Some 100 contributors document around 120 key buildings from this period, including many previously unpublished discoveries that are in acute danger of loss through neglect of intended demolition. Moreover, the book features overviews of brutalism in architecture in twelve regions around the world
I was expecting the curator’s ideas of transience, instability and uncertainties to be translated into powerful works that directly engage with some of today’s most pressing and depressing concerns. I got very little of that. I got plenty of clouds (including a couple of atomic ones), foam, puddles, waves and fountains though.
Fortunately, the biennale also features a surprisingly high number of sound works, extraordinary visual and emotional experiences and, here and there, a couple of more politically-minded artworks
Public Space? Lost and Found considers the role of aesthetic practices within the construction, identification, and critique of shared territories, and how artists or architects—the “antennae of the race”—can heighten our awareness of rapidly changing formulations of public space in the age of digital media, vast ecological crises, and civic uprisings
Allan Wexler’s works can be broadly described as tactile poetry composed by re-framing the ordinary. They sustain a narrative about landscape, nature, and the built environment that highlights the intriguing and surprising characteristics latent in the elements and rituals that pervade daily life
Socle du Monde, the oldest Danish biennale is one of the most aesthetically pleasing art events i’ve attended over the past few years. But because the event is inspired by the masterpiece of a renowned exponent of conceptual art, it is also a biennale that conveys ideas, provocations and moments for reflection. I’ll get back next week with a post discussing these ideas and provocations but right now, here are some visual impressions of the biennale
The case studies in this volume include the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere
Colonialism is not an era, it is a system of military/police, legal, administrative, social, and cultural system of domination; and, architecture is not (only) an aesthetic vessel, it is an apparatus organizing and hierarchizing bodies in space