Campeau is fascinated by the history of photography and in particular the disappearance of analog tools and practices. Each of the works exhibited explores a material culture that used to suggest magic and craftmanship: the messy darkrooms with duct tape to fend off the light and wooden pegs to hang the images to dry; the colourful rolls of photo film and the iconic camera models; the amateur developer who gave way to the computer pixel specialist, etc.

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In 2005, a group of photographers took a stand alongside the people of the small town of Bil’in, and documented their fight to stop the Israeli government building the infamous West Bank Barrier. Inspired by what they had seen in Bil’in, the group went on to form Activestills, a collective whose work has become vital in documenting the struggle against Israeli occupation and everyday life in extraordinary situations

An exhibition at BOZAR in Brussels explores the intersection between photography and surveillance. Employing a dynamic range of approaches—from documentary to conceptual practice, from appropriation to street art—these 10 artists provide a satellite-to-street view of the ways in which surveillance culture blurs the boundaries between the private and public realm