The exhibition at the CCCS in Florence features the work of contemporary artists which throws light on the mechanisms of the international art system. The selection explores different points of view, ranging from complete conformity to the prevailing rules of the market, to irony and sarcasm and even to an “anti-market” stance, taken by those anxious to avoid the commercial aspects of the art market entirely

One day, Daniel Eatock left his desk, found the car whose alarm had been interrupting his peace every five minutes, and waited for the siren to switch on. When the siren sounded, he started dancing like a madman. He made videos of several of his car alarm dances, never touching the car, only dancing to the sound pollutants

Recognizing that Israeli colonies and military bases are excruciating instruments of domination, the project assumes that a viable approach to the issue of their appropriation is to be found not only in the professional language of architecture and planning but rather in inaugurating an “arena of speculation” that incorporates varied cultural and political perspectives through the participation of a multiplicity of individuals and organizations. How could the architecture of Israel domination be reused, recycled or re-inhabited by Palestinians?

With his Lolita figures borrowed from manga imagery, Mr. has made a name for himself in the space separating irony from candor. In this ambiguous representation of pubescent amazement, he has combined the feigned innocence of Nabokov’s heroine with another era and another cultural register. What comes to mind are his works that seem inspired from the figure of the young Heidi in her underwear in the Alpine meadows