This year, the organizers and curators at STRP had the admirable and timely idea of setting up an exhibition that brought the spotlight on the history of Dutch art and technology. The show was both a celebration of the talent of media artists in The Netherlands but also a gesture of support towards the Dutch new media institutes (namely V2_, Waag Society, STEIM, Mediamatic, WORM, Submarine Channel, NIMk) whose survival is threatened by drastic (and short-sighted) governmental cuts
The last edition of STRP attracted almost 30,000 visitors. They came for the concerts and parties of course, but also for the performances, exhibitions, conferences, workshops and associated events that were taking place in the city of Eindhoven. The exhibition was particularly exciting with its mix of no tech and high tech
Prédiction was the biggest exhibition of the International Design Biennial in Saint Étienne. Its ambition was to reposition the boundaries of contemporary design, exploring in over 100 artefacts and 2000 m2 the new types, methods, and practices of the discipline
Fast, furious and enthusiastic images from Sao Paulo and the 11th edition of the FILE Electronic Language International Festival, i think the report will have to wait till i’m back in Europe
The Biennial of Photography and Visual Arts has invited about a hundred artists to question society’s growing desire for control, surveillance, and regulation. A worrying tendency which leaves space for accident, irrationality, for the unexpected and the absurd
Onion scanners, tv screens used as percussion instruments, storm inside a transparent cylinder, genetically modified blue carnations brought back to their original white, techy Japanese-style glockenspiel, etc.
Paintings on silos, a new capital of Asia, typographic wallpapers, replica of Shanghai hardware store, EU Green card lottery and porcelain human bones for a biennale that celebrated contemporary artists who believe that art has to offer more than a spectacle
Refuge – Architectural Propositions for Unbound Spaces explores the causes and spatial impact of migration through voluntary or involuntary “refugees” who are transforming cities around the globe. Individuals or groups are elegantly or forcefully encapsulated from within the context of the city and society. Refuge produces an ever more atomized urban tissue where the “camp” has become both spatial paradigm and everyday reality, be it in the form of a gated community, slum, or humanitarian refugee camp
It seems that, given a choice, most Americans choose to live in a homogenous community over an heterogenous one. However, the suburban landscape of semi-public spaces that exist in between these homogenous communities reveal, here and there, what Interboro calls “spaces of encounter” where diverse social and ethnic groups coexist, interact and generate complex relationships and networks
Whether they take the Skyscraper Index seriously or not, people agree that Architecture is conditioned by the economical climate. Architectural projects were the first casualties of the current financial crash, and architects, along with bankers, were the first who suffered collective layoffs. Rien ne va Plus, an exhibition taking place at Bureau Europa in Maastricht, delves into the economic crisis and its intricate relation with architecture
The exhibition The Art of Fashion: Installing Allusions explores the intersection between fashion designers’ boldest experiments and the world of contemporary art. 25 international artists and fashion designers participate to this exhibition. 5 of them were commissioned new pieces that investigate the convergence of art and fashion
The exhibition at the Museum Boijmans Van Beuningen in Rotterdam investigates the borders between fashion and art. Today’s fashion designers use installations and performances, and their designs are often more sculptural than wearable. Five of them have been commissioned to make new work specifically for the exhibition
In a series of symbiotic encounters and parasitic relationships, the solo presentations are often interrupted by incongruous presences or perturbed by unusual juxtapositions: drawings by Kara Walker surround a tomb by Urs Fischer; Maurizio Cattelan’s homeless man kneels down in front of Kiki Smith’s Bat Woman; Robert Gober’s haunted rooms incorporate Gregor Schneider’s architectural fragments, etc.
Hans Bernhard on why UBERMORGEN.COM are not activists, but ‘actionists – in the communicative and experimental tradition of viennese actionism – performing in the global media, communication and technology networks’
The symposium ‘Positions in flux’ focused on some of the major parameters for the current and future development of contemporary art. In particular it aimed to reflect on the aspect of cultural sustainability of art projects, art and technology initiatives and art curating
One year after the Brussels’ exhibition Holy Fire. Art of the Digital Age, Yves Bernard from iMAL and Domenico Quaranta curate a show that, once again, puts a magnifying lens on the new media art pieces that have found their place on the art market
What happens to your online profile after you die? Do you want it to remain online, so friends can leave a message in your memory? Or do you prefer having it deleted, so no confusion can arise about your death? These questions are the inspiration for the new exhibition Ik R.I.P., the third in the series about self-representation on the internet.
For the 2009 edition of its festival, Radiator put the emphasis on the theme of the urban networked environment and its effect on our day to day lives. The organizers commissioned artists to develop projects that investigate and challenge the dominant forces at work in an increasingly hybrid and ever-changing urban environment
Mudam is Luxembourg’s very own and very classy museum of modern and contemporary art. I’ve been following their always exciting and bold programme for a couple of years and was very eager to see it but then you need a rock solid motive to spend a day in Luxembourg. The other day i woke up and decided that MUDAM would be mine
Paulistas much chagrined by the pauperism of this year’s São Paulo Biennial pointed me to its Off version. The Parlela is a selection of artists who invite us to reflect on the influence of space in their respective works. Although the selection stretches over several continents, most of the pieces are by Brazilian artists
Cinema Sim is not an exhibition about cinema, but rather about the idea and concept of cinema and how contemporary artists imbue their works with creative and aesthetic principles that hark back to the cinematic language and its means of expression
El Bòlit, a brand new Contemporary Art Center located in Girona (SP), is still waiting for a proper building, but that doesn’t prevent the center to have strong personality, dauntless attitude and a very promising exhibition programme
The exhibition, currently running at the Swiss Architecture Museum in Basel, explores the little-known architecture of the post-socialist period and the result of unregulated, uncontrolled urban planning in the countries of South Eastern Europe
The U.S. are all over the newspapers because of the upcoming presidential elections. Yet, most of us know very little of the art and culture of the area that lies between the East Coast and the West Coast. And what we think we might know of it is often just a bunch of cliches. The aim of the exhibition is to offer a more subtle picture of the ‘Heartland’ but it is also to questions traditional definitions of cultural centers and peripheries
Not only the title of a song by the The Beach Boys, but also the title of an exhibition about wishful thinking in art and design. Ten artists and designers offer their take on other possibilities
Sleep without Architects, a section of the exhibition, presents several examples that escape the clutches of architecture. By focusing on the position of the homeless and in other ways, this chapter raises the role of architecture and the way in which it organises sleep for discussion
A sculpture garden of everyday objects deprogrammed of their original function, embedded with new intelligence and transformed into surrealist and surprising readymades.
In big cities, groups of people decide to occupy then inhabit buildings which were left unfinished and abandoned because of economic crisis, ups and downs of the estate market, war, cataclysm, etc, giving way to an unexpected collaboration between construction industry and invention prompted by necessity
The conference and exhibition present a selection of visionary projects anticipating future developments in design process and technologies. What happens when design, creative coding and digital fabrication meet mass-customization?
When a snuff movie for mouse and cursor meets a sewing machine and a paper shredder all they can talk about is the effect that a symbolic death in a computer game can have in the physical space
The exhibition demonstrates how the development of construction and manufacturing processes have enabled the rise of a new culture of ornament. One which is not only innovative and aesthetically stunning but also economically viable
Everyone will tell you that the quality of art you can see or buy at the 798 art area in Beijing is getting scarcer by the day. Yet, the ex-factory district remains a unique and irresistible place. There’s even a new media art gallery
A modern wunderkammer in Los Angeles, where the boundaries between history and fiction, magic and reason, narrative and scientific method are completely fluid.
The International Symposium on Electronic Art takes place biannually in various cities throughout the world. This year, the main exhibition features 16 works developed specifically for ISEA2008 by international and local artists. Priscilla Bracks reports from Singapore
Some twenty music icons are brought together for the first time, not to give a concert but to present their visual works. This is not about a movement, but about artists who have all followed individual roads, approaching art and music with an undivided soul
The last two themes of the Beijing exhibition are questioning technologically-mediated reality and tackling the issues raised by the network
Beijing is the capital of media arts this month. Among the events organized is a show which has been dubbed “the biggest exhibition of new media art in the world.” That’s the kind of superlative that rubs me the wrong way. The exhibition nevertheless turned out to be a wonderful panorama of contemporary media art practice
Modernist public spaces are in decline in our cities. The privatisation of the analogue commons has been blamed for this process, victim of a form of capitalism in which markets are understood as strategies for seizing and remaining in power by pressure groups. Freire’s brilliant talk sees beyond the current situation and deals with the reinvention of public spaces, the “hyper-realistic” culture of the network society and the re-birth of the notion of the commons
Three independent curators from china offer a critical reflection on the ‘China phenomenon’, the current cultural production and on the impact it has on the international art system
Sightseeing of an exhibition which presents works from 30 artists depicting and commenting on various phenomena influenced by the continually growing tourist industry