Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. The food is served out of a take-out style storefront, which will rotate identities every 4 months to highlight another country. Each Conflict Kitchen iteration will be augmented by events, performances, and discussion about the culture, politics, and issues at stake with each county we focus on

In the controversial contemporary reality the online platform “Esse, Nosse, Posse: Common Wealth for Common People” focuses on “posse”, on the mode of production and being not only of the creators presented within this context but of all the contributors of today’s common wealth , as well as on the possibilities of re-appropriation of knowledge that may occur only through knowledge itself

Emily Jacir’s public intervention for the Venice Biennale was canceled by the municipal authorities without explanation. Stazione would have seen the 24 piers for the Route 1 water bus (the vaporetto that starts at the Lido stop and ends at Piazzale Roma) display the names of the stops in both Arabic and Italian, creating a bilingual transportation route up and down the Grand Canal. The Alberto Peola gallery in Turin is showing what the work would have looked like

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Refuge – Architectural Propositions for Unbound Spaces explores the causes and spatial impact of migration through voluntary or involuntary “refugees” who are transforming cities around the globe. Individuals or groups are elegantly or forcefully encapsulated from within the context of the city and society. Refuge produces an ever more atomized urban tissue where the “camp” has become both spatial paradigm and everyday reality, be it in the form of a gated community, slum, or humanitarian refugee camp

The installation echoes the artist’s concern for the relentless threats against Iran made by many countries in recent years. Sentences that include “attack Iran” are scavenged from Google News and spoken using a text-to-speech synthesizer. The voice is then picked up by a microphone, analyzed, and translated into rhythmically corresponding smoke rings from a quartet of smoke ring makers

Laboral Centro de Arte y Creación Industrial in Gijón has opened a very very good exhibition a few days ago. ‘FEEDFORWARD – The Angel of History’ addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces–largely enabled by the “progress” of digital information technologies–inexorably feed us forward. I’ll write about it in details in the near future but i’d like to share with you straight away one of the most interesting artworks i’ve discovered there

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Whether it’s from a hotel room in Vegas, secret prisons in Kabul, buried CIA aircraft in Central American jungles, Washington, D.C., suburbs, or a trailer in Shoshone Indian territory, Paglen’s reporting is impassioned, rigorous, relentless–and eye-opening. Blank Spots on the Map is an exposé of a world that, officially, isn’t even there

The audio file of a lecture by Prof. Wendy Brown who explains how the building of walls around the world today is so starkly at odds with images of a world that is ever more connected & unbordered. Bonus! Videos of Shooting Back, the project of an Isreali NGO that gives Palestinian families across the West Bank video cameras to document how they are treated by Israeli soldiers and settlers

Recognizing that Israeli colonies and military bases are excruciating instruments of domination, the project assumes that a viable approach to the issue of their appropriation is to be found not only in the professional language of architecture and planning but rather in inaugurating an “arena of speculation” that incorporates varied cultural and political perspectives through the participation of a multiplicity of individuals and organizations. How could the architecture of Israel domination be reused, recycled or re-inhabited by Palestinians?