El Bòlit, a brand new Contemporary Art Center located in Girona (SP), is still waiting for a proper building, but that doesn’t prevent the center to have strong personality, dauntless attitude and a very promising exhibition programme
Robert Kusmirowski’s UHER.C is a classical, archaic sculpture that has gone berserk: it is both the nightmarish and joyous side of machine
The exhibition, currently running at the Swiss Architecture Museum in Basel, explores the little-known architecture of the post-socialist period and the result of unregulated, uncontrolled urban planning in the countries of South Eastern Europe
Call for the presentation of projects where science, technology and art converge into prototypes and installations that use software, hardware and biology
A quickie on painted and drawn goodies seen at Artissima, the international fair on contemporary art that closed on Sunday in Turin
In 2008, artist Regina José Galindo organized a 36 hour performance to protest against the U.S.’ booming industry of private prisons and in particular T. Don Hutto, a ‘residential center’ authorized by the state of Texas to lodge whole families: men, pregnant women, adolescents, children, women, and even babies
Cultural Resistance, Psychological Exploration and Material Intervention are the key themes of an exhibition that the famous designer duo El Último Grito has curated at the LABoral Centro de Arte y Creación Industrial
Looking beyond the form given to buildings by architects, the curators of the pavilion question the durability of edifices. Their project tries and forecasts how the passage of time, the changes in social or environmental conditions will affect and slowly modify buildings
The movie engages with the Biennale’s theme ‘Out there – architecture beyond buildings’ by trying to uncover what happens after a house that has been plastered all over the glossy magazines is left in the hands of the owners
The pavilion revolves around the idea that the motor that drives architecture is not to be exhibited, but to be built. Models, 3D renderings and plans are therefore not welcome. Instead, the pavilion displays architecture as a reality that can be experienced physically
Adrian Street was a glam rock wrestler who gained fame for dressing in flamboyant platform shoes and glitter capes, wearing extravagant make up, kissing his opponents on stage and tarting them up with make up when he had them pinned down
A new generation of architects in a country whose building rhythm over the last decade has been unstoppable, as China’s architects are making their mark within the backdrop of an avalanche of world class architecture stars
Lessons learned from a media art exhibition mounted inside a ‘traditional’ art museum
Xavier Ribas’s photos explore the phenomenon of entertainment, of leisure, of what people do in their ‘free’ time, showing the extent to which such activities take place in Barcelona’s residual spaces
84 giant pieces that had to be suspended from the tower’s ceiling by a total of 140 cables -some of them as thin as 3 mm- form Splash, a sculpture which freezes in solid form the kinetic properties of water hitting a surface
The bold and unescapable installation, inspired by a controversial enterprise of a Gazprom initiative to build a direct gas pipe from Russia to Germany, highlights a series of political issues that impact architecture
8 projects developed over 2 weeks in Mexico D.F. use hardware and software tools to create prototypes that explore the relations between machines and humour/laughter
One of the most popular pavilions this year is probably the Japanese one, surrounded as it is by greenhouses, little wooden benches and tea tables for visitors to have a rest. Designed by the edgy and young architect Junya Ishigami, the pavilion is a hybrid between an artificial environment or an element of topography
Vicente Guallart’s contribution to the biennale is a research project that explores the potential of information technology to reorganize the habitability of the world. From a single small object to the planet itself
Matthew Ritchie’s structure is ‘a ruin from the future’. The project combines science, art, architecture, music and film into the first semasiographic building, an architectural language that directly expresses its content through its structure
In the view of the Curator, ‘architecture is not building. Architecture must go beyond buildings because buildings are not enough. They are big and wasteful accumulations of natural resources that are difficult to adapt to the continually changing conditions of modern life.’
The U.S. are all over the newspapers because of the upcoming presidential elections. Yet, most of us know very little of the art and culture of the area that lies between the East Coast and the West Coast. And what we think we might know of it is often just a bunch of cliches. The aim of the exhibition is to offer a more subtle picture of the ‘Heartland’ but it is also to questions traditional definitions of cultural centers and peripheries
A paper celebration of 5 fantastic editions of a workshop that gathers artists, academics, designers, industry representatives and academics who share their passion for the way ubiquitous computing is modifying the consumption, sharing and creation of music
A merry and evil atmosphere where cute hooded characters steal the bourgeois, little girls stick out their tongues, skeletons dance and kill
The artist of the paraSITE plastic shelter revisits the sad fate of the Pruitt-Igoe housing project, evoking the end of segregation in Missouri, the Twin Tower and the failure of an utopian urban community
Resist is bringing you a live webcast with Gael Garcia Bernal, supported by Amnesty International UK. The debate that will try to bring some answers to the question: How will decentralised communications networks shift the way we understand poverty and our power to resist its causes?
The exhibition ‘Artur Żmijewski: The Social Studio’ reflects the artist’s conviction that in order for art to regain its value in society, it has to expose societal conflict and disclose the conditions in which social antagonisms are cultivated and maintained by the powers that be
Sleep without Architects, a section of the exhibition, presents several examples that escape the clutches of architecture. By focusing on the position of the homeless and in other ways, this chapter raises the role of architecture and the way in which it organises sleep for discussion
What if you built the whole mass of western europe in 20 years? What if 400 million farmers then moved in? What would it look like? How would it work? Would you be able to go to sleep at night? And if you did, would you dream of somewhere else …?
In big cities, groups of people decide to occupy then inhabit buildings which were left unfinished and abandoned because of economic crisis, ups and downs of the estate market, war, cataclysm, etc, giving way to an unexpected collaboration between construction industry and invention prompted by necessity
Where you’ll see a wall of robotic trophies, a robotic cat salivating in front of a virtual fish and a rocking robot having fun at the back of the gallery
Andreas Broeckmann, one of the curators of media_city Seoul reflects on crucial questions such as: Should media art be defined only by the technical media in use? Does it have any sense nowadays to organize specific media biennales and festivals?
The artist plays the guitar in a band called Herman Dune but he also creates drawings and illustrations. The ones on show in a tiny gallery off Arts et Metiers star the endearing and mysterious Blue Bigfoot Of The Negev
With some 70 artists showing their work, the 5th edition of Seoul International Media Art Biennale is a very satisfying but also very overwhelming experience, especially because the event features so many pieces that require time and reflection, and so many artists whose work i had never heard of
Booklets on media art, politically-engaged graphic design and comics zine, essays about cities built from zero, slums and the worst way to deal with them, etc. What a lovely Summer i just had
The work of artists, designers and activists like Lize Mogel, John Emerson and Brooke Singer demonstrate that maps have the potential to bring about social changes
C.STEM 2008: Breeding Objects – Computational Design, from Digital Fabrication to Mass-Customization
The conference and exhibition present a selection of visionary projects anticipating future developments in design process and technologies. What happens when design, creative coding and digital fabrication meet mass-customization?
Gosh! Was it hot that day! That didn’t prevent Lucas to hide inside a cabinet waiting for passersby to roll him home, Jenny walked around in black jacket monitoring wifi signals and Gerry morsed around the neighbourhood
My favourite art and tech festival for the creative exploration of urban public space has moved from Brooklyn to Manhattan. Was that really a good idea?
Vertical Bed is a sort of static prostheses that allows a person to fall asleep in a standing position. By bolting into cracks between the sidewalks, subway grates, or other rigid contact points, the suit will support it’s wearer with a minimum of visible hardware or occupied space, holding the sleeper’s weight with concealed harnesses