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Over the past 45 years, the members of the collective have been documenting the industrial communities living along the river Tyne, the fishermen, the shipbuilders, the people working in the coal and steel industry, but also their families, the unemployed and the marginalized communities. The result is a vast archive of photos and films that present both both artistic and historical value

After The Flash: Photography from the Atomic Archive explores the intertwined histories of photography and nuclear technologies, and the camera’s role in constructing the public image of atomic energy and ‘the bomb’. The exhibition contrasts the ‘technological sublime’ that dominates much nuclear-themed photography-from mushroom clouds to cooling towers-with representations of personal encounters and experiences, tracing the hazy lines between spectacle and humanitarian documentation