speech synthesizer. The voice is then picked up by a microphone, analyzed, and translated into rhythmically corresponding smoke rings from a quartet of smoke ring makers
Like paper projects designed in the absence of “real” architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture’s material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people’s everyday lives
Everyday, someone cleans the marble floors of the Palazzo with a mop dipped in water mixed with the blood found on the site of murders committed during the drug wars in Northern Mexico. How long will traces of it remain on the sole of your shoes?
Nathalie Djurberg makes candy-coloured plasticine puppets who have have orgies, who torture each other and suffer alien, abusive relationships. Djurberg, who won the Silver Lion award for best young artist at the Biennale, was the super star of Venice. I went to see her video installation 3 times and the room was always jam-packed with people drooling over her animations and taking photos of her monstruous flowers as if their lives depended on it. Not that i acted any differently
Laboral Centro de Arte y Creación Industrial in Gijón has opened a very very good exhibition a few days ago. ‘FEEDFORWARD – The Angel of History’ addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces–largely enabled by the “progress” of digital information technologies–inexorably feed us forward. I’ll write about it in details in the near future but i’d like to share with you straight away one of the most interesting artworks i’ve discovered there
I doubt there are many galleries like heliumcowboy. First there’s that name. Charming and puzzling. Not even an interview with the gallery director has helped me uncover its origin. Then of course there’s the artists the space represents. Since its opening in 2003, heliumcowboy has been showcasing artists ‘who are capable of pushing boundaries, are a little underground and whose aesthetic is the forecast of art’
One of the most striking artworks at the Arsenale for me was Pascale Marthine Tayou’s installation ‘Human Being’ which fills in a gigantic room with a bric-a-brac of objects, furniture made of recycled material, colourful figures, videos and urban noises that re-creates the activity of that small village that we call our world
With this project, Hans E. Thorsen wishes to explore how the reconstruction of another artists work can be worked into ones own production and how the public artwork will transform inside the white cube, with its many corners and structures.
First stop: the show MADDESTMAXIMVS at the Australian Pavilion. I wasn’t expecting to like that one as much as i did. A 1:1 ‘sculptural’ replica of the V8 ‘Interceptor’ car driven by Mel Gibson in Mad Max 1 and 2 parked at the entrance of the pavilion almost made me run in the opposite direction
Ever since i found about his tattoos on the pin-ups and luchadores appearing in vintage Mexican magazines, i was in love Dr Lakra. The tattoo artist lives in Mexico. A couple of weeks ago i was in Mexico too and there was a solo show of Dr Lakra at the kurimanzutto gallery. I felt like the happiest person in the world. Now, in retrospect, i feel that i’d been happier had i not forgotten in a taxi my lovely camera with all the images i had taken at the exhibition
No one dons the moustache like Fernando Llanos. He’s a video artist, a musician, a writer, a blogger, a curator, he makes drawings, he’s the über macho-looking Mexican guy who walks around the city with a chihuahua in his bag. He also produces tv shows, a competition of animation movies, and the moto of his own radio programme is “There’s no need to talk about art in order to talk about art”. When he’s not performing Llanos is always impeccably dressed. He’s probably the one and only media artist whose sense of style i admire
Paper conquers the third dimension and demonstrates the undreamed-of possibilities it holds today for lightweight construction, product design, fashion and art
In the 19th century, despite the best efforts of body snatchers, the demand from medical schools for fresh cadavers far outstripped the supply. One solution to this gruesome problem came in the form of lifelike wax models. These models often took the form of alluring female figures that could be stripped and split into different sections. Other models were more macabre, showing the body ravaged by ‘social diseases’ such as venereal disease, tuberculosis and alcohol and drug addiction
Interviews, reviews and articles. Everything in the latest issue of Neural is green
Filmed during more than three years on location in Hebron in the West Bank, Terje Carlsson’s documentary shows the impact of the occupation on everyday life in Palestine
What does it mean to work with living, semi-living or formely living beings? What’s the meaning of tissue culture for artistic purposes versus health application? Or the development of a new weapon? What are the dilemmas that come with tissue culture technology?
I discovered the work of Edward S. Curtis while i was visiting the Medicine Man exhibition at the Wellcome Collection in London. Curtis documented the American West as well as the rites and lives of Native American peoples
Notes i wrote down during a talk that Oron Catts gave to kick off the TIssue Culture workshop. His presentation, which put our wet lab into a historical narrative, was titled ‘An alternative timeline for regenerative medicine – A biased history’
It was at the Rijksakademie that she made her first series of animal portraits – five police dogs – which grew from a fascination with the portrayal of controlled aggression
Cruel Weather explores artistic responses to crisis and the role of the moving image in today’s Middle East. The festival showcases a series of award-winning documentaries, experimental and mixed genre work
Digital Fabrications explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold
Untitled Fragile Machine, seen last week at Arthur Ganson’s very charming Long Now seminar titled Machines and the Breath of Time.
Over the course of two years, Muzi Quawson attempts to uncover the reality of this outlandish, boondocks location. Her camera silently follows Ivar “Duke” T Pederson: an aging cowboy who incarnates the Old American West of our most used and abused cliché.
Positioned all over a wall at HMKV, the network of “ghost detectors” read the “auras” of the audience. Rumour has it that the bodies or even the moods of visitors walking around the installation might affect the sonic output
Most of the works exhibited at the Jeu de Paume date from the 70s and 80s, an era dominated in England by the rule of Margaret Thatcher. Parr doesn’t have fond memories of her reign and the photos he collects attest of the social decline and distress the working class went through at the time
Parrworld. The Collection of Martin Parr reveals this artist’s hidden side as a collector of books, photographs, postcards, objects and photographs by British and international artists, alongside the photographs from his “Luxury” series
A few months before the 50th anniversary of Congolese independence from Belgium, Extra City is showing one of Tillim’s recent series: Avenue Patrice Lumumba. The work examines modern history in Africa against the backdrop of its colonial and post-colonial architectural heritage
I discovered this one during a talk that Oron Catts from Symbiotica was giving at the VivoArts School for Transgenic Aesthetics Ltd in Amsterdam. His lecture was entitled “An alternative timeline for regenerative medicine – A biased history”
The 2009 edition of the @rt Outsiders Festival presents works that explore the meaning of living in extreme environments, in the imaginary realm as well as in the physical one, in the political, social and environmental fields as well as in the poetic ones