I can’t get enough of those hairy people. The portraits start as found images, Carrubba then paints over them and constantly reworks the image
LABoral’s latest show is all about performance and installation art but they are never dissociated from the role that the public takes in the exhibition space. Implicitly or explicitly. Physically or psychologically
By reinventing an obsolete low-tech sound wave generator in this all-digital age, Bzzz ! serves as a commentary on the history of technology and a tribute to unprocessed, unsampled analog sound : in a word, the raw sound of electricity
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Today in the radio show Neal White from The Office of Experiments will be talking declassified materials, underground bunker housing alternative Cabinet War rooms, cold war archive footage, Atomic Weapons Establishment, sites used by the UK Nuclear peace protestors, etc. I’d tune in if i were you
Eye For Ears is an essay on the film and its soundtrack. During the shooting, the sound and the image was recorded separately, and synchronized on the editing. A portrait of the machines, manipulated by their invisible creators
Time to close these reports about the Frieze Art Fair with plenty of images and almost no text because sometimes that’s all i feel like producing
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Officials in the federal government tasked with protecting American citizens and communities in the event of a nuclear attack relied on architects and urban planners to demonstrate the importance and efficacy of both purpose-built and ad hoc fallout shelters. For architects who participated in this federal effort, their involvement in the national security apparatus granted them expert status in the Cold War. Neither the civil defense bureaucracy nor the architectural profession was monolithic, however, and Monteyne shows that architecture for civil defense was a contested and often inconsistent project, reflecting specific assumptions about race, gender, class, and power.
Where i eat soup containing vegetable “grown on Ruskin’s grave”, meet Welsh farmers worried about the inadequate prices paid to them by supermarkets for their milk and finally find some ‘socially-conscious’ satisfaction at the art fair
eCLIPSe surveys the creativity of music videos with a selection of the 50 videos that may be considered crucial for a proper appreciation of the discipline. Perhaps there are some missing but all that are included are beyond dispute. The clips are divided into several sections, to be screened in separate projections, starting with a historical overview and continuing with monographs devoted to who we believe to be the most seminal video directors: Michel Gondry and Chris Cunningham
Biro portraits of ‘Criminal Women’, live crime drama installation and gruesome collection of front pages of PM, the local tabloid in Ciudad Juárez, a city sadly renowned for the violence perpetrated by the drug cartels
Between 1966 and the turn of the 1980s, APG negotiated approximately fifteen placements for artists lasting from a few weeks to several years; first within industries (often large corporations such as British Steel and ICI) and later within UK government departments such as the Department of Health and the Scottish Office
BPB12 explores how space is constructed, controlled and contested, how photography is implicated in these processes, and the tensions and possibilities this dialogue involves. This year’s Biennial provides a critical space to think about relationships between the political occupation of physical sites and the production and dissemination of images
Julia Pott’s films and drawings often present human experiences and existential questionings embodied and voiced by animal characters. There’s something bitter-sweet and unsettling in seeing cute animals voicing concerns about love, loneliness, passage to adulthood, struggling to find their place into the world
After Agri is a collaborative investigation between Michiko Nitta and Michael Burton. Their collaboration looks at the future evolutions of our food systems, asking What new cultural revolution will replace agriculture? How will our species and civilisation be transformed?
The Frieze art fair dismantled its tents a few days ago at Regent’s Park in London. Over the next few days, i will submit the blog to an avalanche of images and works from the fair. Let’s start light and very fast with a few art pieces that demonstrate that even artists shown at art fairs have a sense of humour
Some artists comment on real estate, some real estate developers are interested in art but i doubt that many people can be both artists and real estate developers. Actually i only know of one: Theaster Gates. He is an urban planner, a visual artist, a musician, a curator and an activist
The exhibition includes several hundred pieces of previously unseen material from private archives and collections: homemade cassettes, fanzines, posters, handbills, records and clothing. Highlights include work by Gee Vaucher, Jamie Reid, Gary Panter, Raymond Pettibon, John Holmstrom and Penny Rimbaud, alongside numerous anonymous artists
While highlighting established artists such as Gerhard Richter, the book also includes emerging and mid-career artists whose work ranges widely. Artists such as Jeremy Wood who plots his movement across the globe through GPS tracking, Tatsuo Miyajima who does digital light displays, Eduardo Kac who does transgenic bio-art or Santiago Sierra who paid workers to shift a heavy rock back and forth are among the international artists included in this book. Often controversial, these artists push the boundaries of what would traditionally be considered art
uring my short stay in Amsterdam, i enthusiastically entered the exhibition
Yasusuke Ota: The Abandoned Animals of Fukushima. What had i imagined that i’d see? Birds flying over beautiful urban ruins? Pets sauntering gaily on car roofs and pigs fooling around empty supermarkets? I couldn’t have been more mistaken
A quick, frustrated post about an exhibition i saw while in Amsterdam for the conference Blogging the City. Quick and frustrated because the show is as charming as it is bonkers but i could only find tiny images online to illustrate it.
Five Thousand Generations of Birds was an exhibition located in the archipelago of Fitjar, on the West coast of Norway, – a landscape consisting of 381 islands, isles and reefs.
Curators Silje Linge Haaland and Andrea Bakketun assigned an island to each participating artist with the mission to produce a temporary and site specific work
A compendium of some of the most important thinking about art and technology to have taken place in the last few decades at the international level. Based on the research of the Banff New Media Institute (BNMI) from 1995 to 2005, the book celebrates the belief that the creative sector, artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture
A quick post about The Art of Chess, an exhibition of 16 chess sets designed by some of the biggest names in contemporary art. Hirst has a medicine cabinet, Tracey Emin a chess set that looks slightly unhygienic, Paul McCarthy adds ketchup, Yayoi Kusama goes for dots, and the Chapman brothers do it dark and provocative. Most of the artists are playing their usual tricks, then. But somehow i didn’t mind because many of the works are spectacular
I met Signe Lidén over the Summer at the FARM festival where she was performing the sound pieces she had recorded while traveling on a rural train line in Southern Italy.
I had actually come upon the work of this young artist several times in the past. Two years ago, when i visited Bergen for the Piksel festival and back in May when i spent a whole afternoon listening to the sound files and watching the videos collected for the project The Cold Coast Archive: Future Artifacts from the Svalbard Global Seed Vault.
Being more used to visual arts, i’m fascinated by Signe Lidén’s work, by the way uses field recordings to evoke and communicate the places and spaces she investigates.
A few years ago, Z33 House for Contemporary Art invited established names and young talents to visit several sites in the region, pick up the one they’d like to work with and then submit a project that would engage with the cultural background of the area and entice passers-by to look differently at the surroundings. The result is pit – art in public space
On Thursday i was in Turin and visited For President at the Fondazione Sandretto Re Rebaudengo. The timely, informative and a tad star-struck exhibition examines the American election campaigns, its calculated emotional moments, theatrical strategies and incestuous relationship with media. Part of the show is also looking at the interest Italy (and with it, the rest of Europe) is having for the American event, from a very brief article on page 3 of a daily newspaper in 1868 to the current front pages
Finally! An art & tech festival that makes sense. A festival that resonates with the media art expert and the casual passerby alike. An event that values art above in-your-face tech prowess. It was my first visit to an AND festival. I found it witty, surprising, often thought-provoking and enlightening
For people working at the Yuri Gagarin Training Centre, a military complex where all cosmonauts have been trained since the 1960s, Gagarin remains a hero while space is the only reality they know, almost blending with the surreal machines they work with, they seem to be trapped in a window of time. In the shadow of faded dreams, thus sheds the light on a close-knit community of space-lovers, still clinging to the decaying legacy of the 1960s Space dream
The works exhibited by the 9 participating artists are extremely strong. As much as i admire Ai Weiwei and his opinion of the show, i do believe that artists can create meaningful, valid works even if they are not openly criticizing their country’s politics. Besides, some of the works exhibited did comment on political issues such as censorship and international relationships. Ai Weiwei is probably right though when he writes that “The Chinese art world does not exist.” At least probably not in a uniformed, self-conscious fashion
David O’Reilly is a film director, an artist and i’m not going to add that he’s a genius because everybody’s done that already, including me after i first saw his work at Pictoplasma Berlin back in 2007. The External World had its world premiere at the 67th Venice Film Festival and was shown a few months later at Sundance. It has since won numerous awards. Another of his most awarded short films, Please Say Something, received the Golden Bear at the 2009 Berlin International Film Festival. The film was the only animated film to win the title since Pixar’s first short film
I must have been pretty desperate for distraction the day i went to see Island Stories: Fifty Years of Photography in Britain at the Victoria and Albert Museum. This Summer now seems like it was a long, relentless photo exhibition dedicated to London, England and/or Great Britain. I thought that even an anglophile like me wouldn’t stomach yet another exhibition celebrating the joys and wonder of the country. But Island Stories: Fifty Years of Photography in Britain is such a gem of a little show, i’m on my way to see it for the second time
Microscopic glass flakes, Blood Lab-On-A-Stick, piezoelectric ceramics, Catalytic Clothing (clothes that purify the air around), noise-absorbing ceramic, titanium foam, antimicrobial copper, instantly-hardening fabric, light-reflecting concrete, self-healing concrete, soft magnets, self-cleaning glass, etc. And i had no idea that bullet-proof vests contained ceramic.
There is nothing arid nor soporific about new materials
Ilona Gaynor’s new project, works with police reconstructions, cinematic culture and with ‘Forensic Aesthetics’ to design the perfect bank robbery. And i don’t know how she did it but she managed to convince the FBI New York Dept of Justice and the LAPD Archival Department to help her in her study
The ‘Train Project’ has seen HeHe develop temporary autonomous vehicles that piggyback on unused or abandoned rail tracks. The vehicles offer an alternative to cars of course but also to collective transportation systems
Technoviking became a Youtube hit in 2007, accumulating tens of millions of views across the original upload and the countless reposts, remixes, take-offs and fan films that followed. Recreating Technoviking as an airfilled avatar that will inflate and deflate according to the buzz it generates on Twitter (use #technoviking), Meme Junkyard asks us to consider what it means to ‘go viral’ and, be it a cat playing piano or David After Dentist, what becomes of an overnight YouTube sensation months or years after the fact
Our society is governed by all sorts of systems and structures that organise and steer life. No system, however, whether political, judicial, economical, socio-cultural or spatial, can comprise life in its entirety. Every system has gaps, leaks and ambiguities.
The artists in the exhibition Mind the System, Find the Gap seek out these gaps. They set forth from this intermediate position to unveil, circumvent or criticise ruling systems and structures
The show is no postcard pictures party. It is less about the parks and monuments than it is about the Londoners. The photographs selected in the exhibition depict the social history of the city in black and white. I guess i’ll never cease to be amazed by the photos of Shoreditch before the hipsters and by the sartorial audacity of Londoners (though i can’t imagine anyone nowadays loitering around town with ‘Destroy London” written on the back of their leather jacket)
Time machines, false memory, earthly landscape, moon rock gardening, flying saucers, lunacy, galactic adventures and the occasional rabbit. That’s the world sketched by Sue Corke and Hagen Betzwieser. Roughly speaking, Sue is a printmaker and Hagen is a ‘New New Media’ artist but together they are more than the sum of their parts, they are We Colonised the Moon.
i’ll take the publication of the book “Weaponized Architecture: The Impossibility of Innocence” as an excuse to talk to Ethel Baraona Pohl and César Reyes Nájera who are both architects, bloggers and heads of the publishing house dpr-Barcelona
Blighted by Kenning is a bioart work that Charlotte Jarvis developed in close collaboration with The Netherlands Proteomics Centre (NPC), a research center located in Utrecht that studies proteome, the ‘set of proteins expressed by a genome, cell, tissue or organism’.
Together they bio-engineered a bacteria so that its DNA encodes for the The Universal Declaration of Human Rights