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The work is both intensely dramatic and irresistibly funny. Flooded McDonald’s hints at the consumer-driven power and influence, but also ‘impotence, of large multinationals in the face of climate change.’ Unlike some documentaries on the same subject, the movie doesn’t point an angry finger, it doesn’t give lessons and make you feel guilty as sin, it elegantly and comically allows you to draw your own conclusions

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The online channel covers in a very professional and surprisingly fast and elegant way the opening receptions (vernissages) of exhibitions and events and i’m grateful to them for that. I profess an intense dislike for vernissages where people seemed to be more passionate about tepid wine and showing off their mere presence at an art event than about the artworks on show…. but that doesn’t mean i’m not curious about vernissages

Last Summer, curatorial research group Capsula embarked on the first of its Curated Expeditions, a series of research trips that engage with earthly phenomena through artistic investigation.

3 artists were invited to the scientific Zoo in Novosibirsk, the capital of Siberia, in order to collaborate with scientists and other experts and study the impact of a total solar eclipse on animals and human beings

The exhibition at the CCCS in Florence features the work of contemporary artists which throws light on the mechanisms of the international art system. The selection explores different points of view, ranging from complete conformity to the prevailing rules of the market, to irony and sarcasm and even to an “anti-market” stance, taken by those anxious to avoid the commercial aspects of the art market entirely

One day, Daniel Eatock left his desk, found the car whose alarm had been interrupting his peace every five minutes, and waited for the siren to switch on. When the siren sounded, he started dancing like a madman. He made videos of several of his car alarm dances, never touching the car, only dancing to the sound pollutants

Recognizing that Israeli colonies and military bases are excruciating instruments of domination, the project assumes that a viable approach to the issue of their appropriation is to be found not only in the professional language of architecture and planning but rather in inaugurating an “arena of speculation” that incorporates varied cultural and political perspectives through the participation of a multiplicity of individuals and organizations. How could the architecture of Israel domination be reused, recycled or re-inhabited by Palestinians?

With his Lolita figures borrowed from manga imagery, Mr. has made a name for himself in the space separating irony from candor. In this ambiguous representation of pubescent amazement, he has combined the feigned innocence of Nabokov’s heroine with another era and another cultural register. What comes to mind are his works that seem inspired from the figure of the young Heidi in her underwear in the Alpine meadows