The exhibition invites us to challenge the dominant narratives about growth and progress and explore the radical implications of a speculative economic model based on the energy emitted by the Sun
Each life forms explains a key aspect about life on Earth. From the sponge that seems to be a plant but is really an animal to the almost extinct soft-shelled turtle deemed extremely unique and therefore extremely precious, these examples reveal how life itself is arranged across time and space, and how humanity increasingly dominates that vision
Hannah Fletcher is a photographer without a camera. She combines techniques from the past and experiments to innovate and improve photographic processes
The massive seed bomb was developed within the framework of Jos Volker’s fictitious company Ecological Space Engineering
A social and political history of industrial pollution, from the toxic wastes of early tanneries to the fossil fuel energy regime of the twentieth century
Announcing online classes that will explore non-human life. Microscopic and massive. Extinct, endangered, wild, familiar, lab-grown or “tech-augmented”
Italian artist Leone Contini’s collaborations with migrant communities open up discussions about local food resilience in the face of the climate crisis
Part school, part shelter and part folly where people came together to learn how to live in a post-collapse scenario
In the middle of New Jersey exists a strange landscape of wetlands and wildlife migrations, garbage dumps and the ruins of industry, toxic waste sites and a river that tells the story of a civilization’s new frontier
How society archives human DNA in the form of slivers of umbilical cord, dental samples and sperm, DNA of animals already extinct in the wild, plant seeds, vast quantities of digital data…
Artists offer new insights about genetic engineering by bringing it out of the lab and into public places to challenge viewers’ understandings about the human condition, the material of our bodies and the consequences of biotechnology
Interview with a photographer, bioartist and biology student whose works make visible the plight of endangered mammals in the Baltic sea, the drop in pollinator populations in the Arctic and other uncomfortable realities
What worlds are revealed when we listen to alpacas, make photographs with yeast or use biosignals to generate autonomous virtual organisms?
The exhibition draws on a historically informed anthropocentric worldview toward a systemic conception of humanity as part of the evolutionary process
Free to download, the proceedings of the conference contain essays and visual documentation that explore the nature of the forbidden and the aesthetics of liminality in art that engages with technology and science…
An installation exposes the unpalatable consequences of an AI-driven management of the environment
Several of the works are set in a microcosm where few human beings venture, a place remote from the rest of the world but which played an important role in human history: the Bikini Atoll
What happens to the design discipline when it has to evolve from a world where designers do wonders with (seemingly) unlimited resources and energy to a world where their creativity can only rely on limited ones?
A few years ago, Matsuzaka started using body waste to make personal soils in which she would grow vegetables, fruits trees and even barley for beer brewing…
One Tree ID, by Agnes Meyer-Brandis, transforms the ID of a specific tree into a perfume that can then be applied to the human body
Teresa Dillon’s practice involves a performance inspired by women working in ammunition factories during WW1, cardboard structures that explore the affects surveillance architectures have on non-human animals, collective bike rides for energy harvesting, talks & workshops that probe into the mechanisms governing urban life, etc.
The artist talks about plastic invasion, excavator choreographies on scrapyards and how to stay sane when the world around you is sinking under piles of garbage
The book offers critical reflections on some of the most challenging environmental problems of our time, including land take, groundwater pollution, desertification, and biodiversity loss
It’s difficult not to contemplate the possibility of an arid future when you realize how much climate change is affecting the Alps. Snow season is shortening; tourism relies on artificial snow (which further depletes water reserves); glaciers have shrunk to half their earlier size, and by the end of the century all the Alpine glaciers may have melted away
A series of artworks in a disused biology faculty in Riga make the Anthropocene disturbingly palpable
The history of energy is neither linear nor Darwinian. It is full of forgotten fantastic innovations…
What do outer space capsules, submarines, and office buildings have in common? Each is conceived as a closed system: a self-sustaining physical environment demarcated from its surroundings by a boundary that does not allow for the transfer of matter or energy
I talked with artist and designer Xandra van der Eijk about space mining without the need to leave the Earth and about controlling or being controlled by microorganisms
Gracie’s experimental breeding programme aims to gradually recreate, in an enclosed habitat, the atmospheric conditions found on Titan and make sure that the common fly would slowly acclimate to it
National parks, reserves and other forms of sanctuarization of nature are often adopted as a measure to protect territories from the detrimental impact of human activity. This exhibition brought together artists whose work invites us to re-examine our relationship with the natural world
French artistic duo Art Orienté Objet attempted to save one of the earliest forms of life on earth from environmental disaster
“Arriba!” is a cocoa plant shipped from the Ecuador Amazonian rainforest, enclosed inside a temperature-controlled container and displayed on top of an Antarctic glacier
An exhibition at the Parco Arte Vivente, Turin’s experimental centre for Living Arts, aims to offer new perspectives and lines of inquiry about the Anthropocene
Contemporary positions in art and architecture seeking answers to current environmental problems that transcend mainstream notions of sustainability
Erik Sjödin‘s art and research practice has led him to investigate human relationships to fire, aquatic plants that might one day feed the first inhabitants of planet Mars, bees and humans connections and community-based ways of producing food
Using defective photographic material and a bit of photoshop, Barker shot the plastic bits of trash to make them look like plankton in water
The exhibition gathers contemporary artworks as well as zoological and botanical objects to explore the changes in the tropical regions that Wallace once traveled and to shed light on the ecological issues faced by the fauna and flora of Amazon, Indonesia, Malaysia and Singapore today
Disappearing Legacies: The World as a Forest, an exhibition currently open at the Zoological Museum in Hamburg, “confronts the destruction of tropical habitats in the context of the Anthropocene and mass extinction”
Man-made virgin forest, plants that remove toxic substances from polluted waters, community urban orchards, mobile library, etc. Today’s short selection will focus on artistic attempts (many of them successful) to restore environmental damage
Alone or with the help of local communities, these artists have cleaned up polluted areas, planted wheat field, provided pollinators with colourful and appetizing flowery landscapes, built hanging and floating gardens, initiated edible and medicinal urban farms, developed schemes for sharing excess food and bred more resilient chicken breeds