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Two of our speakers explores the cultural and economic modes of (in)formal distribution both in the world of file-sharing and in Tepito, an area of Mexico city famed for its humongous street market where you can buy pretty anything, especially if pirate, stolen or counterfeit. We also had rappers performing live, a lesson on local pride and an intense introduction on critical fetishes

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The photo series documents a traditional winter masquerade in Bulgaria that was originally aimed at frightening the evil spirits away but has now become way to welcome the new year. Estelle Hanania observed the scene from a nearby parking lot where participants changed into their costumes and masks

Ali Gadorki is the leader of Kumbia Queers, an all-ladies group which mixes influences from punk and Cumbia, a musical style and folk dance that is considered to be representative of Colombia. Now mixing these two is considered an heresy by most people in the punk and metal communities. It nevertheless works wonderfully

Two of them. One is the catalogue of the exhibition El proceso como paradigma – Process Becomes Paradigm. The second comes courtesy of LABoral Art and Industrial Creation Centre again, it’s the magazine/catalogue of Habitar, an exhibition which engages with cities where bits and flows of information shape the urban experience as much as brick and mortar

In the controversial contemporary reality the online platform “Esse, Nosse, Posse: Common Wealth for Common People” focuses on “posse”, on the mode of production and being not only of the creators presented within this context but of all the contributors of today’s common wealth , as well as on the possibilities of re-appropriation of knowledge that may occur only through knowledge itself

Austin Houldsworthhas installed a 3 tonnes and 4m-tall ‘Fossilisation Machine’ in Tatton Park, a historic estate in Cheshire, England. With Two Million & 1AD, the artist is trying to create a fossil using rudimentary, human-designed machines that would substitute and speed-up the natural processes. Houldsworth’s project starts with the attempt to petrify both a Tatton-grown pineapple and pheasant, and conclude when it is a human that ends up fossilised

Laurent Grasso’s movie, shot in 2009 in The United Arab Emirates, looks at traditional hawk hunting. This time however, tthe hawk gets equipped with light and sophisticated surveillance equipment. The camera records every dune and village the hawk flies over. The images are fascinating but they are also threatening. Who is the man tracking the bird with an antenna? What is he trying to uncover?

The 11th edition of Elektra, Montreal’s digital art festival kicked off with the International Marketplace for Digital Arts, a professional networking event where 24 actors from the world of digital art presented their practice, festival, or organization. Here’s a blurb about 3 organizations i discovered during the maddeningly long presentation sets

The Phantom Recorder system projects a cold and damp sensation onto the skin surface, triggering the brain to hallucinate a phantom. As the phantom movement stimulates the peripheral nerves, its activity is captured by the neural implant and external wireless machinery

Hello Process, by Marloes de Valk and Aymeric Mansoux, is part of Laboral’s new exhibition, “El proceso como paradigma – Process Becomes Paradigm.” The show reflects the shift in contemporary art and culture from finished, stable objects to processes. Flourishing beyond the limits imposed by the market, this art is in continuous flux and execution, that has a life of its own, that grows, changes and decays