This year’s edition of IDFA DocLab questioned the twofold power of technology. On the one hand, VR, AR, AI and other technologies can produce virtual life-like creatures, immaterial wealth and absorbing software constructs. On the other hand, those same technologies can bring about physical experiences and authentic feelings. And none of those experiences are simulated

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The quality of groundwater is heavily affected by human industrial activities. Looking for innovative ways to get clean waters to irrigate agricultural fields, artist Rihards Vitols is currently experimenting with a new type of agronomy that relies on “cloud-farming”. In his scenario, people will raise thousands of helium balloons over their land to collect water from the cloud

Today’s guests are Evan Roth, Becky Stern, Geraldine Juárez and Magnus Eriksson from the Free Art and Technology Lab (F.A.T. Lab), a network of artists, engineers, scientists, lawyers, and musicians who are committed to supporting open values and the public domain through the use of emerging open licenses, support for open entrepreneurship, and the admonishment of secrecy, copyright monopolies, and patents

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The Creator takes you into the surreal dream world of the visionary scientist Alan Turing, the father of the computer age and seed of Thinking Machines. Through Turing’s dream diaries, the Thinking Machines from the future embark on a quest to discover their origins and destiny of the universe

Matteo Bittanti and Domenico Quaranta, the authors of the very enjoyable and clever book GameScenes. Art in the Age of Videogames, are onto great game art adventures again. This time, they curated an exhibition that celebrates the work of Italian artists who have been experimenting with game-based technologies for more than two decades

Austin Houldsworthhas installed a 3 tonnes and 4m-tall ‘Fossilisation Machine’ in Tatton Park, a historic estate in Cheshire, England. With Two Million & 1AD, the artist is trying to create a fossil using rudimentary, human-designed machines that would substitute and speed-up the natural processes. Houldsworth’s project starts with the attempt to petrify both a Tatton-grown pineapple and pheasant, and conclude when it is a human that ends up fossilised

The exhibition explores the new “updated” textile crafts that are developed by a new generation of serious amateurs, innovative craftsmen, engaged entrepreneurs and political practitioners. Once again the home is the workshop where economic and ecologic innovation happens – not only in the labs of the industrial expertise. After decades of outsourcing, the new modes of production are in the hands of the layperson

The ‘Herbologies/Foraging Networks’ programme of events, focused in Helsinki (Finland) and Kurzeme region of Latvia, explores the cultural traditions and knowledge of herbs, edible and medicinal plants, within the contemporary context of online networks, open information-sharing, biological and hydroponic technologies

The online channel covers in a very professional and surprisingly fast and elegant way the opening receptions (vernissages) of exhibitions and events and i’m grateful to them for that. I profess an intense dislike for vernissages where people seemed to be more passionate about tepid wine and showing off their mere presence at an art event than about the artworks on show…. but that doesn’t mean i’m not curious about vernissages