Part 2 of my cursory review of the Artissima art fair which took place in Turin back in early November. Yesterday, i talked photos, today will be a rapid fire of paintings, drawings, installations, etc. In no particular order and with as little commentary as possible
I don’t normally write about art fairs but Artissima usually introduces me to so many new ideas, artists and way of representing the world that i can’t resist sharing some of the images of the event on the blog
And Now for Something Completely Different: two photo series by Chris Steele-Perkins: the iconic one that documents the teddy boys and a more recent one that looks at a football competition for Roman Catholic priests
Italian photographer Valerio Spada is interested in the daily existence of Mafia bosses who spend decades on the run. What do you carry with you when you decide to disappear? What do you take along when you are forced to move from one place to another?
This year, the Share festival in Turin shed its new media art skin and became a festival resolutely centered on design. The event was all about technology and creativity but this time in their most domesticated forms
Every single day and every single night, rain or shine, the movements of people living in Kabul and Kandahar in Afghanistan, are watched over by huge surveillance balloons. The U.S. army calls them aerostat or Persistent Threat Detection System
The exhibition seeks to investigate the historical and social implications of the plant world in light of the ever-increasing resurgence of “green” as an agent of change in relation to current economic processes. To place a plant within a historical context means to consider not only its biological constitution, but also the social and political factors which see it already positioned at the centre of the earliest forms of economic globalisation