A group exhibition reflecting on the transformation of labor in the post-industrial and digital era, between awareness and disillusion, precariousness and empowerment
I discovered Éva Ostrowska‘s work while visiting SWIPE RIGHT!, a show that attempts to explore the many influences that digital technologies exert on contemporary romance.
But what are the wider effects of whistleblowing as an act of dissent on politics, society, and the arts? How does it contribute to new courses of action, digital tools, and contents?
Post-Capital presents works by artists who explore the aesthetics, paradoxes, absurdities and ethical questions posed by post-industrial and perhaps post-capital economies
What happens when you short-circuit capitalism and nationalism? What if freedom of movement, if human rights become nothing but a USP and national border regimes can be bargained away, like in a casino?
“Carrying on in denial is going to bring disasters sooner, whereas by facing up to what is happening and could happen can bring us the strength to have honest and open discussion about it.”
There are great ways to adapt to the climate crisis that confronts us, but there are disastrous ways too. In this book, Morgan Phillips takes us from the air-conditioned pavements of Doha and the ‘cool rooms’ of Paris, to the fog catchers of Morocco and the agro-foresters of Nepal
The exciting city of Bologna and a biennial dedicated to photography on Industry and Work. Say no more, […]
The ubiquity of access to information has lulled us into complacency with its flipside: ever more highly technologized forms of surveillance and the overexposure of our personal data
New connections between gamification, fantasy and political radicalization
An event in Marseille offered some thoughts on ideas of sustainability, resilience and the effects of the capitalocene on non-human life
The course will explore how artists, designers and activists use biohacking, gaming, robotics, synthetic biology, photography and collaborative experiments to investigate existential threats, devise creative strategies for survival and explore humanity’s strange fascination for apocalyptic scenarios
HEK (House of Electronic Arts) in Basel invites visitors to play with video games that challenge gaming tropes -in particular the stereotypes of virility and the logic of competition- as well as our understanding of what it means to interact
If you’re curious about Italian photographers’ perspective on contemporary society, here’s a brisk walk through the show…
The exhibition in a box features artists, thinkers and researchers whose works unravel the many complex technological, social and ecological systems, both visible and invisible, that surround us
“The recreational and tourist industry is constantly producing new sports models and trends which show a kind of detachment from the landscape context. Events that take place in a landscape that is in itself fragile due to its topographical configuration, such as glaciers, are only related to the place through the type of sporting activity practicised there”
Maxime Berthou’s cloud-seeding performance meant that he basically attempted to “steal” clouds heading to the US and make them rain over Canada. This artistic gesture hinted at the possibility of geopolitical disputes arising between neighbour countries over the ownership of water contained in clouds
While sparsely occupied ultra-thin “pencil towers” develop in our cities, functioning as speculative wealth storage for the superrich and cavernous “iceberg” homes extend architectural assets many stories below street level, communities around the globe are blighted by zombie and ghost urbanism, marked by unoccupied neighbourhoods and abandoned housing developments
The digital revolution has given rise to new models of collaboration and knowledge production but also to new forms of exploitation, precariousness and dependency that have been likened to feudalism
Video games maker Pippin Barr talks about his mischievous and perverse works, about the gamification of work and about the place of games in contemporary art
A panel that looked at how activists, thinkers, researchers and creative minds are trying to make digital technology more “frugal” or sustainable
Artists and writers examine the bombardment of information, misinformation, emotion, deception and secrecy in online and offline life in the post-digital age
An exhibition packed with artworks that are bold, socially-engaged and smart. This review focuses on the pieces that look at labour conditions, migration and the ghosts of past conflicts
Dani Ploeger’s performance explores the tensions between the unavoidable barbarity of war and the increasingly sophisticated technologies that enable a greater distance (both physical and emotional) between combatants
The artists in the show challenge anthropocentrism by playing with machine learning, robotics and computer vision but also by challenging the idea of a presumed hierarchy that places our species over everything else. Be it organic or algorithmic
In Data Garden, the artist imagines how a plant endemic to the Acropolis hill could one day secretly host our digital data in its DNA. Counting Craters on the Moon sparks a collaboration between a 19th century astronomer and an AI to calculate how many craters cover the surface of the moon…
Richard Mosse subverts equipment designed for surveillance in order to challenge documentary tropes and force us to look anew at images we’ve seen again and again
Interview with a multimedia artist, engineer, educator and designer whose practice focuses on the practical and experimental applications of sustainable energy technologies, particularly photovoltaic solar power
The authors explore emerging forms of algorithmic governance and AI-augmented apps that collect data about individuals and keep wages and worker representation under control. They also provide case studies of new and exciting form of resistance across the globe
What place did the African continent occupy in the development of discourses presented as narratives of the future? What remains of the utopias of the non-aligned futures?
A book that unpacks the notion of the mass image through the lens of affective, representational, political, logistical and material economies
While exploring the “de-extinction” movement, artists and designers are also questioning its motives, highlighting its shortcomings and challenging the promise that we can resurrect the animals and plants that we have driven to extinction
Based on a collaborative and experimental approach, Robert’s projects attempt to translate sounds and rituals into tangible works of art that directly echo the traditions of the communities he meets
Inspired by medieval bestiaries and observations of our damaged planet, A Bestiary of the Anthropocene is a compilation of hybrid creatures of our time
The DAOWO Global Initiative asked groups of artists, curators and thinkers from Berlin, Hong Kong, Johannesburg and Minsk to design new prototypes to address key questions about the potential of blockchain to replace outmoded models, decentralise power structures and rewire the arts
A practical guide for working with data in more ethical, creative and responsible ways
The Antilibrary looks closely at artists’ books in order to identify atypical trends and future attitudes. Its material of choice tends to be very speculative, decidedly science-inspired, slightly bizarre and never without a touch of humour
Can the values that blockchain makes possible -such as transparency, sharing of resources and equal access to information- be applied to how the art world thinks and functions?
In previous centuries, Europeans believed that human interventions could tame heavy storms, dry landscapes and unseasonably dark Summers and modify the climate as they wished
“You have to be creative to operate in this capitalistic system. You have to find all kinds of walk arounds and work with pretty much no assistance from the government”