Category Archive: politics

Comes with the Territory

The exhibition brought together Israeli artists who explore the daily struggle to define and stretch the boundaries of the territory. Obviously, the word ‘territory’ in Israel comes with tense references to occupied stretches of land such as the ones in the West Bank and the Gaza strip. The term also evokes Israeli settlements on Palestinian land, check points, separation walls, disputed borders, forced evictions, etc. The artists in the exhibition, however, approach territory in a more private context

Book review: Atlas of the Conflict. Israel-Palestine

Over 500 maps and diagrams provide a detailed territorial analysis of the Israeli-Palestinian conflict, explored through themes such as borders, settlements, land ownership, archaeological and cultural heritage sites, control of natural resources, landscaping, wars and treaties. A lexicon provides a commentary on the conflict from various perspectives. As a whole, the book offers insights not only into the specific situation of Israel-Palestine, but also into the phenomenon of spatial planning used as a political instrument

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Book review – The Cruel Radiance: Photography and Political Violence

Since the early days of photography, critics have told us that photos of political violence – of torture, mutilation, and death – are exploitative, deceitful, even pornographic. To look at these images is voyeuristic; to turn away is a gesture of respect. With “The Cruel Radiance”, Susie Linfield attacks those ideas head-on, arguing passionately that viewing such photographs – and learning to see the people in them – is an ethically and politically necessary act that connects us to our modern history of violence and probes our capacity for cruelty

Israel vs Israel

To many of their fellow Israelis, they are traitors. They are attacked, arrested and demonised. Yet Israelis like Yehuda Shaul, leader of Breaking the Silence and Jonathan Pollack from Anarchists Against the Wall continue to struggle for a more peaceful Middle East. They believe that they can save their state by putting an end to the military occupation

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Conflict Kitchen

Conflict Kitchen is a take-out restaurant that only serves cuisine from countries that the United States is in conflict with. The food is served out of a take-out style storefront, which will rotate identities every 4 months to highlight another country. Each Conflict Kitchen iteration will be augmented by events, performances, and discussion about the culture, politics, and issues at stake with each county we focus on

Esse, Νosse, Posse: Common Wealth for Common People

In the controversial contemporary reality the online platform “Esse, Nosse, Posse: Common Wealth for Common People” focuses on “posse”, on the mode of production and being not only of the creators presented within this context but of all the contributors of today’s common wealth , as well as on the possibilities of re-appropriation of knowledge that may occur only through knowledge itself

Emily Jacir’s Stazione. In Turin and uncensored this time

Emily Jacir’s public intervention for the Venice Biennale was canceled by the municipal authorities without explanation. Stazione would have seen the 24 piers for the Route 1 water bus (the vaporetto that starts at the Lido stop and ends at Piazzale Roma) display the names of the stops in both Arabic and Italian, creating a bilingual transportation route up and down the Grand Canal. The Alberto Peola gallery in Turin is showing what the work would have looked like

Open City: Designing Coexistence – Part 2, Refuge

Refuge – Architectural Propositions for Unbound Spaces explores the causes and spatial impact of migration through voluntary or involuntary “refugees” who are transforming cities around the globe. Individuals or groups are elegantly or forcefully encapsulated from within the context of the city and society. Refuge produces an ever more atomized urban tissue where the “camp” has become both spatial paradigm and everyday reality, be it in the form of a gated community, slum, or humanitarian refugee camp

Smoke and Hot Air

The installation echoes the artist’s concern for the relentless threats against Iran made by many countries in recent years. Sentences that include “attack Iran” are scavenged from Google News and spoken using a text-to-speech synthesizer. The voice is then picked up by a microphone, analyzed, and translated into rhythmically corresponding smoke rings from a quartet of smoke ring makers

Instances of Use of United States Armed Forces Abroad 1798-2006

Laboral Centro de Arte y Creación Industrial in Gijón has opened a very very good exhibition a few days ago. ‘FEEDFORWARD – The Angel of History’ addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces–largely enabled by the “progress” of digital information technologies–inexorably feed us forward. I’ll write about it in details in the near future but i’d like to share with you straight away one of the most interesting artworks i’ve discovered there

Book Review – Blank Spots on the Map: The Dark Geography of the Pentagon’s Secret World

Whether it’s from a hotel room in Vegas, secret prisons in Kabul, buried CIA aircraft in Central American jungles, Washington, D.C., suburbs, or a trailer in Shoshone Indian territory, Paglen’s reporting is impassioned, rigorous, relentless–and eye-opening. Blank Spots on the Map is an exposé of a world that, officially, isn’t even there

Why do people desire walls?

The audio file of a lecture by Prof. Wendy Brown who explains how the building of walls around the world today is so starkly at odds with images of a world that is ever more connected & unbordered. Bonus! Videos of Shooting Back, the project of an Isreali NGO that gives Palestinian families across the West Bank video cameras to document how they are treated by Israeli soldiers and settlers

Decolonizing Architecture – Scenarios for the transformation of Israeli settlements

Recognizing that Israeli colonies and military bases are excruciating instruments of domination, the project assumes that a viable approach to the issue of their appropriation is to be found not only in the professional language of architecture and planning but rather in inaugurating an “arena of speculation” that incorporates varied cultural and political perspectives through the participation of a multiplicity of individuals and organizations. How could the architecture of Israel domination be reused, recycled or re-inhabited by Palestinians?