The piece is made of Exxon, Shell, BP, and Mobil oil cans, but overnight, the local gallery staff had them secretly changed to Petronas labels. Though this violates the contract, I decided to keep the piece in the show because of the strange situation this tampering creates–a nationally owned oil company rushing to put its logo on a piece of art that is highly critical of the oil industry and what it appropriates and extracts

Over the past 45 years, the members of the collective have been documenting the industrial communities living along the river Tyne, the fishermen, the shipbuilders, the people working in the coal and steel industry, but also their families, the unemployed and the marginalized communities. The result is a vast archive of photos and films that present both both artistic and historical value