Architect Tetsuo Kondo has teamed up with German climate engineering firm Transsolar to fill a closed space inside the Corderie with clouds. Visitors can experience the cloud from below, within, and above as they climb up 4.3 meter high helical ramp erected in the center of the room
The nuclear renaissance offers a clean, near limitless energy solution that could allow us to meet CO2 emission targets (without going short as consumers).
What if we ask for protective barrage balloons, establish concrete emergency services and resign ourselves to the perceived ‘hazards’? What if we embrace pet polar bears and pineapple ice cream along with other benefits that nuclear energy could bring? And what if not; are we prepared for blackouts instead?
Meet two activists from Mexico. The first is hackarchitect Ehécatl Cabrera who believes that since architecture is not able to answer the many issues that the city has to face, we should raise and ‘make the city ourselves’. The second is Tijuana-based Raúl Cárdenas from Torolab who was in Mexico to present his Institute of Waste
In this series of photos and installations in public space, Mitch Epstein explores and questions the ‘power’ that lays at the core of the United States. ‘Power’ in this case stands for both strength and energy. Over the course of 5 years he traveled through 25 states to photograph nuclear reactors, oil refineries, mines, rigs, abandoned gas pumps, wind parks, pipelines as well as their environs
Herbologies/Foraging Networks is a series of workshops, seminars and expeditions that explores the connection between traditional knowledge of herbs, edible and medicinal plants and media networked culture. The result of the Helsinki chapter of H/FN is a surprising fusion of hydroponic technologies, vodka-making workshop, fermentation sermon, DNA isolation experiments and lecture on subjects as diverse as biopiracy and honey beekeeping in Brussels
Vegetation and microorganisms live symbiotically inside the body of this robot. The robot draws water from a contaminated river, decomposes its elements, helps to create energy to feed its brain circuits and the surplus is then used to create life, enabling plants to fulfill their own life cycle
Interviews, reviews and articles. Everything in the latest issue of Neural is green
The 2009 edition of the @rt Outsiders Festival presents works that explore the meaning of living in extreme environments, in the imaginary realm as well as in the physical one, in the political, social and environmental fields as well as in the poetic ones
What logic lies behind major technological pushes of the past and how could it apply to future projects and what could we learn from the visions of an American past that never happened?
This volume includes a monumental stash of documentary photographs, ephemera, documents, transcripts and original writings on all things related to the oil crisis–from Jimmy Carter to underground utopias. Reproductions cover everything from impossible traffic jams leading up to empty gas stations to board games with names like Energy Quest and Petrol
Oron Catts, Director of SymbioticA, Centre of Excellence in Biological Arts at The University of Western Australia, presented the project he and his team are currently working on. Adaptation is radically different from what you would expect. No victimless leather jacket, no banquet of frog steak. This one invites us to take a peak into the broader issue of ecology and life itself
The second edition of Biorama was a workshop and symposium (set inside a cave) that explored the biology of the underground through the notion of umwelt developed by biologist Jakob von Uexküll and its influence on the development of biosemiotics by Thomas Sebeok.
As part of the exhibition Radical Nature, an urban mill designed by architects EXYZT and the re-staging of Agnes Denes’ 1982 Wheatfield form a temporary functional ensemble in the North-East London district of Dalston .
A dark and intelligent exhibition that attempts to address the overall ecological problem not only in environmental terms but also with respect to its philosophical, psychological, economic and social implications
When/if fully developed, My Sunshine will reflect the sunlight and provide extra hours of lights in urban areas around the Arctic Circle, a region that receives no sunlight in Winter time due to the rotation of the Earth’s axis
In the Winter of 2001/02, Michele Dantini traveled to Cameroon to photograph and document what is still the biggest private sector investment in sub-Sahara Africa: the construction of the controversial Chad-Cameroon oil pipeline
A speedy glimpse of the exhibition Green Platform which is running until July 19 at the Strozzina cultural center in Florence so that you know what to do if you’re in Tuscany this week
Radical Nature draws on ideas that have emerged out of Land Art, environmental activism, experimental architecture and utopianism. The exhibition is designed as one fantastical landscape, with each piece introducing into the gallery space a dramatic portion of nature
Danish artist and environmentalist Tue Greenfort’s photo series, Daimlerstrasse 38 lured foxes living in the industrial area in eastern Frankfurt with frankfurter sausages towards a hidden camera
The artists brought together for this show reveal an imagery that has been inspired by the current mutations in our environment. They deal with diverse matters such as Chernobyl, global warming and the rise in oil rates. At times close to science-fiction, these artists imagine new stories which pay witness to the curiosity and fears derived from this changing reality
VASTAL is a temporary research and education institute that Adam Zaretsky has set up in Amsterdam following an invitation by the Waag Society. Zaretsky will give lectures and workshops on Art and Life Sciences. The School was born with the objective of showing what it means to work artistically and scientifically with living organisms and materials. It also aims to make this form of art-science accessible for a broader audience and invite them to discuss the ethical and aesthetic issues at stake.
The project aimed at developing a series of tools that would enable city-dwellers to manage/monitor/research an urban garden using open-software and as much recycled materials as possible (mostly city waste that may include computers, printers, traffic lights or plastic bottles.)
Together with a team of 14 people and the help of a whole range of experts, Cesar Harada is currently busy developing the Open Sailing project, a floating architecture that evolves like a living organism, a laboratory for techno-social experiments
The Game is Up! chose a challenging theme: today’s ecological and economical crisis. The festival could hardly ignore that it was stepping on trodden tracks. Yet, the event’s pleasant mix of low tech, no-tech and high-tech installations, performances, graffiti, workshops and debates managed to amaze and inspire
transmediale’s 2009 award exhibition presents a spectrum of artistic positions, inquiries and responses to the multifacetted, and often contradictory scenarios of climate change. Will the melting of the polar ice-caps lead to an emergency situation in which survival is paramount? Beyond the spectre of a world knocked out of climatic control by our collective lack of foresight, the exhibition explores the symptoms, contexts and possible futures of a seemingly imperceptible yet fundamental change
What if Jimmy Carter had been re-elected in 1981? What would have happened if money and resources had been poured into geo-engineering rather than into space programs?
The work is both intensely dramatic and irresistibly funny. Flooded McDonald’s hints at the consumer-driven power and influence, but also ‘impotence, of large multinationals in the face of climate change.’ Unlike some documentaries on the same subject, the movie doesn’t point an angry finger, it doesn’t give lessons and make you feel guilty as sin, it elegantly and comically allows you to draw your own conclusions
Last Summer, curatorial research group Capsula embarked on the first of its Curated Expeditions, a series of research trips that engage with earthly phenomena through artistic investigation.
3 artists were invited to the scientific Zoo in Novosibirsk, the capital of Siberia, in order to collaborate with scientists and other experts and study the impact of a total solar eclipse on animals and human beings
There is No Road consists of a range of artists’ projects that record or evoke a series of actual or imaginary journeys, either through the local landscape of Asturias, or through a comparably remote and mountainous terrain
Domesticated jungle meets contemporary art. If the Xanadu of art existed it would be this place. Or at least something disturbingly similar.
One of the most popular pavilions this year is probably the Japanese one, surrounded as it is by greenhouses, little wooden benches and tea tables for visitors to have a rest. Designed by the edgy and young architect Junya Ishigami, the pavilion is a hybrid between an artificial environment or an element of topography
Booklets on media art, politically-engaged graphic design and comics zine, essays about cities built from zero, slums and the worst way to deal with them, etc. What a lovely Summer i just had
Gosh! Was it hot that day! That didn’t prevent Lucas to hide inside a cabinet waiting for passersby to roll him home, Jenny walked around in black jacket monitoring wifi signals and Gerry morsed around the neighbourhood
Philippe Rahm re-created, inside a room, the climate and exact daylight that the city of Bolzano would experience in the absence of global warming. The installation demonstrates how today, you can still obtain a ‘natural’ climate but only through artificial means
Two site-specific projects at the Contemporary Art Space in Castellon engage with the theme of ‘remodeled spaces and minimal interventions.’ One is a semi-transparent space for mediation, the other is a community of plants
The International Symposium on Electronic Art takes place biannually in various cities throughout the world. This year, the main exhibition features 16 works developed specifically for ISEA2008 by international and local artists. Priscilla Bracks reports from Singapore
Is the grass really greener in your neighbour’s garden?
In her installation and book, Ines Doujak criticizes the way multinational corporations reap profits by taking out patents on indigenous plants, food, knowledge, even human tissues from developing countries and turn them into lucrative products. Without sharing the benefits with the country of origin
Antarctica is the first complete and organic public showing of the artworks created by the artists as a result of their experience to the edge of the world
An exhibition of artworks which makes more tangible the contradictions and responsibilities that we encounter personally and as a society, giving the public the possibility of broadening and analyzing our perceptions and actions