A VR-essay and performance reminds us that organising information is never innocent and that we shouldn’t trust a Silicon Valley giant with its archiving, exhibiting and mapping
DocLab Expo: Humanoid Cookbook offered the usual menu of interactive documentaries, VR cinema, performances and interactive experiments but with an extra edge of AI creativity and a bit of culinary action
The artists and designer is interested the often invisible political nature of spaces and technologies, and how the design of the ordinary is involved in shaping values, practices and ideologies
In a world dominated by the visual, could contemporary resistances be auditory?
These posters might be half a century old, but they have lost nothing of their strength, nor sadly of their relevance. Today we have hashtags and other social media tools but we’re still yearning for equality, freedom and justice
“The collective wisdom of more than a hundred grassroots organizers from five continents. It’s everything you need for a DIY uprising of your own”
Artists investigating how creativity can be deployed to establish empathy and communication between incarcerated people and the public outside the prison
Although the exhibition is small, it still manages to convey many of the mechanisms, discriminatory practices and possibilities for rebellion that shape the narrative of transnationalism
The state of suspension is often likened to being paralysed or stunned, but it is actually a constant, relentless, never-ending struggle to adapt
The book portrays the routine cruelties of the twenty-first century through a series of detailed non-fictional graphic illustrations. None of these cruelties represent extraordinary violence – they reflect day-to-day implementation of laws and regulations around the globe
In 2007, three artists officially changed their names and adopted the one of Janez Janša, a very powerful, right-wing and generally unpleasant political figure embroiled in accusations of corruption and authoritarianism.
The administrative procedure not only turned their lives into a perpetual performance but it also altered their private, civil and artistic lives in ways they had not always foreseen
“A new perspective on a traumatic chapter in German history.”
Arwed Messmer begins with the various photographs made by police photographers at the time—pictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed artistically
Trebor Scholz exposes the uncaring reality of contingent digital work, which is thriving at the expense of employment and worker rights. The book is meant to inspire readers to join the growing number of worker-owned“platform cooperatives,” rethink unions, and build a better future of work
What policies are we voting for as citizens of European countries, and what is our relationship to this issue? How does the asylum system illegalise people? How are technologies used as processes of making and discrediting evidence?
Because it’s almost 40 degrees this week in Turin and i’m in a murderous mood, i’m going to split my review of the show into two parts. Today, you get the depressing bits and as soon as temperatures have cooled off a little, i’ll be back with the works that speak of solidarity, hope and compassion. It’s not all bad though because 1. i loved that show so much i visited it twice and 2. i’m going to open the quick gallery tour with one of my favourite artists
Throughout history, declaring a group to be nonhuman or subhuman has been an effective tool for justifying slavery, oppression and genocide. Conversely, differentiating humans from other species has paved the way for the abuse of natural resources and other animals
The booklet’s manifesto calls for design (or art) that gets out of the sleek graduation shows and galleries, confronts sociopolitical issues head-on and bites back. As he sums up, “Design can be how to punch Nazis in the face, minus the punching”
Colonialism is not an era, it is a system of military/police, legal, administrative, social, and cultural system of domination; and, architecture is not (only) an aesthetic vessel, it is an apparatus organizing and hierarchizing bodies in space
Artefact: The Act of Magic explores how we can understand magic and the magical in contemporary society. This inherently ambiguous concept evokes notions such as illusion, enchantment and awe, but is equally related to a deeper understanding of magical powers, the occult or supernatural, rituals and animism
Using historical and contemporary examples gleaned from political campaigns, PR stunts, advertising or interior design, Nato Thompson efficiently demonstrates how culture can be turned into a set of tools and tactics that allows those in power to quietly manipulate the impressionable, irrational and social creature that we are
Socially engaged artists need not be aligned (and may often be opposed) to the public sector and to institutionalized systems. In many countries, structures of democratic governance and public responsibility are shifting, eroding, and being remade in profound ways—driven by radical economic, political, and global forces. According to what terms and through what means can art engage with these changes?
The documentary 13th argues that the 13th Amendment to the U.S. Constitution, which abolished slavery except as “punishment for crime,” has not outlawed the practice of slavery. It has merely repackaged it into a ruthlessly efficient system of mass incarceration.
Maps and the 20th Century: Drawing the Line covers 100 years of maps, reminding us of all the traumas, cultural revolutions, social mutations and technological advances the world has gone through over the course of the 20th century. It’s been a fierce time and mapping technology has echoed and sometimes even shaped every moment of it.
This book is not about war, nor is it a history of war. Avoiding the shock and awe of wartime images, it explores the contemporary spatial configurations of power camouflaged in the infrastructures, environments, and scales of military operations
Short list of publications worth buying/downloading. Because there’s a world out there that refuses to give in to bigots, idiots and predominant dogmas
AJNHAJTCLUB is a brave, timely and intelligent show that celebrates immigration and the economic and cultural contribution it can bring to a host country AJNHAJTCLUB could have been an exhibition full of gravity, nostalgia and anxiety. And indeed it sometimes features moments as serious as the times we are living but it is mostly a show full of humour, lightness and self-irony
The young designer uses radically different entertainment channels to explore questions of radicalisation, spying and UK government role in spreading a climate of suspicion
A new variety of capitalism is currently taking form on the African continent. States are being remade under the pressures of rapid demographic growth, conflicts over boundaries, security demands, and the offerings of multi-lateral donors and data-processing corporations. Much of this turns to enhanced forms of state surveillance that is common to societies across the globe, but the economic and institutional forms on the African continent are unusual
Each of the essay in the book explores a different case study: ‘anti-Indianism’ in New Mexico, influence of Israeli policing structures on the LAPD, New York city’s strategy to rely more on invasive policing than on mass incarceration, LA Skid Row as a testing ground for police practices that will be exported to the world, links between criminalization of poverty and real estate speculation, state violence and gentrification in El Salvador, etc.
Martin Roemers’ photographs take us to abandoned army bases and bunker complexes, military training areas, technical installations, monitoring facilities and military cemeteries
global aCtIVISm (the capitalized letters form the Latin word civis, emphasizing the power of citizens) describes and documents politically inspired art—global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space
British photographer Edmund Clark and counterterrorism investigator Crofton Black have assembled photographs and documents that confront the nature of contemporary warfare and the invisible mechanisms of state control
Will tomorrow’s wars be dominated by autonomous drones, land robots and warriors wired into a cybernetic network which can read their thoughts? Will war be fought with greater or lesser humanity? Will it be played out in cyberspace and further afield in Low Earth Orbit? Or will it be fought more intensely still in the sprawling cities of the developing world, the grim black holes of social exclusion on our increasingly unequal planet? Will the Great Powers reinvent conflict between themselves or is war destined to become much ‘smaller’ both in terms of its actors and the beliefs for which they will be willing to kill?
A broad view on media piracy as well as comparative perspectives on recent issues and historical facts regarding piracy. The book contains a compilation of texts on grass-roots situations whose stories describe strategies developed to share, distribute and experience cultural content outside of the confines of local economies, politics or laws
This exploration of visual protest since 9/11 isn’t constricted by boundaries nor hierarchies. Online interventions rub shoulders with good old posters, murals with performances, court sketches with design objects. The people who rebel, resist and visually express their opposition are famous artists such as Banksy and Ai Weiwei. More often than not, however, they are anonymous or operate behind pseudonyms
Annie Machon is an intelligence expert and author who worked for 6 years as an intelligence officer for MI5, the UK domestic counter-intelligence and security agency. Together with her ex-partner, David Shayler, she resigned in the late 1990s to blow the whistle on the spies’ incompetence and crimes
Scientists tell us that the Earth has entered a new epoch: the Anthropocene. We are not facing simply an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point?
Next week, NOME, one of those too rare galleries exploring art, politics, and technology, is going to open Jacob Appelbaum’s first solo show in Germany. There will be stuffed pandas, portraits of political dissidents and far too many secrets
The first issue of The Funambulist Magazine argues that all cities contain a certain degree of militarization. From Lahore to Oakland, CA, the use of walls and other architectural apparatuses of control vary; yet, they all bear witness of the will for architecture to organize bodies in space
For 5 years, the Gulf Labor Coalition, a group of artists and writers, has been pressuring Saadiyat’s Western cultural brands to ensure worker protections. Gulf Labor has coordinated a boycott of the Guggenheim Abu Dhabi and pioneered direct action that has involved spectacular museum occupations. As part of a year-long initiative, an array of artists, writers, and activists submitted a work, a text, or an action