An invitation to artists, researchers, activists and critical engineers to submit ideas, thoughts, and designs for the future of 3D printing. The submissions should reflect on the current state of additive manufacturing, find the potential encoded into the most challenging 3D printed objects and push 3D printing to its most speculative and radical limits. Once collected, these submissions will form The 3D Additivist Cokbook

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The sound of empty space explores relationships between microphones, speakers, and surrounding acoustic environments through controlled, self-generating microphone feedback. By building flawed technological systems and nullifying their intended potential for communication, the ear is turned towards the empty space between components; to the unique configurations of each amplifying assemblage

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Make+ is a Shanghai-based programme that stimulates collaborations between art and science. Its main motivation is to ‘make ideas happen’.
The recipe is quite simple: an individual comes with an idea, a team forms around it, mentors join in and guide the team along the way. At the end of the process, the idea is made reality. Participants come with all types of backgrounds, experiences and perspectives. They can be fashion designers, hardware engineers or painters

A few months ago, the festival accès)s( in Pau (France) invited the audience to have a critical look at the idea of a techno-driven progress, at a propaganda machine that promise that new ‘advances’ in information and communication technologies will solve our problems and fulfill the dreams we don’t even know we had. All we need to do is update, upgrade and replace our devices

Pigeons, fungi, human cells, finches and flowers are just some of the mediums of bioart and design. These emerging fields are the source of daring experiments and thoughtful reflections about how aspects of culture, such as our concepts of identity, nature and environment are changing.

Matter of Life presents nine such research projects at the intersection of art, design and the life sciences

In a unique take on a subject that has grabbed headlines and is consuming billions of taxpayer dollars each year, philosopher GrĂ©goire Chamayou applies the lens of philosophy to our understanding of how drones are changing our world. For the first time in history, a state has claimed the right to wage war across a mobile battlefield that potentially spans the globe. Remote-control flying weapons, he argues, take us well beyond even George W. Bush’s justification for the war on terror

Objection!!! pushes the court strategies and dramatizations to their most cinematographic limits. Using a series of models, objects, images and a fictionalized case in which a tv National Lottery draw is fixed, Gaynor exposes how the language of film-making manipulates the way a case is presented to the court and how it is understood by it. According to the whim of the team that scripts, shoots then edit the trial, the unfolding of a court case could be made to look comical, suspenseful, romantic, tragic or even satirical

Photographs taken seven months after the fire bombing of Dresden are shown alongside those taken seven months after the end of the First Gulf War. Images made in Vietnam 25 years after the fall of Saigon are shown alongside those made in Nakasaki 25 years after the atomic bomb. The result is the chance to make never-before-made connections while viewing the legacy of war as artists and photographers have captured it in retrospect

Experimental Eating demonstrates how current creative collaborations are pushing the boundaries of how we understand, experience and relate to food and the rituals of dining. The book encompasses unusual and cutting-edge foods, radical dining events, “kitchen laboratory” experiments, food sculptures and other documentation of the transient moments that make up this field of experimentation

Over the past 5 years, Nick Hannes has visited twenty countries located around the Mediterranean. He witnessed an unprecedented period of turmoil for the region: southern Europe buckling under the weight of the global economic crisis, Arab countries entangled in the aftermath of the Arab Spring and tourists and migrants encountering each other on the beaches of the Mediterranean Sea

Karla Diaz asked friends serving time in prisons in California to send her their own food recipes and collected them for a print on demand book called Prison Gourmet.

On a documentary and curiosity level, Prison Gourmet is a kind of culinary version of Prisoners Inventions. But Prison Gourmet is also a performance in which the artist addresses the politics of food and incarceration by reproducing prison recipes devised by inmates

The 10th edition of the festival celebrated the death of passive leisure in the hands of games and art as well as the transformation of the compliant consumer into a creative user and abuser of technology. The exhibitions across town also investigated how the digital environment impacts and disrupts people’s development at conscious and unconscious levels (cognitive, social, psychological, among others) and looked at how these often invisible adjustments can be harnessed in alternative social, economic, political or ecological practices.

The exhibition seeks to investigate the historical and social implications of the plant world in light of the ever-increasing resurgence of “green” as an agent of change in relation to current economic processes. To place a plant within a historical context means to consider not only its biological constitution, but also the social and political factors which see it already positioned at the centre of the earliest forms of economic globalisation

A range of practices which were once subsumed under terms such as media art, digital art, art and technology or art and science, have experienced such growth and diversification that no single term can work as as a label any more. Traditionally separated domains are brought together to become contextual seedbeds for ideas and practices that aim to overcome the crisis of the present and to invent new avenues for future developments

The artist has worked with media as diverse as fetal calf cells, human blood, maggots, multi-component 3D Human Skin Equivalent models or taxidermied insects. She is currently participating to Experimenta Recharge biennial of media art with an ever-changing face mask that uses Saos-2, a cell line that originally came from the bone cancer lesion of an 11 year old girl who died in 1973

The most compelling part of the day for me was when i discovered the nominees of the Digital Storytelling competition. Because the focus of the selection is as much on new forms of interactivity as it is on strategies to weave a compelling story, all the projects were deep, multi-layered and compelling. Some took me ages to explore. Take the super addictive podcast of the now cult “Serial” for example…

Christoph Wachter & Mathias Jud have installed WLAN / WiFi mesh network with can antennas on the roofs of the Academy of Arts and the Swiss Embassy, both located in the heart of “NSA’s Secret Spy Hub in Berlin.” The particularity of the network is that it is open and at the disposal of passersby to communicate anonymously and even send messages to operatives of the NSA and GCHQ intelligence who might lurk inside the nearby British Embassy and Embassy of the United States

A few days ago, the Haus der elektronischen KĂĽnste (House of Electronic Arts) in Basel inaugurated its new premises with a three-day festival of drones, music performances, immersive data explorations and giant mushrooms.

HeK space is a cultural center dedicated to the new art forms of the information age. The programme is as sleek and geek as its buildings be but its spirit is critical and inquisitive. HeK takes technology out of consumer culture and looks at its more meaningful, socially-engaged or aesthetic uses

The conference (ridiculously interesting and accompanied by an exhibition i wish i could see all over again but more about all that next week) looked at how practitioners redefine the documentary genre in the digital age. In his presentation, artist James George presented artistic projects that demonstrate how fast computational photography is evolving and how innovations are changing our relation to the image