What is that nature we so desperately worship, seek to love, protect and save? Does it even exist?
Search Results for: artificial
An oracle inspired by Marxism, a School of Algorithmic Solidarity, a bot that follows Socrates’ encouragement to “know yourself”, a poetical exploration of the asynchronicity between human and computer times, an archive of body parts that resist patriarchal technology….
Playing with gender tropes, stereotypes, sense of place, and future perspectives, artists interrogate individuality as we know it and as it might be
30 Italian and international artists have based their research path on the exchange, dialogue and interaction between knowledge and imagination
The artists selected in the show investigate a world made of processes, not objects. A world where matter fluctuates, shifts, mutates
An event in Marseille offered some thoughts on ideas of sustainability, resilience and the effects of the capitalocene on non-human life
HEK (House of Electronic Arts) in Basel invites visitors to play with video games that challenge gaming tropes -in particular the stereotypes of virility and the logic of competition- as well as our understanding of what it means to interact
“The recreational and tourist industry is constantly producing new sports models and trends which show a kind of detachment from the landscape context. Events that take place in a landscape that is in itself fragile due to its topographical configuration, such as glaciers, are only related to the place through the type of sporting activity practicised there”
Maxime Berthou’s cloud-seeding performance meant that he basically attempted to “steal” clouds heading to the US and make them rain over Canada. This artistic gesture hinted at the possibility of geopolitical disputes arising between neighbour countries over the ownership of water contained in clouds
While sparsely occupied ultra-thin “pencil towers” develop in our cities, functioning as speculative wealth storage for the superrich and cavernous “iceberg” homes extend architectural assets many stories below street level, communities around the globe are blighted by zombie and ghost urbanism, marked by unoccupied neighbourhoods and abandoned housing developments
The digital revolution has given rise to new models of collaboration and knowledge production but also to new forms of exploitation, precariousness and dependency that have been likened to feudalism
The artists in the show challenge anthropocentrism by playing with machine learning, robotics and computer vision but also by challenging the idea of a presumed hierarchy that places our species over everything else. Be it organic or algorithmic
In Data Garden, the artist imagines how a plant endemic to the Acropolis hill could one day secretly host our digital data in its DNA. Counting Craters on the Moon sparks a collaboration between a 19th century astronomer and an AI to calculate how many craters cover the surface of the moon…
The authors explore emerging forms of algorithmic governance and AI-augmented apps that collect data about individuals and keep wages and worker representation under control. They also provide case studies of new and exciting form of resistance across the globe
A book that unpacks the notion of the mass image through the lens of affective, representational, political, logistical and material economies
While exploring the “de-extinction” movement, artists and designers are also questioning its motives, highlighting its shortcomings and challenging the promise that we can resurrect the animals and plants that we have driven to extinction
Inspired by medieval bestiaries and observations of our damaged planet, A Bestiary of the Anthropocene is a compilation of hybrid creatures of our time
The Antilibrary looks closely at artists’ books in order to identify atypical trends and future attitudes. Its material of choice tends to be very speculative, decidedly science-inspired, slightly bizarre and never without a touch of humour
“The witch may be a technophile — she is, however, squinting skeptically at capitalism in everything that she does, and twisting technologies towards beautifully weird outcomes”
The exhibition invites us to challenge the dominant narratives about growth and progress and explore the radical implications of a speculative economic model based on the energy emitted by the Sun
Each life forms explains a key aspect about life on Earth. From the sponge that seems to be a plant but is really an animal to the almost extinct soft-shelled turtle deemed extremely unique and therefore extremely precious, these examples reveal how life itself is arranged across time and space, and how humanity increasingly dominates that vision
A fun book that targets an audience of art viewers without the usual arty mumbo jumbo. There’s humour throughout the pages and there’s inventiveness in the categories Cotton chose to classify contemporary photography art
A brutally honest display of social exclusion in suburbs, prisons and refugee camps, colonialist heritage, censorship, public spending scandals and fight against the mafia
In the middle of New Jersey exists a strange landscape of wetlands and wildlife migrations, garbage dumps and the ruins of industry, toxic waste sites and a river that tells the story of a civilization’s new frontier
How society archives human DNA in the form of slivers of umbilical cord, dental samples and sperm, DNA of animals already extinct in the wild, plant seeds, vast quantities of digital data…
Theresa Schubert multiplied cells from a biopsy of her thigh muscles in a serum produced by utilising her own blood, to artificially grow a piece of in-vitro meat. Which she proceeded to eat during a live performance
Artists offer new insights about genetic engineering by bringing it out of the lab and into public places to challenge viewers’ understandings about the human condition, the material of our bodies and the consequences of biotechnology
An exhibition in Erlangen (DE) looks at the role that technology can play to ensure or threaten the future of our planet
Free to download, the proceedings of the conference contain essays and visual documentation that explore the nature of the forbidden and the aesthetics of liminality in art that engages with technology and science…
An installation exposes the unpalatable consequences of an AI-driven management of the environment
Matthieu Gafsou has spent 4 years researching transhumanism, a movement looking towards science and technology to drastically improve human cognitive, mental and physical performances
Documentaries, a demo of how to type on a screen with your mind and discussions about the ethical dimensions of a “super brain”
Moving from medical field to personal enhancement, from non-invasive methods to implanted devices, neurotechnology has the potential to radically change our brain and bodies, raising a series of dilemmas and concerns…
Outer space has presented itself as a contemporary condition where humanness is getting redefined. Are human beings in outer space human, technological or ecological?
Lynn Hershman Leeson‘s work exposes why we need to have a better understanding of the potentials of gene editing and how they are being exploited by companies motivated mostly by profit
How do the Rave-o-lution of 12 March 2018 in front of the Georgian Parliament in Tbilisi and anti-fascist protests in Berlin relate to ancient Dionysian rituals, and why does the soundtrack to these events come from the drums of African Americans?
The exhibition draws on radical feminist and techno-feminist theories from the 1970s until now that criticised and revised the nexus tying new technologies and technoscience to patriarchal ideas
MOMENTUM10 intends to go back to emotions in order to move beyond the rational and embrace a more nuanced, more complex reality
To celebrate her 20 years as curator in the fields of art and video games, Isabelle Arvers is about to embark on a world tour to explore the issue of diversity, with an emphasis on female, queer and decolonial practices
The promise of the exhibition is bold: explain to us that incarceration is our shared responsibility because “We too are the punishers”