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Whether it’s from a hotel room in Vegas, secret prisons in Kabul, buried CIA aircraft in Central American jungles, Washington, D.C., suburbs, or a trailer in Shoshone Indian territory, Paglen’s reporting is impassioned, rigorous, relentless–and eye-opening. Blank Spots on the Map is an exposé of a world that, officially, isn’t even there

Photojournalist Geert Van Kesteren shows the disorienting reality of war-torn Iraq as he chronicles the lives of ordinary Iraqi people living in Baghdad, Jordan, Syria, and Turkey during 2006 and 2007. The book and exhibition combines Van Kesteren’s professionally photographed images with the stories of Iraqis in their own words and hundreds of cell phone pictures and digital snap shots taken by the Iraqis themselves. Some reveal places that journalists dare not tread

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A photo of a secret CIA prison. A map designed to help visitors reach Malibu’s notoriously inaccessible public beaches. Guidebooks to factories, prisons, and power plants in upstate New York. These are some of the more than one hundred projects represented in Experimental Geography, a collection of visual research and mapmaking from the past ten years

Going beyond the phenomenon of number stations, the exhibition explores forms of art that elude any wistful desire for fixed interpretations, they include mathematical encoding, the production of aurora borealis, archiving contact lenses, seismic sensors, the disappearance of hanged men and mountain summits

In fast and witty episodes, Filmmaker Ben Lewis meets some of the most discussed contemporary artists and challenges their work with the kind of provoking questions you can expect from someone who recently penned an article titled ‘Who Put the Con on Contemporary Art?’

This volume includes a monumental stash of documentary photographs, ephemera, documents, transcripts and original writings on all things related to the oil crisis–from Jimmy Carter to underground utopias. Reproductions cover everything from impossible traffic jams leading up to empty gas stations to board games with names like Energy Quest and Petrol

Oron Catts, Director of SymbioticA, Centre of Excellence in Biological Arts at The University of Western Australia, presented the project he and his team are currently working on. Adaptation is radically different from what you would expect. No victimless leather jacket, no banquet of frog steak. This one invites us to take a peak into the broader issue of ecology and life itself

Rather than answering questions–such as, How can technological advances be controlled? On what ethical bases can its purposes be chosen? Who is entitled to decide on the ultimate mission of machines? Can machines destroy us?–this installation, on the contrary, is about reformulating those modern philosophical questions through the use of images associated with the popular culture of science fiction

Ever since its opening in 2007, the museum had to face accusations of reinforcing colonial stereotypes. An exhibition about the famous Ape-Man, created by an author who had never set foot in Africa, was unlikely to tame detractors. But the curators are smart. Their perspective is to help visitors understand how Westerners’ misconceptions of Africa, its noble savages, untamed jungles and scantily clad women, came about. All i cared about was a couple of statues representing Leopard Men

The publication is concerned with searching the world for signs of what is to come. Given the visitor’s experiences, life choices and dreams, what is the probable future of the exhibition as a medium, a voice, experience and contemporary fountain of knowledge? And what future do we who are working in the field hope to see?

The Cloud Project takes the shape of a retro van selling ice-cream flavored clouds. An industrial-strength water spray mounted on top of the ice cream van would shoot a mix of liquid nitrogen and ice-cream into the atmosphere as a fine spray, leading to flavored condensation nuclei that will seed ice-cream clouds and give them the flavour of your choice

How can 300 cheapo copies of the same profile of a fourth century Christian saint originally painted by an artist most of us have never heard about be interesting? I don’t really know the answer to that but i know that the magic is there. Seen from afar, the effect of these paintings is stunning. Seen from up close, the portraits are equally fascinating

You do remember The Toaster Project, don’t you? Thomas Thwaites has spent the past 9 months crafting his own toaster from scratch. I went to see the progress of his kitchen appliance last week at the Royal College of Art show and all i can say is: What a beauty!

A fictitious company called ENT International has filed for bankruptcy protection under Chapter 11 in the U.S. Bankruptcy Code.

Some of the items listed in the catalogue of the bankruptcy clearance auction are perfectly mundane, others are fictitious. Put together they offer a detailed insight into the inner workings of a large corporation closely inspired by the Enron scandal

The artists brought together for this show reveal an imagery that has been inspired by the current mutations in our environment. They deal with diverse matters such as Chernobyl, global warming and the rise in oil rates. At times close to science-fiction, these artists imagine new stories which pay witness to the curiosity and fears derived from this changing reality