The book considers how artists have used cultural practices to rethink concepts of violence and non-violence
The research project aspires to develop an alternative history of the rise of modernity and the spread of colonialism from the perspective of sugar itself. What if sugar was the actual engineer behind all of this?
A social and political history of industrial pollution, from the toxic wastes of early tanneries to the fossil fuel energy regime of the twentieth century
Value is classically said to stem from human labour, and money to represent this value. Does the idea still hold true today? Can we create an alternative cryptocurrency based on laziness? Can we turn Bitcoin into a stable currency ?
For this dive into new forms of financial delinquency, investigative journalist Anuška Delić discussed with investigative artists from the Demystification Committee and the collective RYBN.ORG
Of all the radioactive elements discovered at the end of the 19th century, it was radium that became the focus of both public fascination and entrepreneurial zeal
A brutally honest display of social exclusion in suburbs, prisons and refugee camps, colonialist heritage, censorship, public spending scandals and fight against the mafia
How contemporary photographers of African origin are interrogating ideas of ‘Africanness’
Announcing online classes that will explore non-human life. Microscopic and massive. Extinct, endangered, wild, familiar, lab-grown or “tech-augmented”
Italian artist Leone Contini’s collaborations with migrant communities open up discussions about local food resilience in the face of the climate crisis
Walls are no obstacle if you have the right technology
This guide provides conceptual tools for decoding tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold but also the ones we ourselves manufacture
Part school, part shelter and part folly where people came together to learn how to live in a post-collapse scenario
In the middle of New Jersey exists a strange landscape of wetlands and wildlife migrations, garbage dumps and the ruins of industry, toxic waste sites and a river that tells the story of a civilization’s new frontier
How society archives human DNA in the form of slivers of umbilical cord, dental samples and sperm, DNA of animals already extinct in the wild, plant seeds, vast quantities of digital data…
Angela Washko actively seeks out new ways to facilitate or enter into conversation with individuals and communities who have radically different ideas and opinions in an attempt to create spaces for discussion, productive dissent and complexity
How hackers and hacking moved from being a target of the state to a key resource for the expression and deployment of state power
Theresa Schubert multiplied cells from a biopsy of her thigh muscles in a serum produced by utilising her own blood, to artificially grow a piece of in-vitro meat. Which she proceeded to eat during a live performance
Artists offer new insights about genetic engineering by bringing it out of the lab and into public places to challenge viewers’ understandings about the human condition, the material of our bodies and the consequences of biotechnology
The show presents 10 projects by artists who have spent time at CERN discussing with engineers and particle physicists
Interview with a photographer, bioartist and biology student whose works make visible the plight of endangered mammals in the Baltic sea, the drop in pollinator populations in the Arctic and other uncomfortable realities
An exhibition in Erlangen (DE) looks at the role that technology can play to ensure or threaten the future of our planet
What worlds are revealed when we listen to alpacas, make photographs with yeast or use biosignals to generate autonomous virtual organisms?
The young Estonian artist is particularly active in the fields of sound art, installations and performances
The B-Hind devices demonstrates all the tensions inherent to an Internet of Things that inhabit the body without being noticed
What does ‘being alone’ mean? How does it relate to loneliness? Can we also view loneliness instead of from an individual point of view from more structural (social, cultural, economic, technological, architectural) forces?
The artist’s critical approach to technology can be found in works such as an orchestra of musical instruments that mine for Bitcoins, a 3D printable kit to cut undersea internet cables, a Bitcoin mining machine that claims to be worst in the world, etc.
Artists, theorists, activists, and scholars propose concrete forms of non-fascist living as the rise of contemporary fascisms threatens the foundations of common life
The installation reveals the mechanisms of the blockchain as much as it challenges their promises and limits. It also raises questions about art funding, authorship, value systems, decentralised sharing economies, wealth distribution and many more issues
Using sound art and technocultures to better understand the complexity of rural areas and to challenge discourses of capitalism that marginalise rural territories
Torvund’s eerie short films draw on traditions, nature, pagan folklore, Christian symbols and science fiction
The exhibition draws on a historically informed anthropocentric worldview toward a systemic conception of humanity as part of the evolutionary process
The experiment has several goals: to “entertain” all players, to invite to a reflection on non-human consciousness but also to offer an opportunity to rethink the way we view “annoying insects”
A growing movement of soft cultural activism spearheaded by artists, curators and art critics who believe that art has a responsibility to engage directly with Chinese social reality
Rakowitz’s work is inhabited by ghosts, invisible and invisibilised communities, generosity and his own heritage as the grandson of Iraqi-Jews who were forced to emigrate from Baghdad to the U.S. in the mid-20th century
I talked to the founder of a school where students learn new skills, manipulate new tools but also get to examine the political and human dimensions of technology
Free to download, the proceedings of the conference contain essays and visual documentation that explore the nature of the forbidden and the aesthetics of liminality in art that engages with technology and science…
From quantum entanglement to the mysteries of the jellyfish, the exhibition provides an overview of the oeuvre of the artist and musician Carsten Nicolai (aka Alva Noto)
Thomas Hämén used coprolite from a dinosaur that lived about 140 million years ago to sculpt a device for anal stimulation, in an attempt to make us connect with geological or “deep time”
An installation exposes the unpalatable consequences of an AI-driven management of the environment